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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 110 226 it is the complementary color RGB 99 145 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 110 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 156 110 226: RGB 161 110 221, RGB 178 128 240, RGB 195 146 255, RGB 212 164 255 and RGB 229 182 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 110 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 156 110 226: RGB 156 110 226, RGB 139 92 207, RGB 122 74 188, RGB 105 56 169 and RGB 88 38 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 51 / 0 / 11

HEX #9C6EE2

RGB 156 110 226

HSL 263.79, 0.67%, 0.66%

LAB 55.8, 42, -52.68

 

Complementary color

CMYK 32 / 0 / 80 / 43

HEX #63911D

RGB 99 145 29

HSL 83.79, 0.67%, 0.34%

LAB 55.06, -33.18, 51.95

 

CMYK 27 / 50 / 0 / 13

HEX #A16EDD

RGB 161 110 221

HSL 267.57, 0.62%, 0.65%

LAB 56.04, 42.07, -49.45

 

CMYK 26 / 47 / 0 / 6

HEX #B280F0

RGB 178 128 240

HSL 266.79, 0.79%, 0.72%

LAB 62.67, 41.15, -49.42

 

CMYK 24 / 43 / 0 / 0

HEX #C392FF

RGB 195 146 255

HSL 266.97, 1%, 0.79%

LAB 69.03, 39.37, -47.51

 

CMYK 17 / 36 / 0 / 0

HEX #D4A4FF

RGB 212 164 255

HSL 271.65, 1%, 0.82%

LAB 74.68, 34.4, -38.55

 

CMYK 10 / 29 / 0 / 0

HEX #E5B6FF

RGB 229 182 255

HSL 278.63, 1%, 0.86%

LAB 80.37, 29.81, -29.63

 

CMYK 31 / 51 / 0 / 11

HEX #9C6EE2

RGB 156 110 226

HSL 263.79, 0.67%, 0.66%

LAB 55.8, 42, -52.68

 

CMYK 33 / 56 / 0 / 19

HEX #8B5CCF

RGB 139 92 207

HSL 264.52, 0.55%, 0.59%

LAB 49.07, 43.02, -52.76

 

CMYK 35 / 61 / 0 / 26

HEX #7A4ABC

RGB 122 74 188

HSL 265.26, 0.46%, 0.51%

LAB 42.26, 44.06, -52.81

 

CMYK 38 / 67 / 0 / 34

HEX #6938A9

RGB 105 56 169

HSL 266.02, 0.5%, 0.44%

LAB 35.39, 45.04, -52.76

 

CMYK 41 / 75 / 0 / 41

HEX #582696

RGB 88 38 150

HSL 266.79, 0.6%, 0.37%

LAB 28.55, 45.77, -52.48

 

CMYK 31 / 51 / 0 / 11

HEX #9C6EE2

RGB 156 110 226

HSL 263.79, 0.67%, 0.66%

LAB 55.8, 42, -52.68

 

CMYK 23 / 51 / 0 / 11

HEX #AE6EE2

RGB 174 110 226

HSL 273.1, 0.67%, 0.66%

LAB 57.7, 46.64, -49.54

 

CMYK 15 / 51 / 0 / 11

HEX #C16EE2

RGB 193 110 226

HSL 282.93, 0.67%, 0.66%

LAB 59.87, 51.67, -45.96

 

CMYK 6 / 51 / 0 / 11

HEX #D46EE2

RGB 212 110 226

HSL 292.76, 0.67%, 0.66%

LAB 62.2, 56.77, -42.12

 

CMYK 0 / 51 / 3 / 11

HEX #E26EDC

RGB 226 110 220

HSL 303.1, 0.67%, 0.66%

LAB 63.74, 59.52, -36.23

 

CMYK 31 / 51 / 0 / 11

HEX #9C6EE2

RGB 156 110 226

HSL 263.79, 0.67%, 0.66%

LAB 55.8, 42, -52.68

 

CMYK 32 / 50 / 0 / 91

HEX #0F0B16

RGB 15 11 22

HSL 261.82, 0.33%, 0.06%

LAB 3.6, 3.38, -5.4

 

CMYK 32 / 51 / 0 / 71

HEX #322449

RGB 50 36 73

HSL 262.7, 0.34%, 0.21%

LAB 17.56, 15.94, -20.73

 

CMYK 31 / 52 / 0 / 51

HEX #563C7C

RGB 86 60 124

HSL 264.38, 0.35%, 0.36%

LAB 31.03, 25.94, -32.36

 

CMYK 31 / 51 / 0 / 31

HEX #7955AF

RGB 121 85 175

HSL 264, 0.36%, 0.51%

LAB 43.74, 34.21, -42.82

 

CMYK 31 / 51 / 0 / 11

HEX #9C6EE2

RGB 156 110 226

HSL 263.79, 0.67%, 0.66%

LAB 55.8, 42, -52.68

 

CMYK 0 / 51 / 30 / 11

HEX #E26E9E

RGB 226 110 158

HSL 335.17, 0.67%, 0.66%

LAB 61.47, 50.24, -4.5

 

CMYK 50 / 0 / 51 / 11

HEX #70E26E

RGB 112 226 110

HSL 118.97, 0.67%, 0.66%

LAB 81.27, -55.2, 46.56

 

CMYK 31 / 51 / 0 / 11

HEX #9C6EE2

RGB 156 110 226

HSL 263.79, 0.67%, 0.66%

LAB 55.8, 42, -52.68

 

CMYK 0 / 32 / 51 / 11

HEX #E29A6E

RGB 226 154 110

HSL 22.76, 0.67%, 0.66%

LAB 69.76, 22.16, 33.9

 

CMYK 51 / 0 / 32 / 11

HEX #6EE29A

RGB 110 226 154

HSL 142.76, 0.67%, 0.66%

LAB 81.86, -48.81, 25.39

 

CMYK 31 / 51 / 0 / 11

HEX #9C6EE2

RGB 156 110 226

HSL 263.79, 0.67%, 0.66%

LAB 55.8, 42, -52.68

 

CMYK 0 / 51 / 30 / 11

HEX #E26E9E

RGB 226 110 158

HSL 335.17, 0.67%, 0.66%

LAB 61.47, 50.24, -4.5

 

CMYK 20 / 0 / 51 / 11

HEX #B5E26E

RGB 181 226 110

HSL 83.28, 0.67%, 0.66%

LAB 84.66, -32.78, 51.45

 

CMYK 51 / 0 / 22 / 11

HEX #6EE2B1

RGB 110 226 177

HSL 154.66, 0.67%, 0.66%

LAB 82.32, -44.26, 14.03

 

CMYK 31 / 51 / 0 / 11

HEX #9C6EE2

RGB 156 110 226

HSL 263.79, 0.67%, 0.66%

LAB 55.8, 42, -52.68

 

CMYK 0 / 51 / 46 / 11

HEX #E26E7B

RGB 226 110 123

HSL 353.28, 0.67%, 0.66%

LAB 60.56, 46.29, 14.37

 

CMYK 20 / 0 / 51 / 11

HEX #B5E26E

RGB 181 226 110

HSL 83.28, 0.67%, 0.66%

LAB 84.66, -32.78, 51.45

 

CMYK 51 / 0 / 6 / 11

HEX #6EE2D4

RGB 110 226 212

HSL 172.76, 0.67%, 0.66%

LAB 83.16, -36.24, -3.24

 

Description

Color code: RGB 156 110 226 | qconv.com Color code: RGB 156 110 226 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 110 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 110 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 51 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 51% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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