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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 117 233 it is the complementary color RGB 99 138 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 117 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 156 117 233: RGB 161 117 228, RGB 178 135 247, RGB 195 153 255, RGB 212 171 255 and RGB 229 189 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 117 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 156 117 233: RGB 156 117 233, RGB 139 99 214, RGB 122 81 195, RGB 105 63 176 and RGB 88 45 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 50 / 0 / 9

HEX #9C75E9

RGB 156 117 233

HSL 260.17, 0.73%, 0.69%

LAB 57.73, 39.84, -53.52

 

Complementary color

CMYK 28 / 0 / 84 / 46

HEX #638A16

RGB 99 138 22

HSL 80.17, 0.73%, 0.31%

LAB 52.83, -30.25, 52

 

CMYK 29 / 49 / 0 / 11

HEX #A175E4

RGB 161 117 228

HSL 263.78, 0.67%, 0.68%

LAB 57.94, 39.88, -50.35

 

CMYK 28 / 45 / 0 / 3

HEX #B287F7

RGB 178 135 247

HSL 263.04, 0.88%, 0.75%

LAB 64.57, 38.95, -50.27

 

CMYK 24 / 40 / 0 / 0

HEX #C399FF

RGB 195 153 255

HSL 264.71, 1%, 0.8%

LAB 70.6, 35.53, -45.04

 

CMYK 17 / 33 / 0 / 0

HEX #D4ABFF

RGB 212 171 255

HSL 269.29, 1%, 0.84%

LAB 76.28, 30.6, -36.06

 

CMYK 10 / 26 / 0 / 0

HEX #E5BDFF

RGB 229 189 255

HSL 276.36, 1%, 0.87%

LAB 81.99, 26.06, -27.15

 

CMYK 33 / 50 / 0 / 9

HEX #9C75E9

RGB 156 117 233

HSL 260.17, 0.73%, 0.69%

LAB 57.73, 39.84, -53.52

 

CMYK 35 / 54 / 0 / 16

HEX #8B63D6

RGB 139 99 214

HSL 260.87, 0.58%, 0.61%

LAB 51, 40.89, -53.66

 

CMYK 37 / 58 / 0 / 24

HEX #7A51C3

RGB 122 81 195

HSL 261.58, 0.49%, 0.54%

LAB 44.18, 42.01, -53.79

 

CMYK 40 / 64 / 0 / 31

HEX #693FB0

RGB 105 63 176

HSL 262.3, 0.47%, 0.47%

LAB 37.29, 43.14, -53.87

 

CMYK 44 / 71 / 0 / 38

HEX #582D9D

RGB 88 45 157

HSL 263.04, 0.55%, 0.4%

LAB 30.37, 44.17, -53.79

 

CMYK 33 / 50 / 0 / 9

HEX #9C75E9

RGB 156 117 233

HSL 260.17, 0.73%, 0.69%

LAB 57.73, 39.84, -53.52

 

CMYK 25 / 49 / 0 / 9

HEX #AF76E9

RGB 175 118 233

HSL 269.74, 0.72%, 0.69%

LAB 59.85, 44.19, -50.03

 

CMYK 16 / 49 / 0 / 9

HEX #C376E9

RGB 195 118 233

HSL 280.17, 0.72%, 0.69%

LAB 62.03, 49.53, -46.43

 

CMYK 8 / 49 / 0 / 9

HEX #D676E9

RGB 214 118 233

HSL 290.09, 0.72%, 0.69%

LAB 64.27, 54.7, -42.75

 

CMYK 0 / 49 / 0 / 9

HEX #E976E9

RGB 233 118 233

HSL 300, 0.72%, 0.69%

LAB 66.64, 59.9, -38.87

 

CMYK 33 / 50 / 0 / 9

HEX #9C75E9

RGB 156 117 233

HSL 260.17, 0.73%, 0.69%

LAB 57.73, 39.84, -53.52

 

CMYK 34 / 48 / 0 / 89

HEX #130F1D

RGB 19 15 29

HSL 257.14, 0.32%, 0.09%

LAB 5.14, 4.94, -8.52

 

CMYK 33 / 50 / 0 / 69

HEX #362850

RGB 54 40 80

HSL 261, 0.33%, 0.24%

LAB 19.56, 16.6, -22.28

 

CMYK 33 / 50 / 0 / 49

HEX #584283

RGB 88 66 131

HSL 260.31, 0.33%, 0.39%

LAB 33.16, 24.71, -33.33

 

CMYK 33 / 50 / 0 / 29

HEX #7A5BB6

RGB 122 91 182

HSL 260.44, 0.38%, 0.54%

LAB 45.63, 32.79, -43.9

 

CMYK 33 / 50 / 0 / 9

HEX #9C75E9

RGB 156 117 233

HSL 260.17, 0.73%, 0.69%

LAB 57.73, 39.84, -53.52

 

CMYK 0 / 49 / 26 / 9

HEX #E976AC

RGB 233 118 172

HSL 331.83, 0.72%, 0.69%

LAB 64.37, 50.44, -8.1

 

CMYK 46 / 0 / 49 / 9

HEX #7DE976

RGB 125 233 118

HSL 116.35, 0.72%, 0.69%

LAB 83.94, -53.38, 46.15

 

CMYK 33 / 50 / 0 / 9

HEX #9C75E9

RGB 156 117 233

HSL 260.17, 0.73%, 0.69%

LAB 57.73, 39.84, -53.52

 

CMYK 0 / 33 / 49 / 9

HEX #E99C76

RGB 233 156 118

HSL 19.83, 0.72%, 0.69%

LAB 71.15, 24.62, 31.57

 

CMYK 49 / 0 / 33 / 9

HEX #76E99C

RGB 118 233 156

HSL 139.83, 0.72%, 0.69%

LAB 84.24, -49.4, 27.63

 

CMYK 33 / 50 / 0 / 9

HEX #9C75E9

RGB 156 117 233

HSL 260.17, 0.73%, 0.69%

LAB 57.73, 39.84, -53.52

 

CMYK 0 / 49 / 26 / 9

HEX #E976AC

RGB 233 118 172

HSL 331.83, 0.72%, 0.69%

LAB 64.37, 50.44, -8.1

 

CMYK 16 / 0 / 49 / 9

HEX #C3E976

RGB 195 233 118

HSL 79.83, 0.72%, 0.69%

LAB 87.58, -30.01, 51.42

 

CMYK 49 / 0 / 23 / 9

HEX #76E9B3

RGB 118 233 179

HSL 151.83, 0.72%, 0.69%

LAB 84.68, -45.01, 16.35

 

CMYK 33 / 50 / 0 / 9

HEX #9C75E9

RGB 156 117 233

HSL 260.17, 0.73%, 0.69%

LAB 57.73, 39.84, -53.52

 

CMYK 0 / 49 / 41 / 9

HEX #E97689

RGB 233 118 137

HSL 350.09, 0.72%, 0.69%

LAB 63.41, 46.23, 10.49

 

CMYK 16 / 0 / 49 / 9

HEX #C3E976

RGB 195 233 118

HSL 79.83, 0.72%, 0.69%

LAB 87.58, -30.01, 51.42

 

CMYK 49 / 0 / 8 / 9

HEX #76E9D6

RGB 118 233 214

HSL 170.09, 0.72%, 0.69%

LAB 85.5, -37.25, -0.83

 

Description

Color code: RGB 156 117 233 | qconv.com Color code: RGB 156 117 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 117 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 117 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 50 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 50% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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