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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D3C9C it is the complementary color #F2C363. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D3C9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D3C9C shade: #123C97, #234EAA, #3460BD, #4572D0 and #5684E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D3C9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D3C9C shade: #0D3C9C, #002A89, #001876, #000663 and #000050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D3C9C shade: #0D3C9C, #0D159C, #2B0D9C, #510D9C and #780D9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D3C9C shade: #0D3C9C, #0D159C and #0D0D9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D3C9C shade matches the following richer shades: #0D3C9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D3C9C shade: #0D3C9C, #1A408E, #284580, #354A73 and #434E65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D3C9C shade: #0D899C, #0D629C, #0D3C9C, #0D169C and #290D9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D3C9C shade: #061E4F, #0A2D76, #0D3C9C, #104AC2 and #1359E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D3C9C shade: #0D3C9C, #890D9C and #769C0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D3C9C shade: #0D3C9C, #9C0D3C and #3C9C0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D3C9C shade: #0D3C9C, #890D9C, #9C6C0D and #209C0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D3C9C shade: #0D3C9C, #9C0D84, #9C6C0D and #0D9C24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

Complementary color

CMYK 0 / 19 / 59 / 5

HEX #F2C363

RGB 242 195 99

HSL 40.28, 0.85%, 0.67%

LAB 81.19, 6.13, 53.72

 

CMYK 88 / 60 / 0 / 41

HEX #123C97

RGB 18 60 151

HSL 221.05, 0.79%, 0.33%

LAB 28.37, 22.76, -53.6

 

CMYK 79 / 54 / 0 / 33

HEX #234EAA

RGB 35 78 170

HSL 220.89, 0.66%, 0.4%

LAB 35.42, 19.6, -53.57

 

CMYK 72 / 49 / 0 / 26

HEX #3460BD

RGB 52 96 189

HSL 220.73, 0.57%, 0.47%

LAB 42.41, 17.11, -53.41

 

CMYK 67 / 45 / 0 / 18

HEX #4572D0

RGB 69 114 208

HSL 220.58, 0.6%, 0.54%

LAB 49.32, 15.14, -53.22

 

CMYK 62 / 42 / 0 / 11

HEX #5684E3

RGB 86 132 227

HSL 220.43, 0.72%, 0.61%

LAB 56.11, 13.54, -53.03

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 100 / 69 / 0 / 46

HEX #002A89

RGB 0 42 137

HSL 221.61, 1%, 0.27%

LAB 21.81, 28.58, -55.72

 

CMYK 100 / 80 / 0 / 54

HEX #001876

RGB 0 24 118

HSL 227.8, 1%, 0.23%

LAB 15.28, 33.02, -54.45

 

CMYK 100 / 94 / 0 / 61

HEX #000663

RGB 0 6 99

HSL 236.36, 1%, 0.19%

LAB 9.25, 36.16, -52.04

 

CMYK 100 / 100 / 0 / 69

HEX #000050

RGB 0 0 80

HSL 240, 1%, 0.16%

LAB 5.23, 32.43, -45.83

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 92 / 87 / 0 / 39

HEX #0D159C

RGB 13 21 156

HSL 236.64, 0.85%, 0.33%

LAB 20.13, 48.04, -70.25

 

CMYK 72 / 92 / 0 / 39

HEX #2B0D9C

RGB 43 13 156

HSL 252.59, 0.85%, 0.33%

LAB 20.83, 52.21, -69.04

 

CMYK 48 / 92 / 0 / 39

HEX #510D9C

RGB 81 13 156

HSL 268.53, 0.85%, 0.33%

LAB 25.07, 55.33, -61.9

 

CMYK 23 / 92 / 0 / 39

HEX #780D9C

RGB 120 13 156

HSL 284.9, 0.85%, 0.33%

LAB 31.07, 60.48, -51.83

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 92 / 87 / 0 / 39

HEX #0D159C

RGB 13 21 156

HSL 236.64, 0.85%, 0.33%

LAB 20.13, 48.04, -70.25

 

CMYK 92 / 92 / 0 / 39

HEX #0D0D9C

RGB 13 13 156

HSL 240, 0.85%, 0.33%

LAB 19.11, 51.11, -71.95

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 82 / 55 / 0 / 44

HEX #1A408E

RGB 26 64 142

HSL 220.34, 0.69%, 0.33%

LAB 29, 17.01, -47.03

 

CMYK 69 / 46 / 0 / 50

HEX #284580

RGB 40 69 128

HSL 220.23, 0.52%, 0.33%

LAB 30.07, 9.98, -36.61

 

CMYK 54 / 36 / 0 / 55

HEX #354A73

RGB 53 74 115

HSL 219.68, 0.37%, 0.33%

LAB 31.56, 4.7, -26.07

 

CMYK 34 / 23 / 0 / 60

HEX #434E65

RGB 67 78 101

HSL 220.59, 0.2%, 0.33%

LAB 33.1, 1.77, -14.8

 

CMYK 92 / 12 / 0 / 39

HEX #0D899C

RGB 13 137 156

HSL 187.97, 0.85%, 0.33%

LAB 52.26, -23.35, -18.77

 

CMYK 92 / 37 / 0 / 39

HEX #0D629C

RGB 13 98 156

HSL 204.34, 0.85%, 0.33%

LAB 39.95, -0.99, -37.96

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 92 / 86 / 0 / 39

HEX #0D169C

RGB 13 22 156

HSL 236.22, 0.85%, 0.33%

LAB 20.28, 47.6, -70.01

 

CMYK 74 / 92 / 0 / 39

HEX #290D9C

RGB 41 13 156

HSL 251.75, 0.85%, 0.33%

LAB 20.67, 52.1, -69.31

 

CMYK 92 / 62 / 0 / 69

HEX #061E4F

RGB 6 30 79

HSL 220.27, 0.86%, 0.17%

LAB 12.81, 12.72, -32.64

 

CMYK 92 / 62 / 0 / 54

HEX #0A2D76

RGB 10 45 118

HSL 220.56, 0.84%, 0.25%

LAB 21.02, 19.07, -45

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 92 / 62 / 0 / 24

HEX #104AC2

RGB 16 74 194

HSL 220.45, 0.85%, 0.41%

LAB 35.8, 30.33, -67.13

 

CMYK 92 / 62 / 0 / 9

HEX #1359E8

RGB 19 89 232

HSL 220.28, 0.85%, 0.49%

LAB 42.93, 35.28, -77.28

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 12 / 92 / 0 / 39

HEX #890D9C

RGB 137 13 156

HSL 292.03, 0.85%, 0.33%

LAB 34, 63.2, -46.95

 

CMYK 24 / 0 / 92 / 39

HEX #769C0D

RGB 118 156 13

HSL 75.94, 0.85%, 0.33%

LAB 59.58, -31.21, 60.17

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 0 / 92 / 62 / 39

HEX #9C0D3C

RGB 156 13 60

HSL 340.28, 0.85%, 0.33%

LAB 33.31, 55.65, 13.47

 

CMYK 62 / 0 / 92 / 39

HEX #3C9C0D

RGB 60 156 13

HSL 100.28, 0.85%, 0.33%

LAB 56.85, -51.05, 56.8

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 12 / 92 / 0 / 39

HEX #890D9C

RGB 137 13 156

HSL 292.03, 0.85%, 0.33%

LAB 34, 63.2, -46.95

 

CMYK 0 / 31 / 92 / 39

HEX #9C6C0D

RGB 156 108 13

HSL 39.86, 0.85%, 0.33%

LAB 49.28, 11.72, 53.44

 

CMYK 79 / 0 / 92 / 39

HEX #209C0D

RGB 32 156 13

HSL 112.03, 0.85%, 0.33%

LAB 56.2, -56.56, 55.99

 

CMYK 92 / 62 / 0 / 39

HEX #0D3C9C

RGB 13 60 156

HSL 220.28, 0.85%, 0.33%

LAB 28.69, 24.5, -56.12

 

CMYK 0 / 92 / 15 / 39

HEX #9C0D84

RGB 156 13 132

HSL 310.07, 0.85%, 0.33%

LAB 36.03, 62.98, -28.75

 

CMYK 0 / 31 / 92 / 39

HEX #9C6C0D

RGB 156 108 13

HSL 39.86, 0.85%, 0.33%

LAB 49.28, 11.72, 53.44

 

CMYK 92 / 0 / 77 / 39

HEX #0D9C24

RGB 13 156 36

HSL 129.65, 0.85%, 0.33%

LAB 56.08, -57.28, 49.69

 

Description

Color code: HEX #0D3C9C | qconv.com Color code: HEX #0D3C9C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 60 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 60 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 62 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 62% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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