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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 64 97 it is the complementary color RGB 99 191 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 64 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 156 64 97: RGB 161 64 92, RGB 178 82 111, RGB 195 100 130, RGB 212 118 149 and RGB 229 136 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 64 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 156 64 97: RGB 156 64 97, RGB 139 46 78, RGB 122 28 59, RGB 105 10 40 and RGB 88 0 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 38 / 39

HEX #9C4061

RGB 156 64 97

HSL 338.48, 0.42%, 0.43%

LAB 40.57, 41.7, 0.03

 

Complementary color

CMYK 48 / 0 / 17 / 25

HEX #63BF9E

RGB 99 191 158

HSL 158.48, 0.42%, 0.57%

LAB 71.13, -35.34, 8.26

 

CMYK 0 / 60 / 43 / 37

HEX #A1405C

RGB 161 64 92

HSL 342.68, 0.43%, 0.44%

LAB 41.24, 42.84, 4.23

 

CMYK 0 / 54 / 38 / 30

HEX #B2526F

RGB 178 82 111

HSL 341.88, 0.38%, 0.51%

LAB 47.81, 42.05, 2.38

 

CMYK 0 / 49 / 33 / 24

HEX #C36482

RGB 195 100 130

HSL 341.05, 0.44%, 0.58%

LAB 54.37, 41.18, 0.87

 

CMYK 0 / 44 / 30 / 17

HEX #D47695

RGB 212 118 149

HSL 340.21, 0.52%, 0.65%

LAB 60.89, 40.29, -0.4

 

CMYK 0 / 41 / 27 / 10

HEX #E588A8

RGB 229 136 168

HSL 339.35, 0.64%, 0.72%

LAB 67.35, 39.43, -1.5

 

CMYK 0 / 59 / 38 / 39

HEX #9C4061

RGB 156 64 97

HSL 338.48, 0.42%, 0.43%

LAB 40.57, 41.7, 0.03

 

CMYK 0 / 67 / 44 / 45

HEX #8B2E4E

RGB 139 46 78

HSL 339.35, 0.5%, 0.36%

LAB 33.97, 42.23, 2.16

 

CMYK 0 / 77 / 52 / 52

HEX #7A1C3B

RGB 122 28 59

HSL 340.21, 0.63%, 0.29%

LAB 27.53, 42.2, 5.04

 

CMYK 0 / 90 / 62 / 59

HEX #690A28

RGB 105 10 40

HSL 341.05, 0.83%, 0.23%

LAB 21.48, 40.98, 9.13

 

CMYK 0 / 100 / 76 / 65

HEX #580015

RGB 88 0 21

HSL 345.68, 1%, 0.17%

LAB 16.15, 37.63, 14.95

 

CMYK 0 / 59 / 38 / 39

HEX #9C4061

RGB 156 64 97

HSL 338.48, 0.42%, 0.43%

LAB 40.57, 41.7, 0.03

 

CMYK 0 / 59 / 47 / 39

HEX #9B3F52

RGB 155 63 82

HSL 347.61, 0.42%, 0.43%

LAB 39.8, 40.17, 8.31

 

CMYK 0 / 59 / 57 / 39

HEX #9B3F42

RGB 155 63 66

HSL 358.04, 0.42%, 0.43%

LAB 39.44, 38.7, 17.81

 

CMYK 0 / 52 / 59 / 39

HEX #9B4B3F

RGB 155 75 63

HSL 7.83, 0.42%, 0.43%

LAB 41.78, 32.27, 22.7

 

CMYK 0 / 41 / 59 / 39

HEX #9B5B3F

RGB 155 91 63

HSL 18.26, 0.42%, 0.43%

LAB 45.37, 23.42, 27.23

 

CMYK 0 / 59 / 38 / 39

HEX #9C4061

RGB 156 64 97

HSL 338.48, 0.42%, 0.43%

LAB 40.57, 41.7, 0.03

 

CMYK 0 / 59 / 38 / 19

HEX #CF5581

RGB 207 85 129

HSL 338.36, 0.56%, 0.57%

LAB 53.33, 52.39, 0.16

 

CMYK 0 / 67 / 33 / 99

HEX #030102

RGB 3 1 2

HSL 330, 0.5%, 0.01%

LAB 0.41, 0.66, -0.19

 

CMYK 0 / 59 / 37 / 79

HEX #361622

RGB 54 22 34

HSL 337.5, 0.42%, 0.15%

LAB 12.44, 17.65, -0.83

 

CMYK 0 / 59 / 38 / 59

HEX #692B41

RGB 105 43 65

HSL 338.71, 0.42%, 0.29%

LAB 27.05, 30.25, -0.08

 

CMYK 0 / 59 / 38 / 39

HEX #9C4061

RGB 156 64 97

HSL 338.48, 0.42%, 0.43%

LAB 40.57, 41.7, 0.03

 

CMYK 0 / 10 / 59 / 39

HEX #9B8C3F

RGB 155 140 63

HSL 50.22, 0.42%, 0.43%

LAB 58.12, -4.35, 42.37

 

CMYK 59 / 14 / 0 / 39

HEX #3F869B

RGB 63 134 155

HSL 193.7, 0.42%, 0.43%

LAB 52.37, -15.82, -17.93

 

CMYK 0 / 59 / 38 / 39

HEX #9C4061

RGB 156 64 97

HSL 338.48, 0.42%, 0.43%

LAB 40.57, 41.7, 0.03

 

CMYK 37 / 0 / 59 / 39

HEX #619B3F

RGB 97 155 63

HSL 97.83, 0.42%, 0.43%

LAB 58.36, -35.81, 41.53

 

CMYK 59 / 37 / 0 / 39

HEX #3F619B

RGB 63 97 155

HSL 217.83, 0.42%, 0.43%

LAB 41.17, 6.07, -35.33

 

CMYK 0 / 59 / 38 / 39

HEX #9C4061

RGB 156 64 97

HSL 338.48, 0.42%, 0.43%

LAB 40.57, 41.7, 0.03

 

CMYK 0 / 10 / 59 / 39

HEX #9B8C3F

RGB 155 140 63

HSL 50.22, 0.42%, 0.43%

LAB 58.12, -4.35, 42.37

 

CMYK 59 / 0 / 22 / 39

HEX #3F9B79

RGB 63 155 121

HSL 157.83, 0.42%, 0.43%

LAB 57.92, -35.7, 9.78

 

CMYK 59 / 50 / 0 / 39

HEX #3F4E9B

RGB 63 78 155

HSL 230.22, 0.42%, 0.43%

LAB 35.74, 18.35, -43.99

 

CMYK 0 / 59 / 38 / 39

HEX #9C4061

RGB 156 64 97

HSL 338.48, 0.42%, 0.43%

LAB 40.57, 41.7, 0.03

 

CMYK 8 / 0 / 59 / 39

HEX #8F9B3F

RGB 143 155 63

HSL 67.83, 0.42%, 0.43%

LAB 61.34, -17.58, 45.71

 

CMYK 59 / 0 / 22 / 39

HEX #3F9B79

RGB 63 155 121

HSL 157.83, 0.42%, 0.43%

LAB 57.92, -35.7, 9.78

 

CMYK 52 / 59 / 0 / 39

HEX #4B3F9B

RGB 75 63 155

HSL 247.83, 0.42%, 0.43%

LAB 32.74, 30.56, -48.78

 

Description

Color code: RGB 156 64 97 | qconv.com Color code: RGB 156 64 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 64 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 64 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 38 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 38% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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