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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 205 95 it is the complementary color RGB 99 50 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 205 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 156 205 95: RGB 161 205 90, RGB 178 223 109, RGB 195 241 128, RGB 212 255 147 and RGB 229 255 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 205 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 156 205 95: RGB 156 205 95, RGB 139 187 76, RGB 122 169 57, RGB 105 151 38 and RGB 88 133 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 54 / 20

HEX #9CCD5F

RGB 156 205 95

HSL 86.73, 0.52%, 0.59%

LAB 77.02, -33.86, 49.01

 

Complementary color

CMYK 38 / 69 / 0 / 37

HEX #6332A0

RGB 99 50 160

HSL 266.73, 0.52%, 0.41%

LAB 32.86, 44.56, -51.49

 

CMYK 21 / 0 / 56 / 20

HEX #A1CD5A

RGB 161 205 90

HSL 82.96, 0.53%, 0.58%

LAB 77.27, -32.47, 51.69

 

CMYK 20 / 0 / 51 / 13

HEX #B2DF6D

RGB 178 223 109

HSL 83.68, 0.64%, 0.65%

LAB 83.62, -32.6, 50.63

 

CMYK 19 / 0 / 47 / 5

HEX #C3F180

RGB 195 241 128

HSL 84.42, 0.8%, 0.72%

LAB 89.89, -32.68, 49.52

 

CMYK 17 / 0 / 42 / 0

HEX #D4FF93

RGB 212 255 147

HSL 83.89, 1%, 0.79%

LAB 95, -30.88, 47.05

 

CMYK 10 / 0 / 35 / 0

HEX #E5FFA6

RGB 229 255 166

HSL 77.53, 1%, 0.83%

LAB 96.38, -22.46, 39.79

 

CMYK 24 / 0 / 54 / 20

HEX #9CCD5F

RGB 156 205 95

HSL 86.73, 0.52%, 0.59%

LAB 77.02, -33.86, 49.01

 

CMYK 26 / 0 / 59 / 27

HEX #8BBB4C

RGB 139 187 76

HSL 85.95, 0.45%, 0.52%

LAB 70.56, -33.73, 50.03

 

CMYK 28 / 0 / 66 / 34

HEX #7AA939

RGB 122 169 57

HSL 85.18, 0.5%, 0.44%

LAB 64.01, -33.49, 50.84

 

CMYK 30 / 0 / 75 / 41

HEX #699726

RGB 105 151 38

HSL 84.42, 0.6%, 0.37%

LAB 57.34, -33.09, 51.19

 

CMYK 34 / 0 / 86 / 48

HEX #588513

RGB 88 133 19

HSL 83.68, 0.75%, 0.3%

LAB 50.57, -32.45, 50.56

 

CMYK 24 / 0 / 54 / 20

HEX #9CCD5F

RGB 156 205 95

HSL 86.73, 0.52%, 0.59%

LAB 77.02, -33.86, 49.01

 

CMYK 32 / 0 / 53 / 20

HEX #8BCC60

RGB 139 204 96

HSL 96.11, 0.51%, 0.59%

LAB 75.77, -39.42, 46.83

 

CMYK 41 / 0 / 53 / 20

HEX #79CC60

RGB 121 204 96

HSL 106.11, 0.51%, 0.59%

LAB 74.88, -45.4, 45.56

 

CMYK 50 / 0 / 53 / 20

HEX #67CC60

RGB 103 204 96

HSL 116.11, 0.51%, 0.59%

LAB 74.13, -50.76, 44.48

 

CMYK 53 / 0 / 48 / 20

HEX #60CC6A

RGB 96 204 106

HSL 125.56, 0.51%, 0.59%

LAB 74.01, -51.28, 39.4

 

CMYK 24 / 0 / 54 / 20

HEX #9CCD5F

RGB 156 205 95

HSL 86.73, 0.52%, 0.59%

LAB 77.02, -33.86, 49.01

 

CMYK 0 / 0 / 100 / 100

HEX #010100

RGB 1 1 0

HSL 60, 1%, 0%

LAB 0.25, -0.14, 0.38

 

CMYK 23 / 0 / 54 / 80

HEX #283418

RGB 40 52 24

HSL 85.71, 0.37%, 0.15%

LAB 19.94, -10.95, 16.03

 

CMYK 24 / 0 / 53 / 60

HEX #4E6730

RGB 78 103 48

HSL 87.27, 0.36%, 0.3%

LAB 40.47, -19.56, 27.83

 

CMYK 24 / 0 / 54 / 40

HEX #759A47

RGB 117 154 71

HSL 86.75, 0.37%, 0.44%

LAB 59.3, -27.01, 39.03

 

CMYK 24 / 0 / 54 / 20

HEX #9CCD5F

RGB 156 205 95

HSL 86.73, 0.52%, 0.59%

LAB 77.02, -33.86, 49.01

 

CMYK 53 / 0 / 20 / 20

HEX #60CCA4

RGB 96 204 164

HSL 157.78, 0.51%, 0.59%

LAB 75.05, -40.61, 10.57

 

CMYK 0 / 53 / 1 / 20

HEX #CC60C9

RGB 204 96 201

HSL 301.67, 0.51%, 0.59%

LAB 57.48, 56.79, -35.5

 

CMYK 24 / 0 / 54 / 20

HEX #9CCD5F

RGB 156 205 95

HSL 86.73, 0.52%, 0.59%

LAB 77.02, -33.86, 49.01

 

CMYK 53 / 23 / 0 / 20

HEX #609DCC

RGB 96 157 204

HSL 206.11, 0.51%, 0.59%

LAB 62.47, -6.43, -30.15

 

CMYK 0 / 53 / 23 / 20

HEX #CC609D

RGB 204 96 157

HSL 326.11, 0.51%, 0.59%

LAB 55.72, 49.81, -12.83

 

CMYK 24 / 0 / 54 / 20

HEX #9CCD5F

RGB 156 205 95

HSL 86.73, 0.52%, 0.59%

LAB 77.02, -33.86, 49.01

 

CMYK 53 / 0 / 20 / 20

HEX #60CCA4

RGB 96 204 164

HSL 157.78, 0.51%, 0.59%

LAB 75.05, -40.61, 10.57

 

CMYK 30 / 53 / 0 / 20

HEX #8F60CC

RGB 143 96 204

HSL 266.11, 0.51%, 0.59%

LAB 50.17, 41.04, -49.25

 

CMYK 0 / 53 / 34 / 20

HEX #CC6087

RGB 204 96 135

HSL 338.33, 0.51%, 0.59%

LAB 55.02, 46.9, -0.97

 

CMYK 24 / 0 / 54 / 20

HEX #9CCD5F

RGB 156 205 95

HSL 86.73, 0.52%, 0.59%

LAB 77.02, -33.86, 49.01

 

CMYK 53 / 0 / 3 / 20

HEX #60CCC5

RGB 96 204 197

HSL 176.11, 0.51%, 0.59%

LAB 75.89, -32.65, -5.99

 

CMYK 30 / 53 / 0 / 20

HEX #8F60CC

RGB 143 96 204

HSL 266.11, 0.51%, 0.59%

LAB 50.17, 41.04, -49.25

 

CMYK 0 / 53 / 50 / 20

HEX #CC6067

RGB 204 96 103

HSL 356.11, 0.51%, 0.59%

LAB 54.22, 43.46, 16.75

 

Description

Color code: RGB 156 205 95 | qconv.com Color code: RGB 156 205 95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 205 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 205 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 54 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 54% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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