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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 15 250 it is the complementary color RGB 99 240 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 15 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 156 15 250: RGB 161 15 245, RGB 178 33 255, RGB 195 51 255, RGB 212 69 255 and RGB 229 87 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 15 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 156 15 250: RGB 156 15 250, RGB 139 0 231, RGB 122 0 212, RGB 105 0 193 and RGB 88 0 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 94 / 0 / 2

HEX #9C0FFA

RGB 156 15 250

HSL 276, 0.96%, 0.52%

LAB 44.68, 83.14, -84.16

 

Complementary color

CMYK 59 / 0 / 98 / 6

HEX #63F005

RGB 99 240 5

HSL 96, 0.96%, 0.48%

LAB 84.48, -70.21, 80.73

 

CMYK 34 / 94 / 0 / 4

HEX #A10FF5

RGB 161 15 245

HSL 278.09, 0.92%, 0.51%

LAB 44.96, 82.72, -80.87

 

CMYK 30 / 87 / 0 / 0

HEX #B221FF

RGB 178 33 255

HSL 279.19, 1%, 0.56%

LAB 49.22, 83.81, -79.39

 

CMYK 24 / 80 / 0 / 0

HEX #C333FF

RGB 195 51 255

HSL 282.35, 1%, 0.6%

LAB 53.16, 81.96, -72.87

 

CMYK 17 / 73 / 0 / 0

HEX #D445FF

RGB 212 69 255

HSL 286.13, 1%, 0.64%

LAB 57.53, 79.35, -65.68

 

CMYK 10 / 66 / 0 / 0

HEX #E557FF

RGB 229 87 255

HSL 290.71, 1%, 0.67%

LAB 62.25, 76.25, -57.99

 

CMYK 38 / 94 / 0 / 2

HEX #9C0FFA

RGB 156 15 250

HSL 276, 0.96%, 0.52%

LAB 44.68, 83.14, -84.16

 

CMYK 40 / 100 / 0 / 9

HEX #8B00E7

RGB 139 0 231

HSL 276.1, 1%, 0.45%

LAB 40.01, 79.23, -81.19

 

CMYK 42 / 100 / 0 / 17

HEX #7A00D4

RGB 122 0 212

HSL 274.53, 1%, 0.42%

LAB 35.77, 73.78, -77.35

 

CMYK 46 / 100 / 0 / 24

HEX #6900C1

RGB 105 0 193

HSL 272.64, 1%, 0.38%

LAB 31.47, 68.27, -73.44

 

CMYK 49 / 100 / 0 / 32

HEX #5800AE

RGB 88 0 174

HSL 270.34, 1%, 0.34%

LAB 27.1, 62.68, -69.42

 

CMYK 38 / 94 / 0 / 2

HEX #9C0FFA

RGB 156 15 250

HSL 276, 0.96%, 0.52%

LAB 44.68, 83.14, -84.16

 

CMYK 22 / 94 / 0 / 2

HEX #C30FFA

RGB 195 15 250

HSL 285.96, 0.96%, 0.52%

LAB 50.51, 87.82, -74.39

 

CMYK 6 / 94 / 0 / 2

HEX #EA0FFA

RGB 234 15 250

HSL 295.91, 0.96%, 0.52%

LAB 56.82, 93.38, -63.88

 

CMYK 0 / 94 / 10 / 2

HEX #FA0FE2

RGB 250 15 226

HSL 306.13, 0.96%, 0.52%

LAB 58.19, 92.61, -48.09

 

CMYK 0 / 94 / 25 / 2

HEX #FA0FBB

RGB 250 15 187

HSL 316.09, 0.96%, 0.52%

LAB 56.34, 87.91, -28.68

 

CMYK 38 / 94 / 0 / 2

HEX #9C0FFA

RGB 156 15 250

HSL 276, 0.96%, 0.52%

LAB 44.68, 83.14, -84.16

 

CMYK 37 / 93 / 0 / 82

HEX #1D032E

RGB 29 3 46

HSL 276.28, 0.88%, 0.1%

LAB 4.73, 21.38, -22.08

 

CMYK 37 / 94 / 0 / 62

HEX #3D0661

RGB 61 6 97

HSL 276.26, 0.88%, 0.2%

LAB 15.41, 40.64, -40.31

 

CMYK 38 / 94 / 0 / 42

HEX #5C0994

RGB 92 9 148

HSL 275.83, 0.89%, 0.31%

LAB 25.59, 55.64, -56.06

 

CMYK 38 / 94 / 0 / 22

HEX #7C0CC7

RGB 124 12 199

HSL 275.94, 0.89%, 0.41%

LAB 35.34, 69.77, -70.48

 

CMYK 38 / 94 / 0 / 2

HEX #9C0FFA

RGB 156 15 250

HSL 276, 0.96%, 0.52%

LAB 44.68, 83.14, -84.16

 

CMYK 0 / 94 / 75 / 2

HEX #FA0F3E

RGB 250 15 62

HSL 348, 0.96%, 0.52%

LAB 52.96, 78.88, 40.82

 

CMYK 94 / 0 / 75 / 2

HEX #0FFA3E

RGB 15 250 62

HSL 132, 0.96%, 0.52%

LAB 86.42, -82.2, 71.07

 

CMYK 38 / 94 / 0 / 2

HEX #9C0FFA

RGB 156 15 250

HSL 276, 0.96%, 0.52%

LAB 44.68, 83.14, -84.16

 

CMYK 0 / 38 / 94 / 2

HEX #FA9C0F

RGB 250 156 15

HSL 36, 0.96%, 0.52%

LAB 72.32, 26.67, 75.07

 

CMYK 94 / 0 / 38 / 2

HEX #0FFA9C

RGB 15 250 156

HSL 156, 0.96%, 0.52%

LAB 87.42, -69.9, 31.58

 

CMYK 38 / 94 / 0 / 2

HEX #9C0FFA

RGB 156 15 250

HSL 276, 0.96%, 0.52%

LAB 44.68, 83.14, -84.16

 

CMYK 0 / 94 / 75 / 2

HEX #FA0F3E

RGB 250 15 62

HSL 348, 0.96%, 0.52%

LAB 52.96, 78.88, 40.82

 

CMYK 56 / 0 / 94 / 2

HEX #6DFA0F

RGB 109 250 15

HSL 96, 0.96%, 0.52%

LAB 87.8, -70.94, 82.7

 

CMYK 94 / 0 / 19 / 2

HEX #0FFACB

RGB 15 250 203

HSL 168, 0.96%, 0.52%

LAB 88.34, -59.6, 8.81

 

CMYK 38 / 94 / 0 / 2

HEX #9C0FFA

RGB 156 15 250

HSL 276, 0.96%, 0.52%

LAB 44.68, 83.14, -84.16

 

CMYK 0 / 85 / 94 / 2

HEX #FA260F

RGB 250 38 15

HSL 5.87, 0.96%, 0.52%

LAB 53.76, 74.66, 63.2

 

CMYK 56 / 0 / 94 / 2

HEX #6DFA0F

RGB 109 250 15

HSL 96, 0.96%, 0.52%

LAB 87.8, -70.94, 82.7

 

CMYK 94 / 10 / 0 / 2

HEX #0FE2FA

RGB 15 226 250

HSL 186.13, 0.96%, 0.52%

LAB 82.59, -36.28, -24.38

 

Description

Color code: RGB 156 15 250 | qconv.com Color code: RGB 156 15 250 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 15 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 15 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 94 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 94% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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