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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 174 188 it is the complementary color RGB 98 81 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 174 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 157 174 188: RGB 162 174 183, RGB 179 192 202, RGB 196 210 221, RGB 213 228 240 and RGB 230 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 174 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 157 174 188: RGB 157 174 188, RGB 140 156 169, RGB 123 138 150, RGB 106 120 131 and RGB 89 102 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 7 / 0 / 26

HEX #9DAEBC

RGB 157 174 188

HSL 207.1, 0.19%, 0.68%

LAB 70.23, -2.94, -9.15

 

Complementary color

CMYK 0 / 17 / 32 / 62

HEX #625143

RGB 98 81 67

HSL 27.1, 0.19%, 0.32%

LAB 35.77, 4.71, 10.88

 

CMYK 11 / 5 / 0 / 28

HEX #A2AEB7

RGB 162 174 183

HSL 205.71, 0.13%, 0.68%

LAB 70.44, -2.35, -6.04

 

CMYK 11 / 5 / 0 / 21

HEX #B3C0CA

RGB 179 192 202

HSL 206.09, 0.18%, 0.75%

LAB 77.01, -2.45, -6.55

 

CMYK 11 / 5 / 0 / 13

HEX #C4D2DD

RGB 196 210 221

HSL 206.4, 0.27%, 0.82%

LAB 83.47, -2.55, -7.05

 

CMYK 11 / 5 / 0 / 6

HEX #D5E4F0

RGB 213 228 240

HSL 206.67, 0.47%, 0.89%

LAB 89.82, -2.65, -7.55

 

CMYK 10 / 4 / 0 / 0

HEX #E6F6FF

RGB 230 246 255

HSL 201.6, 1%, 0.95%

LAB 95.98, -3.53, -6.12

 

CMYK 16 / 7 / 0 / 26

HEX #9DAEBC

RGB 157 174 188

HSL 207.1, 0.19%, 0.68%

LAB 70.23, -2.94, -9.15

 

CMYK 17 / 8 / 0 / 34

HEX #8C9CA9

RGB 140 156 169

HSL 206.9, 0.14%, 0.61%

LAB 63.52, -2.84, -8.69

 

CMYK 18 / 8 / 0 / 41

HEX #7B8A96

RGB 123 138 150

HSL 206.67, 0.11%, 0.54%

LAB 56.67, -2.75, -8.23

 

CMYK 19 / 8 / 0 / 49

HEX #6A7883

RGB 106 120 131

HSL 206.4, 0.11%, 0.46%

LAB 49.66, -2.65, -7.76

 

CMYK 21 / 9 / 0 / 56

HEX #596670

RGB 89 102 112

HSL 206.09, 0.11%, 0.39%

LAB 42.45, -2.56, -7.28

 

CMYK 16 / 7 / 0 / 26

HEX #9DAEBC

RGB 157 174 188

HSL 207.1, 0.19%, 0.68%

LAB 70.23, -2.94, -9.15

 

CMYK 16 / 10 / 0 / 26

HEX #9DA9BC

RGB 157 169 188

HSL 216.77, 0.19%, 0.68%

LAB 68.88, -0.21, -11.16

 

CMYK 16 / 13 / 0 / 26

HEX #9DA4BC

RGB 157 164 188

HSL 226.45, 0.19%, 0.68%

LAB 67.54, 2.54, -13.17

 

CMYK 16 / 15 / 0 / 26

HEX #9D9FBC

RGB 157 159 188

HSL 236.13, 0.19%, 0.68%

LAB 66.21, 5.32, -15.17

 

CMYK 14 / 16 / 0 / 26

HEX #A19DBC

RGB 161 157 188

HSL 247.74, 0.19%, 0.68%

LAB 66, 7.76, -15.46

 

CMYK 16 / 7 / 0 / 26

HEX #9DAEBC

RGB 157 174 188

HSL 207.1, 0.19%, 0.68%

LAB 70.23, -2.94, -9.15

 

CMYK 16 / 8 / 0 / 6

HEX #C8DDEF

RGB 200 221 239

HSL 207.69, 0.55%, 0.86%

LAB 87.11, -3.33, -11.15

 

CMYK 17 / 9 / 0 / 86

HEX #1D2023

RGB 29 32 35

HSL 210, 0.09%, 0.13%

LAB 12.06, -0.57, -2.51

 

CMYK 16 / 7 / 0 / 66

HEX #485056

RGB 72 80 86

HSL 205.71, 0.09%, 0.31%

LAB 33.54, -1.75, -4.61

 

CMYK 17 / 7 / 0 / 46

HEX #727F89

RGB 114 127 137

HSL 206.09, 0.09%, 0.49%

LAB 52.47, -2.54, -7.03

 

CMYK 16 / 7 / 0 / 26

HEX #9DAEBC

RGB 157 174 188

HSL 207.1, 0.19%, 0.68%

LAB 70.23, -2.94, -9.15

 

CMYK 5 / 16 / 0 / 26

HEX #B29DBC

RGB 178 157 188

HSL 280.65, 0.19%, 0.68%

LAB 67.43, 13.48, -13.15

 

CMYK 1 / 0 / 16 / 26

HEX #BBBC9D

RGB 187 188 157

HSL 61.94, 0.19%, 0.68%

LAB 75.43, -5.66, 15.6

 

CMYK 16 / 7 / 0 / 26

HEX #9DAEBC

RGB 157 174 188

HSL 207.1, 0.19%, 0.68%

LAB 70.23, -2.94, -9.15

 

CMYK 0 / 16 / 7 / 26

HEX #BC9DAE

RGB 188 157 174

HSL 327.1, 0.19%, 0.68%

LAB 67.92, 14.33, -4.53

 

CMYK 7 / 0 / 16 / 26

HEX #AEBC9D

RGB 174 188 157

HSL 87.1, 0.19%, 0.68%

LAB 74.44, -10.45, 14.07

 

CMYK 16 / 7 / 0 / 26

HEX #9DAEBC

RGB 157 174 188

HSL 207.1, 0.19%, 0.68%

LAB 70.23, -2.94, -9.15

 

CMYK 5 / 16 / 0 / 26

HEX #B29DBC

RGB 178 157 188

HSL 280.65, 0.19%, 0.68%

LAB 67.43, 13.48, -13.15

 

CMYK 0 / 9 / 16 / 26

HEX #BCAB9D

RGB 188 171 157

HSL 27.1, 0.19%, 0.68%

LAB 71.04, 3.79, 9.42

 

CMYK 11 / 0 / 16 / 26

HEX #A8BC9D

RGB 168 188 157

HSL 98.71, 0.19%, 0.68%

LAB 74.01, -12.62, 13.41

 

CMYK 16 / 7 / 0 / 26

HEX #9DAEBC

RGB 157 174 188

HSL 207.1, 0.19%, 0.68%

LAB 70.23, -2.94, -9.15

 

CMYK 1 / 16 / 0 / 26

HEX #BB9DBC

RGB 187 157 188

HSL 298.06, 0.19%, 0.68%

LAB 68.25, 16.57, -11.85

 

CMYK 0 / 9 / 16 / 26

HEX #BCAB9D

RGB 188 171 157

HSL 27.1, 0.19%, 0.68%

LAB 71.04, 3.79, 9.42

 

CMYK 15 / 0 / 16 / 26

HEX #9FBC9D

RGB 159 188 157

HSL 116.13, 0.19%, 0.68%

LAB 73.4, -15.81, 12.45

 

Description

Color code: RGB 157 174 188 | qconv.com Color code: RGB 157 174 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 174 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 174 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 7 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 7% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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