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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 77 60 it is the complementary color RGB 99 178 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 77 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 156 77 60: RGB 161 77 55, RGB 178 95 74, RGB 195 113 93, RGB 212 131 112 and RGB 229 149 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 77 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 156 77 60: RGB 156 77 60, RGB 139 59 41, RGB 122 41 22, RGB 105 23 3 and RGB 88 5 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 62 / 39

HEX #9C4D3C

RGB 156 77 60

HSL 10.63, 0.44%, 0.42%

LAB 42.31, 31.36, 25.19

 

Complementary color

CMYK 49 / 9 / 0 / 24

HEX #63B2C3

RGB 99 178 195

HSL 190.63, 0.44%, 0.58%

LAB 68.34, -19.67, -16.17

 

CMYK 0 / 52 / 66 / 37

HEX #A14D37

RGB 161 77 55

HSL 12.45, 0.49%, 0.42%

LAB 43, 33.02, 29.15

 

CMYK 0 / 47 / 58 / 30

HEX #B25F4A

RGB 178 95 74

HSL 12.12, 0.41%, 0.49%

LAB 49.67, 31.59, 26.98

 

CMYK 0 / 42 / 52 / 24

HEX #C3715D

RGB 195 113 93

HSL 11.76, 0.46%, 0.56%

LAB 56.29, 30.29, 25.09

 

CMYK 0 / 38 / 47 / 17

HEX #D48370

RGB 212 131 112

HSL 11.4, 0.54%, 0.64%

LAB 62.84, 29.12, 23.44

 

CMYK 0 / 35 / 43 / 10

HEX #E59583

RGB 229 149 131

HSL 11.02, 0.65%, 0.71%

LAB 69.32, 28.07, 21.97

 

CMYK 0 / 51 / 62 / 39

HEX #9C4D3C

RGB 156 77 60

HSL 10.63, 0.44%, 0.42%

LAB 42.31, 31.36, 25.19

 

CMYK 0 / 58 / 71 / 45

HEX #8B3B29

RGB 139 59 41

HSL 11.02, 0.54%, 0.35%

LAB 35.55, 32.82, 27.63

 

CMYK 0 / 66 / 82 / 52

HEX #7A2916

RGB 122 41 22

HSL 11.4, 0.69%, 0.28%

LAB 28.85, 34.25, 30.45

 

CMYK 0 / 78 / 97 / 59

HEX #691703

RGB 105 23 3

HSL 11.76, 0.94%, 0.21%

LAB 22.38, 35.27, 31.99

 

CMYK 0 / 94 / 100 / 65

HEX #580500

RGB 88 5 0

HSL 3.41, 1%, 0.17%

LAB 16.42, 35.31, 25.36

 

CMYK 0 / 51 / 62 / 39

HEX #9C4D3C

RGB 156 77 60

HSL 10.63, 0.44%, 0.42%

LAB 42.31, 31.36, 25.19

 

CMYK 0 / 41 / 62 / 40

HEX #9A5B3B

RGB 154 91 59

HSL 20.21, 0.45%, 0.42%

LAB 45.18, 22.68, 29.25

 

CMYK 0 / 31 / 62 / 40

HEX #9A6B3B

RGB 154 107 59

HSL 30.32, 0.45%, 0.42%

LAB 49.13, 13.52, 34

 

CMYK 0 / 21 / 62 / 40

HEX #9A7A3B

RGB 154 122 59

HSL 39.79, 0.45%, 0.42%

LAB 53.06, 4.94, 38.57

 

CMYK 0 / 10 / 62 / 40

HEX #9A8A3B

RGB 154 138 59

HSL 49.89, 0.45%, 0.42%

LAB 57.43, -4, 43.5

 

CMYK 0 / 51 / 62 / 39

HEX #9C4D3C

RGB 156 77 60

HSL 10.63, 0.44%, 0.42%

LAB 42.31, 31.36, 25.19

 

CMYK 0 / 51 / 61 / 19

HEX #CF6650

RGB 207 102 80

HSL 10.39, 0.57%, 0.56%

LAB 55.43, 39.71, 31.69

 

CMYK 0 / 67 / 67 / 99

HEX #030101

RGB 3 1 1

HSL 0, 0.5%, 0.01%

LAB 0.39, 0.52, 0.18

 

CMYK 0 / 50 / 61 / 79

HEX #361B15

RGB 54 27 21

HSL 10.91, 0.44%, 0.15%

LAB 13.37, 12.57, 9.96

 

CMYK 0 / 50 / 62 / 59

HEX #693428

RGB 105 52 40

HSL 11.08, 0.45%, 0.28%

LAB 28.41, 22.42, 18.26

 

CMYK 0 / 51 / 62 / 39

HEX #9C4D3C

RGB 156 77 60

HSL 10.63, 0.44%, 0.42%

LAB 42.31, 31.36, 25.19

 

CMYK 23 / 0 / 62 / 40

HEX #779A3B

RGB 119 154 59

HSL 82.11, 0.45%, 0.42%

LAB 59.3, -27.39, 44.8

 

CMYK 62 / 47 / 0 / 40

HEX #3B519A

RGB 59 81 154

HSL 226.11, 0.45%, 0.42%

LAB 36.27, 15.22, -42.55

 

CMYK 0 / 51 / 62 / 39

HEX #9C4D3C

RGB 156 77 60

HSL 10.63, 0.44%, 0.42%

LAB 42.31, 31.36, 25.19

 

CMYK 62 / 0 / 51 / 40

HEX #3B9A4B

RGB 59 154 75

HSL 130.11, 0.45%, 0.42%

LAB 56.63, -45.12, 33.16

 

CMYK 51 / 62 / 0 / 40

HEX #4B3B9A

RGB 75 59 154

HSL 250.11, 0.45%, 0.42%

LAB 31.71, 32.73, -49.84

 

CMYK 0 / 51 / 62 / 39

HEX #9C4D3C

RGB 156 77 60

HSL 10.63, 0.44%, 0.42%

LAB 42.31, 31.36, 25.19

 

CMYK 23 / 0 / 62 / 40

HEX #779A3B

RGB 119 154 59

HSL 82.11, 0.45%, 0.42%

LAB 59.3, -27.39, 44.8

 

CMYK 62 / 10 / 0 / 40

HEX #3B8A9A

RGB 59 138 154

HSL 190.11, 0.45%, 0.42%

LAB 53.43, -19.07, -15.76

 

CMYK 39 / 62 / 0 / 40

HEX #5E3B9A

RGB 94 59 154

HSL 262.11, 0.45%, 0.42%

LAB 33.65, 36.92, -46.61

 

CMYK 0 / 51 / 62 / 39

HEX #9C4D3C

RGB 156 77 60

HSL 10.63, 0.44%, 0.42%

LAB 42.31, 31.36, 25.19

 

CMYK 41 / 0 / 62 / 40

HEX #5B9A3B

RGB 91 154 59

HSL 99.79, 0.45%, 0.42%

LAB 57.7, -37.87, 42.58

 

CMYK 62 / 10 / 0 / 40

HEX #3B8A9A

RGB 59 138 154

HSL 190.11, 0.45%, 0.42%

LAB 53.43, -19.07, -15.76

 

CMYK 21 / 62 / 0 / 40

HEX #7A3B9A

RGB 122 59 154

HSL 279.79, 0.45%, 0.42%

LAB 37.11, 43.78, -40.86

 

Description

Color code: RGB 156 77 60 | qconv.com Color code: RGB 156 77 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 77 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 77 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 62 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 62% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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