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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 178 160 it is the complementary color RGB 98 77 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 178 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 157 178 160: RGB 162 178 155, RGB 179 196 174, RGB 196 214 193, RGB 213 232 212 and RGB 230 250 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 178 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 157 178 160: RGB 157 178 160, RGB 140 160 141, RGB 123 142 122, RGB 106 124 103 and RGB 89 106 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 10 / 30

HEX #9DB2A0

RGB 157 178 160

HSL 128.57, 0.12%, 0.66%

LAB 70.56, -10.76, 6.75

 

Complementary color

CMYK 0 / 21 / 3 / 62

HEX #624D5F

RGB 98 77 95

HSL 308.57, 0.12%, 0.34%

LAB 35.46, 12.3, -7.16

 

CMYK 9 / 0 / 13 / 30

HEX #A2B29B

RGB 162 178 155

HSL 101.74, 0.13%, 0.65%

LAB 70.79, -9.9, 9.88

 

CMYK 9 / 0 / 11 / 23

HEX #B3C4AE

RGB 179 196 174

HSL 106.36, 0.16%, 0.73%

LAB 77.35, -9.9, 9.07

 

CMYK 8 / 0 / 10 / 16

HEX #C4D6C1

RGB 196 214 193

HSL 111.43, 0.2%, 0.8%

LAB 83.8, -9.91, 8.31

 

CMYK 8 / 0 / 9 / 9

HEX #D5E8D4

RGB 213 232 212

HSL 117, 0.3%, 0.87%

LAB 90.14, -9.93, 7.58

 

CMYK 8 / 0 / 8 / 2

HEX #E6FAE7

RGB 230 250 231

HSL 123, 0.67%, 0.94%

LAB 96.4, -9.94, 6.87

 

CMYK 12 / 0 / 10 / 30

HEX #9DB2A0

RGB 157 178 160

HSL 128.57, 0.12%, 0.66%

LAB 70.56, -10.76, 6.75

 

CMYK 13 / 0 / 12 / 37

HEX #8CA08D

RGB 140 160 141

HSL 123, 0.1%, 0.59%

LAB 63.87, -10.8, 7.54

 

CMYK 13 / 0 / 14 / 44

HEX #7B8E7A

RGB 123 142 122

HSL 117, 0.08%, 0.52%

LAB 57.04, -10.86, 8.38

 

CMYK 15 / 0 / 17 / 51

HEX #6A7C67

RGB 106 124 103

HSL 111.43, 0.09%, 0.45%

LAB 50.05, -10.93, 9.28

 

CMYK 16 / 0 / 21 / 58

HEX #596A54

RGB 89 106 84

HSL 106.36, 0.12%, 0.37%

LAB 42.87, -11.03, 10.26

 

CMYK 12 / 0 / 10 / 30

HEX #9DB2A0

RGB 157 178 160

HSL 128.57, 0.12%, 0.66%

LAB 70.56, -10.76, 6.75

 

CMYK 12 / 0 / 8 / 30

HEX #9DB2A4

RGB 157 178 164

HSL 140, 0.12%, 0.66%

LAB 70.66, -10, 4.7

 

CMYK 12 / 0 / 6 / 30

HEX #9DB2A7

RGB 157 178 167

HSL 148.57, 0.12%, 0.66%

LAB 70.73, -9.42, 3.16

 

CMYK 12 / 0 / 4 / 30

HEX #9DB2AB

RGB 157 178 171

HSL 160, 0.12%, 0.66%

LAB 70.84, -8.63, 1.11

 

CMYK 12 / 0 / 2 / 30

HEX #9DB2AE

RGB 157 178 174

HSL 168.57, 0.12%, 0.66%

LAB 70.92, -8.03, -0.42

 

CMYK 12 / 0 / 10 / 30

HEX #9DB2A0

RGB 157 178 160

HSL 128.57, 0.12%, 0.66%

LAB 70.56, -10.76, 6.75

 

CMYK 12 / 0 / 10 / 10

HEX #CAE5CE

RGB 202 229 206

HSL 128.89, 0.34%, 0.85%

LAB 88.47, -13.17, 8.22

 

CMYK 12 / 0 / 12 / 90

HEX #161916

RGB 22 25 22

HSL 120, 0.06%, 0.09%

LAB 8.34, -2.22, 1.59

 

CMYK 12 / 0 / 11 / 70

HEX #434C44

RGB 67 76 68

HSL 126.67, 0.06%, 0.28%

LAB 31.3, -5.43, 3.53

 

CMYK 12 / 0 / 10 / 50

HEX #707F72

RGB 112 127 114

HSL 128, 0.06%, 0.47%

LAB 51.65, -8.2, 5.2

 

CMYK 12 / 0 / 10 / 30

HEX #9DB2A0

RGB 157 178 160

HSL 128.57, 0.12%, 0.66%

LAB 70.56, -10.76, 6.75

 

CMYK 12 / 4 / 0 / 30

HEX #9DABB2

RGB 157 171 178

HSL 200, 0.12%, 0.66%

LAB 69.12, -3.45, -5.27

 

CMYK 0 / 12 / 8 / 30

HEX #B29DA3

RGB 178 157 163

HSL 342.86, 0.12%, 0.66%

LAB 66.69, 8.75, -0.3

 

CMYK 12 / 0 / 10 / 30

HEX #9DB2A0

RGB 157 178 160

HSL 128.57, 0.12%, 0.66%

LAB 70.56, -10.76, 6.75

 

CMYK 10 / 12 / 0 / 30

HEX #A09DB2

RGB 160 157 178

HSL 248.57, 0.12%, 0.66%

LAB 65.59, 5.28, -10.49

 

CMYK 0 / 10 / 12 / 30

HEX #B2A09D

RGB 178 160 157

HSL 8.57, 0.12%, 0.66%

LAB 67.31, 6.05, 3.95

 

CMYK 12 / 0 / 10 / 30

HEX #9DB2A0

RGB 157 178 160

HSL 128.57, 0.12%, 0.66%

LAB 70.56, -10.76, 6.75

 

CMYK 12 / 4 / 0 / 30

HEX #9DABB2

RGB 157 171 178

HSL 200, 0.12%, 0.66%

LAB 69.12, -3.45, -5.27

 

CMYK 0 / 12 / 2 / 30

HEX #B29DAF

RGB 178 157 175

HSL 308.57, 0.12%, 0.66%

LAB 67.03, 10.95, -6.5

 

CMYK 0 / 8 / 12 / 30

HEX #B2A49D

RGB 178 164 157

HSL 20, 0.12%, 0.66%

LAB 68.35, 3.86, 5.45

 

CMYK 12 / 0 / 10 / 30

HEX #9DB2A0

RGB 157 178 160

HSL 128.57, 0.12%, 0.66%

LAB 70.56, -10.76, 6.75

 

CMYK 12 / 7 / 0 / 30

HEX #9DA5B2

RGB 157 165 178

HSL 217.14, 0.12%, 0.66%

LAB 67.5, -0.17, -7.67

 

CMYK 0 / 12 / 2 / 30

HEX #B29DAF

RGB 178 157 175

HSL 308.57, 0.12%, 0.66%

LAB 67.03, 10.95, -6.5

 

CMYK 0 / 4 / 12 / 30

HEX #B2AB9D

RGB 178 171 157

HSL 40, 0.12%, 0.66%

LAB 70.19, 0.05, 8.09

 

Description

Color code: RGB 157 178 160 | qconv.com Color code: RGB 157 178 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 178 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 178 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 10 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 10% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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