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Color name
RGB 156 110 13

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 110 13 it is the complementary color RGB 99 145 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 110 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 110 13 shade: RGB 161 110 8, RGB 178 128 27, RGB 195 146 46, RGB 212 164 65 and RGB 229 182 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 110 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 110 13 shade: RGB 156 110 13, RGB 139 92 0, RGB 122 74 0, RGB 105 56 0 and RGB 88 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 110 13 shade: RGB 156 110 13, RGB 156 71 13, RGB 156 33 13 and RGB 156 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 110 13 shade: RGB 156 110 13, RGB 156 148 13, RGB 125 156 13, RGB 86 156 13 and RGB 47 156 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 110 13 shade matches the following richer shades: RGB 156 110 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 110 13 shade: RGB 156 110 13, RGB 142 105 26, RGB 128 100 40, RGB 115 95 53 and RGB 101 90 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 110 13 shade: RGB 156 32 13, RGB 156 70 13, RGB 156 108 13, RGB 156 146 13 and RGB 127 156 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 110 13 shade: RGB 79 56 6, RGB 118 83 10, RGB 156 110 13, RGB 194 137 16 and RGB 232 163 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 110 13 shade: RGB 156 110 13, RGB 32 156 13 and RGB 51 13 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 110 13 shade: RGB 156 110 13, RGB 13 156 108 and RGB 108 13 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 110 13 shade: RGB 156 110 13, RGB 32 156 13, RGB 13 60 156 and RGB 137 13 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 110 13 shade: RGB 156 110 13, RGB 13 156 36, RGB 13 60 156 and RGB 156 13 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 92 / 39

HEX #9C6E0D

RGB 156 110 13

HSL 40.7, 0.85%, 0.33%

LAB 49.8, 10.58, 53.83

 

Complementary color

CMYK 59 / 40 / 0 / 5

HEX #6391F2

RGB 99 145 242

HSL 220.7, 0.85%, 0.67%

LAB 61.06, 13.13, -53.45

 

CMYK 0 / 32 / 95 / 37

HEX #A16E08

RGB 161 110 8

HSL 40, 0.91%, 0.33%

LAB 50.39, 12.8, 55.59

 

CMYK 0 / 28 / 85 / 30

HEX #B2801B

RGB 178 128 27

HSL 40.13, 0.74%, 0.4%

LAB 57.06, 10.82, 56.95

 

CMYK 0 / 25 / 76 / 24

HEX #C3922E

RGB 195 146 46

HSL 40.27, 0.62%, 0.47%

LAB 63.64, 9.14, 56.89

 

CMYK 0 / 23 / 69 / 17

HEX #D4A441

RGB 212 164 65

HSL 40.41, 0.63%, 0.54%

LAB 70.13, 7.72, 56.14

 

CMYK 0 / 21 / 63 / 10

HEX #E5B654

RGB 229 182 84

HSL 40.55, 0.74%, 0.61%

LAB 76.53, 6.51, 55.07

 

CMYK 0 / 29 / 92 / 39

HEX #9C6E0D

RGB 156 110 13

HSL 40.7, 0.85%, 0.33%

LAB 49.8, 10.58, 53.83

 

CMYK 0 / 34 / 100 / 45

HEX #8B5C00

RGB 139 92 0

HSL 39.71, 1%, 0.27%

LAB 42.98, 12.79, 50.98

 

CMYK 0 / 39 / 100 / 52

HEX #7A4A00

RGB 122 74 0

HSL 36.39, 1%, 0.24%

LAB 36.05, 15.36, 45.34

 

CMYK 0 / 47 / 100 / 59

HEX #693800

RGB 105 56 0

HSL 32, 1%, 0.21%

LAB 28.98, 18.06, 39.33

 

CMYK 0 / 57 / 100 / 65

HEX #582600

RGB 88 38 0

HSL 25.91, 1%, 0.17%

LAB 21.8, 20.81, 31.59

 

CMYK 0 / 29 / 92 / 39

HEX #9C6E0D

RGB 156 110 13

HSL 40.7, 0.85%, 0.33%

LAB 49.8, 10.58, 53.83

 

CMYK 0 / 54 / 92 / 39

HEX #9C470D

RGB 156 71 13

HSL 24.34, 0.85%, 0.33%

LAB 40.58, 32.41, 46.84

 

CMYK 0 / 79 / 92 / 39

HEX #9C210D

RGB 156 33 13

HSL 8.39, 0.85%, 0.33%

LAB 34.36, 49.01, 42.26

 

CMYK 0 / 92 / 92 / 39

HEX #9C0D0D

RGB 156 13 13

HSL 0, 0.85%, 0.33%

LAB 32.67, 53.82, 41.04

 

CMYK 0 / 29 / 92 / 39

HEX #9C6E0D

RGB 156 110 13

HSL 40.7, 0.85%, 0.33%

LAB 49.8, 10.58, 53.83

 

CMYK 0 / 5 / 92 / 39

HEX #9C940D

RGB 156 148 13

HSL 56.64, 0.85%, 0.33%

LAB 60.14, -10.52, 61.85

 

CMYK 20 / 0 / 92 / 39

HEX #7D9C0D

RGB 125 156 13

HSL 73.01, 0.85%, 0.33%

LAB 60.04, -28.3, 60.74

 

CMYK 45 / 0 / 92 / 39

HEX #569C0D

RGB 86 156 13

HSL 89.37, 0.85%, 0.33%

LAB 57.83, -43.33, 58.02

 

CMYK 70 / 0 / 92 / 39

HEX #2F9C0D

RGB 47 156 13

HSL 105.73, 0.85%, 0.33%

LAB 56.5, -53.99, 56.36

 

CMYK 0 / 29 / 92 / 39

HEX #9C6E0D

RGB 156 110 13

HSL 40.7, 0.85%, 0.33%

LAB 49.8, 10.58, 53.83

 

CMYK 0 / 29 / 92 / 39

HEX #9C6E0D

RGB 156 110 13

HSL 40.7, 0.85%, 0.33%

LAB 49.8, 10.58, 53.83

 

CMYK 0 / 26 / 82 / 44

HEX #8E691A

RGB 142 105 26

HSL 40.86, 0.69%, 0.33%

LAB 46.88, 7.28, 46.77

 

CMYK 0 / 22 / 69 / 50

HEX #806428

RGB 128 100 40

HSL 40.91, 0.52%, 0.33%

LAB 44.03, 4.33, 37.27

 

CMYK 0 / 17 / 54 / 55

HEX #735F35

RGB 115 95 53

HSL 40.65, 0.37%, 0.33%

LAB 41.35, 2.26, 26.89

 

CMYK 0 / 11 / 34 / 60

HEX #655A43

RGB 101 90 67

HSL 40.59, 0.2%, 0.33%

LAB 38.7, 0.56, 14.94

 

CMYK 0 / 79 / 92 / 39

HEX #9C200D

RGB 156 32 13

HSL 7.97, 0.85%, 0.33%

LAB 34.25, 49.32, 42.18

 

CMYK 0 / 55 / 92 / 39

HEX #9C460D

RGB 156 70 13

HSL 23.92, 0.85%, 0.33%

LAB 40.37, 32.94, 46.68

 

CMYK 0 / 31 / 92 / 39

HEX #9C6C0D

RGB 156 108 13

HSL 39.86, 0.85%, 0.33%

LAB 49.28, 11.72, 53.44

 

CMYK 0 / 6 / 92 / 39

HEX #9C920D

RGB 156 146 13

HSL 55.8, 0.85%, 0.33%

LAB 59.58, -9.46, 61.41

 

CMYK 19 / 0 / 92 / 39

HEX #7F9C0D

RGB 127 156 13

HSL 72.17, 0.85%, 0.33%

LAB 60.17, -27.45, 60.91

 

CMYK 0 / 29 / 92 / 69

HEX #4F3806

RGB 79 56 6

HSL 41.1, 0.86%, 0.17%

LAB 25.27, 5.26, 32.19

 

CMYK 0 / 30 / 92 / 54

HEX #76530A

RGB 118 83 10

HSL 40.56, 0.84%, 0.25%

LAB 37.95, 8.28, 43.33

 

CMYK 0 / 29 / 92 / 39

HEX #9C6E0D

RGB 156 110 13

HSL 40.7, 0.85%, 0.33%

LAB 49.8, 10.58, 53.83

 

CMYK 0 / 29 / 92 / 24

HEX #C28910

RGB 194 137 16

HSL 40.79, 0.85%, 0.41%

LAB 61.13, 12.77, 63.76

 

CMYK 0 / 30 / 92 / 9

HEX #E8A313

RGB 232 163 19

HSL 40.56, 0.85%, 0.49%

LAB 71.82, 15.41, 73.09

 

CMYK 0 / 29 / 92 / 39

HEX #9C6E0D

RGB 156 110 13

HSL 40.7, 0.85%, 0.33%

LAB 49.8, 10.58, 53.83

 

CMYK 79 / 0 / 92 / 39

HEX #209C0D

RGB 32 156 13

HSL 112.03, 0.85%, 0.33%

LAB 56.2, -56.56, 55.99

 

CMYK 67 / 92 / 0 / 39

HEX #330D9C

RGB 51 13 156

HSL 255.94, 0.85%, 0.33%

LAB 21.55, 52.7, -67.83

 

CMYK 0 / 29 / 92 / 39

HEX #9C6E0D

RGB 156 110 13

HSL 40.7, 0.85%, 0.33%

LAB 49.8, 10.58, 53.83

 

CMYK 92 / 0 / 31 / 39

HEX #0D9C6C

RGB 13 156 108

HSL 159.86, 0.85%, 0.33%

LAB 57.02, -45.99, 15.68

 

CMYK 31 / 92 / 0 / 39

HEX #6C0D9C

RGB 108 13 156

HSL 279.86, 0.85%, 0.33%

LAB 29.1, 58.72, -55.13

 

CMYK 0 / 29 / 92 / 39

HEX #9C6E0D

RGB 156 110 13

HSL 40.7, 0.85%, 0.33%

LAB 49.8, 10.58, 53.83

 

CMYK 79 / 0 / 92 / 39

HEX #209C0D

RGB 32 156 13

HSL 112.03, 0.85%, 0.33%

LAB 56.2, -56.56, 55.99

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 12 / 92 / 0 / 39

HEX #890D9C

RGB 137 13 156

HSL 292.03, 0.85%, 0.33%

LAB 34, 63.2, -46.95

 

CMYK 0 / 29 / 92 / 39

HEX #9C6E0D

RGB 156 110 13

HSL 40.7, 0.85%, 0.33%

LAB 49.8, 10.58, 53.83

 

CMYK 92 / 0 / 77 / 39

HEX #0D9C24

RGB 13 156 36

HSL 129.65, 0.85%, 0.33%

LAB 56.08, -57.28, 49.69

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 0 / 92 / 15 / 39

HEX #9C0D84

RGB 156 13 132

HSL 310.07, 0.85%, 0.33%

LAB 36.03, 62.98, -28.75

 

Description

Color code: RGB 156 110 13 | qconv.com Color code: RGB 156 110 13 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 110 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 110 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 92 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 92% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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