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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 71 181 it is the complementary color RGB 99 184 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 71 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 156 71 181: RGB 161 71 176, RGB 178 89 195, RGB 195 107 214, RGB 212 125 233 and RGB 229 143 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 71 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 156 71 181: RGB 156 71 181, RGB 139 53 162, RGB 122 35 143, RGB 105 17 124 and RGB 88 0 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 61 / 0 / 29

HEX #9C47B5

RGB 156 71 181

HSL 286.36, 0.44%, 0.49%

LAB 45.51, 52.22, -43.27

 

Complementary color

CMYK 46 / 0 / 60 / 28

HEX #63B84A

RGB 99 184 74

HSL 106.36, 0.44%, 0.51%

LAB 67.6, -46.41, 47.03

 

CMYK 9 / 60 / 0 / 31

HEX #A147B0

RGB 161 71 176

HSL 291.43, 0.43%, 0.48%

LAB 45.93, 52.5, -39.62

 

CMYK 9 / 54 / 0 / 24

HEX #B259C3

RGB 178 89 195

HSL 290.38, 0.47%, 0.56%

LAB 52.45, 51.99, -40.21

 

CMYK 9 / 50 / 0 / 16

HEX #C36BD6

RGB 195 107 214

HSL 289.35, 0.57%, 0.63%

LAB 58.95, 51.33, -40.65

 

CMYK 9 / 46 / 0 / 9

HEX #D47DE9

RGB 212 125 233

HSL 288.33, 0.71%, 0.7%

LAB 65.39, 50.6, -41.01

 

CMYK 9 / 43 / 0 / 1

HEX #E58FFC

RGB 229 143 252

HSL 287.34, 0.95%, 0.77%

LAB 71.78, 49.86, -41.31

 

CMYK 14 / 61 / 0 / 29

HEX #9C47B5

RGB 156 71 181

HSL 286.36, 0.44%, 0.49%

LAB 45.51, 52.22, -43.27

 

CMYK 14 / 67 / 0 / 36

HEX #8B35A2

RGB 139 53 162

HSL 287.34, 0.51%, 0.42%

LAB 38.97, 52.51, -42.57

 

CMYK 15 / 76 / 0 / 44

HEX #7A238F

RGB 122 35 143

HSL 288.33, 0.61%, 0.35%

LAB 32.53, 52.24, -41.48

 

CMYK 15 / 86 / 0 / 51

HEX #69117C

RGB 105 17 124

HSL 289.35, 0.76%, 0.28%

LAB 26.33, 50.91, -39.75

 

CMYK 16 / 100 / 0 / 59

HEX #580069

RGB 88 0 105

HSL 290.29, 1%, 0.21%

LAB 20.42, 48.27, -37.22

 

CMYK 14 / 61 / 0 / 29

HEX #9C47B5

RGB 156 71 181

HSL 286.36, 0.44%, 0.49%

LAB 45.51, 52.22, -43.27

 

CMYK 4 / 61 / 0 / 30

HEX #AC45B3

RGB 172 69 179

HSL 296.18, 0.44%, 0.49%

LAB 47.34, 56.78, -39.05

 

CMYK 0 / 61 / 6 / 30

HEX #B345A8

RGB 179 69 168

HSL 306, 0.44%, 0.49%

LAB 47.84, 56.68, -31.73

 

CMYK 0 / 61 / 16 / 30

HEX #B34596

RGB 179 69 150

HSL 315.82, 0.44%, 0.49%

LAB 47.03, 53.82, -22.29

 

CMYK 0 / 61 / 26 / 30

HEX #B34584

RGB 179 69 132

HSL 325.64, 0.44%, 0.49%

LAB 46.32, 51.24, -12.54

 

CMYK 14 / 61 / 0 / 29

HEX #9C47B5

RGB 156 71 181

HSL 286.36, 0.44%, 0.49%

LAB 45.51, 52.22, -43.27

 

CMYK 14 / 61 / 0 / 9

HEX #C85BE8

RGB 200 91 232

HSL 286.38, 0.75%, 0.63%

LAB 57.64, 63.79, -52.79

 

CMYK 14 / 61 / 0 / 89

HEX #180B1C

RGB 24 11 28

HSL 285.88, 0.44%, 0.08%

LAB 4.67, 8.77, -8.38

 

CMYK 14 / 61 / 0 / 69

HEX #441F4F

RGB 68 31 79

HSL 286.25, 0.44%, 0.22%

LAB 19.11, 26.61, -22.19

 

CMYK 14 / 61 / 0 / 49

HEX #703382

RGB 112 51 130

HSL 286.33, 0.44%, 0.35%

LAB 32.75, 39.96, -33.17

 

CMYK 14 / 61 / 0 / 29

HEX #9C47B5

RGB 156 71 181

HSL 286.36, 0.44%, 0.49%

LAB 45.51, 52.22, -43.27

 

CMYK 0 / 61 / 59 / 30

HEX #B34549

RGB 179 69 73

HSL 357.82, 0.44%, 0.49%

LAB 44.69, 45.03, 21.18

 

CMYK 61 / 0 / 39 / 30

HEX #45B36E

RGB 69 179 110

HSL 142.36, 0.44%, 0.49%

LAB 65.46, -47, 26.18

 

CMYK 14 / 61 / 0 / 29

HEX #9C47B5

RGB 156 71 181

HSL 286.36, 0.44%, 0.49%

LAB 45.51, 52.22, -43.27

 

CMYK 0 / 14 / 61 / 30

HEX #B39A45

RGB 179 154 69

HSL 46.36, 0.44%, 0.49%

LAB 64.26, -0.97, 47.02

 

CMYK 61 / 0 / 14 / 30

HEX #45B39A

RGB 69 179 154

HSL 166.36, 0.44%, 0.49%

LAB 66.4, -37.35, 3.51

 

CMYK 14 / 61 / 0 / 29

HEX #9C47B5

RGB 156 71 181

HSL 286.36, 0.44%, 0.49%

LAB 45.51, 52.22, -43.27

 

CMYK 0 / 61 / 59 / 30

HEX #B34549

RGB 179 69 73

HSL 357.82, 0.44%, 0.49%

LAB 44.69, 45.03, 21.18

 

CMYK 47 / 0 / 61 / 30

HEX #5FB345

RGB 95 179 69

HSL 105.82, 0.44%, 0.49%

LAB 65.83, -46.12, 47.23

 

CMYK 61 / 0 / 2 / 30

HEX #45B3B0

RGB 69 179 176

HSL 178.36, 0.44%, 0.49%

LAB 67.01, -31.51, -7.77

 

CMYK 14 / 61 / 0 / 29

HEX #9C47B5

RGB 156 71 181

HSL 286.36, 0.44%, 0.49%

LAB 45.51, 52.22, -43.27

 

CMYK 0 / 45 / 61 / 30

HEX #B36345

RGB 179 99 69

HSL 16.36, 0.44%, 0.49%

LAB 50.61, 29.46, 31.04

 

CMYK 47 / 0 / 61 / 30

HEX #5FB345

RGB 95 179 69

HSL 105.82, 0.44%, 0.49%

LAB 65.83, -46.12, 47.23

 

CMYK 61 / 16 / 0 / 30

HEX #4596B3

RGB 69 150 179

HSL 195.82, 0.44%, 0.49%

LAB 58.35, -15.84, -22.53

 

Description

Color code: RGB 156 71 181 | qconv.com Color code: RGB 156 71 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 71 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 71 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 61 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 61% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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