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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 49 17 it is the complementary color RGB 99 206 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 49 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 156 49 17: RGB 161 49 12, RGB 178 67 31, RGB 195 85 50, RGB 212 103 69 and RGB 229 121 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 49 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 156 49 17: RGB 156 49 17, RGB 139 31 0, RGB 122 13 0, RGB 105 0 0 and RGB 88 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 89 / 39

HEX #9C3111

RGB 156 49 17

HSL 13.81, 0.8%, 0.34%

LAB 36.57, 43.09, 42.26

 

Complementary color

CMYK 58 / 13 / 0 / 7

HEX #63CEEE

RGB 99 206 238

HSL 193.81, 0.8%, 0.66%

LAB 77.86, -21.76, -25.08

 

CMYK 0 / 70 / 93 / 37

HEX #A1310C

RGB 161 49 12

HSL 14.9, 0.86%, 0.34%

LAB 37.48, 44.76, 45.32

 

CMYK 0 / 62 / 83 / 30

HEX #B2431F

RGB 178 67 31

HSL 14.69, 0.7%, 0.41%

LAB 43.62, 43.42, 43.55

 

CMYK 0 / 56 / 74 / 24

HEX #C35532

RGB 195 85 50

HSL 14.48, 0.59%, 0.48%

LAB 49.89, 41.92, 41.2

 

CMYK 0 / 51 / 67 / 17

HEX #D46745

RGB 212 103 69

HSL 14.27, 0.62%, 0.55%

LAB 56.21, 40.42, 38.88

 

CMYK 0 / 47 / 62 / 10

HEX #E57958

RGB 229 121 88

HSL 14.04, 0.73%, 0.62%

LAB 62.54, 38.99, 36.76

 

CMYK 0 / 69 / 89 / 39

HEX #9C3111

RGB 156 49 17

HSL 13.81, 0.8%, 0.34%

LAB 36.57, 43.09, 42.26

 

CMYK 0 / 78 / 100 / 45

HEX #8B1F00

RGB 139 31 0

HSL 13.38, 1%, 0.27%

LAB 30.57, 43.96, 43.24

 

CMYK 0 / 89 / 100 / 52

HEX #7A0D00

RGB 122 13 0

HSL 6.39, 1%, 0.24%

LAB 25.03, 43.81, 37.1

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 69 / 89 / 39

HEX #9C3111

RGB 156 49 17

HSL 13.81, 0.8%, 0.34%

LAB 36.57, 43.09, 42.26

 

CMYK 0 / 55 / 89 / 39

HEX #9C4611

RGB 156 70 17

HSL 22.88, 0.8%, 0.34%

LAB 40.39, 33.02, 45.31

 

CMYK 0 / 40 / 89 / 39

HEX #9C5D11

RGB 156 93 17

HSL 32.81, 0.8%, 0.34%

LAB 45.55, 20.37, 49.43

 

CMYK 0 / 26 / 89 / 39

HEX #9C7411

RGB 156 116 17

HSL 42.73, 0.8%, 0.34%

LAB 51.38, 7.24, 54.09

 

CMYK 0 / 11 / 89 / 39

HEX #9C8B11

RGB 156 139 17

HSL 52.66, 0.8%, 0.34%

LAB 57.63, -5.59, 59.09

 

CMYK 0 / 69 / 89 / 39

HEX #9C3111

RGB 156 49 17

HSL 13.81, 0.8%, 0.34%

LAB 36.57, 43.09, 42.26

 

CMYK 0 / 69 / 89 / 19

HEX #CF4117

RGB 207 65 23

HSL 13.7, 0.8%, 0.45%

LAB 48.4, 54.24, 53.08

 

CMYK 0 / 67 / 100 / 99

HEX #030100

RGB 3 1 0

HSL 20, 1%, 0.01%

LAB 0.37, 0.38, 0.56

 

CMYK 0 / 69 / 89 / 79

HEX #361106

RGB 54 17 6

HSL 13.75, 0.8%, 0.12%

LAB 10.54, 17.73, 13.73

 

CMYK 0 / 69 / 90 / 59

HEX #69210B

RGB 105 33 11

HSL 14.04, 0.81%, 0.23%

LAB 24.05, 31.11, 30.42

 

CMYK 0 / 69 / 89 / 39

HEX #9C3111

RGB 156 49 17

HSL 13.81, 0.8%, 0.34%

LAB 36.57, 43.09, 42.26

 

CMYK 37 / 0 / 89 / 39

HEX #629C11

RGB 98 156 17

HSL 85.04, 0.8%, 0.34%

LAB 58.43, -38.95, 58.01

 

CMYK 89 / 73 / 0 / 39

HEX #112A9C

RGB 17 42 156

HSL 229.21, 0.8%, 0.34%

LAB 24.24, 36.72, -63.43

 

CMYK 0 / 69 / 89 / 39

HEX #9C3111

RGB 156 49 17

HSL 13.81, 0.8%, 0.34%

LAB 36.57, 43.09, 42.26

 

CMYK 89 / 0 / 70 / 39

HEX #119C2F

RGB 17 156 47

HSL 132.95, 0.8%, 0.34%

LAB 56.19, -55.99, 45.6

 

CMYK 70 / 89 / 0 / 39

HEX #2F119C

RGB 47 17 156

HSL 252.95, 0.8%, 0.34%

LAB 21.6, 51.18, -67.76

 

CMYK 0 / 69 / 89 / 39

HEX #9C3111

RGB 156 49 17

HSL 13.81, 0.8%, 0.34%

LAB 36.57, 43.09, 42.26

 

CMYK 37 / 0 / 89 / 39

HEX #629C11

RGB 98 156 17

HSL 85.04, 0.8%, 0.34%

LAB 58.43, -38.95, 58.01

 

CMYK 89 / 19 / 0 / 39

HEX #117E9C

RGB 17 126 156

HSL 192.95, 0.8%, 0.34%

LAB 48.81, -17.25, -24.07

 

CMYK 52 / 89 / 0 / 39

HEX #4B119C

RGB 75 17 156

HSL 265.04, 0.8%, 0.34%

LAB 24.63, 53.63, -62.65

 

CMYK 0 / 69 / 89 / 39

HEX #9C3111

RGB 156 49 17

HSL 13.81, 0.8%, 0.34%

LAB 36.57, 43.09, 42.26

 

CMYK 64 / 0 / 89 / 39

HEX #389C11

RGB 56 156 17

HSL 103.17, 0.8%, 0.34%

LAB 56.74, -51.89, 55.9

 

CMYK 89 / 19 / 0 / 39

HEX #117E9C

RGB 17 126 156

HSL 192.95, 0.8%, 0.34%

LAB 48.81, -17.25, -24.07

 

CMYK 26 / 89 / 0 / 39

HEX #74119C

RGB 116 17 156

HSL 282.73, 0.8%, 0.34%

LAB 30.67, 59.07, -52.5

 

Description

Color code: RGB 156 49 17 | qconv.com Color code: RGB 156 49 17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 49 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 49 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 89 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 89% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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