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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 56 33 it is the complementary color RGB 100 199 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 56 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 155 56 33: RGB 160 56 28, RGB 177 74 47, RGB 194 92 66, RGB 211 110 85 and RGB 228 128 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 56 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 155 56 33: RGB 155 56 33, RGB 138 38 14, RGB 121 20 0, RGB 104 2 0 and RGB 87 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 79 / 39

HEX #9B3821

RGB 155 56 33

HSL 11.31, 0.65%, 0.37%

LAB 37.67, 40.08, 35.32

 

Complementary color

CMYK 55 / 10 / 0 / 13

HEX #64C7DE

RGB 100 199 222

HSL 191.31, 0.65%, 0.63%

LAB 75.35, -22.62, -20.29

 

CMYK 0 / 65 / 83 / 37

HEX #A0381C

RGB 160 56 28

HSL 12.73, 0.7%, 0.37%

LAB 38.53, 41.75, 39.1

 

CMYK 0 / 58 / 73 / 31

HEX #B14A2F

RGB 177 74 47

HSL 12.46, 0.58%, 0.44%

LAB 44.87, 40.34, 36.49

 

CMYK 0 / 53 / 66 / 24

HEX #C25C42

RGB 194 92 66

HSL 12.19, 0.51%, 0.51%

LAB 51.29, 38.89, 34.04

 

CMYK 0 / 48 / 60 / 17

HEX #D36E55

RGB 211 110 85

HSL 11.9, 0.59%, 0.58%

LAB 57.71, 37.5, 31.87

 

CMYK 0 / 44 / 54 / 11

HEX #E48068

RGB 228 128 104

HSL 11.61, 0.7%, 0.65%

LAB 64.11, 36.2, 29.94

 

CMYK 0 / 64 / 79 / 39

HEX #9B3821

RGB 155 56 33

HSL 11.31, 0.65%, 0.37%

LAB 37.67, 40.08, 35.32

 

CMYK 0 / 72 / 90 / 46

HEX #8A260E

RGB 138 38 14

HSL 11.61, 0.82%, 0.3%

LAB 31.4, 41.23, 37.98

 

CMYK 0 / 83 / 100 / 53

HEX #791400

RGB 121 20 0

HSL 9.92, 1%, 0.24%

LAB 25.46, 41.65, 37.42

 

CMYK 0 / 98 / 100 / 59

HEX #680200

RGB 104 2 0

HSL 1.15, 1%, 0.2%

LAB 19.99, 40.93, 30.54

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 64 / 79 / 39

HEX #9B3821

RGB 155 56 33

HSL 11.31, 0.65%, 0.37%

LAB 37.67, 40.08, 35.32

 

CMYK 0 / 52 / 79 / 39

HEX #9B4B21

RGB 155 75 33

HSL 20.66, 0.65%, 0.37%

LAB 41.39, 30.46, 39.11

 

CMYK 0 / 38 / 79 / 39

HEX #9B6021

RGB 155 96 33

HSL 30.98, 0.65%, 0.37%

LAB 46.24, 18.74, 43.88

 

CMYK 0 / 25 / 79 / 39

HEX #9B7421

RGB 155 116 33

HSL 40.82, 0.65%, 0.37%

LAB 51.35, 7.29, 48.75

 

CMYK 0 / 12 / 79 / 39

HEX #9B8921

RGB 155 137 33

HSL 51.15, 0.65%, 0.37%

LAB 57.05, -4.46, 54.04

 

CMYK 0 / 64 / 79 / 39

HEX #9B3821

RGB 155 56 33

HSL 11.31, 0.65%, 0.37%

LAB 37.67, 40.08, 35.32

 

CMYK 0 / 64 / 79 / 19

HEX #CE4A2C

RGB 206 74 44

HSL 11.11, 0.65%, 0.49%

LAB 49.74, 50.74, 44.7

 

CMYK 0 / 50 / 100 / 99

HEX #020100

RGB 2 1 0

HSL 30, 1%, 0%

LAB 0.31, 0.12, 0.47

 

CMYK 0 / 64 / 79 / 79

HEX #35130B

RGB 53 19 11

HSL 11.43, 0.66%, 0.13%

LAB 10.9, 16.38, 12.15

 

CMYK 0 / 63 / 79 / 59

HEX #682616

RGB 104 38 22

HSL 11.71, 0.65%, 0.25%

LAB 24.91, 28.61, 25.29

 

CMYK 0 / 64 / 79 / 39

HEX #9B3821

RGB 155 56 33

HSL 11.31, 0.65%, 0.37%

LAB 37.67, 40.08, 35.32

 

CMYK 30 / 0 / 79 / 39

HEX #6C9B21

RGB 108 155 33

HSL 83.11, 0.65%, 0.37%

LAB 58.73, -34.04, 54.29

 

CMYK 79 / 62 / 0 / 39

HEX #213B9B

RGB 33 59 155

HSL 227.21, 0.65%, 0.37%

LAB 28.95, 26.36, -55.07

 

CMYK 0 / 64 / 79 / 39

HEX #9B3821

RGB 155 56 33

HSL 11.31, 0.65%, 0.37%

LAB 37.67, 40.08, 35.32

 

CMYK 79 / 0 / 65 / 39

HEX #219B37

RGB 33 155 55

HSL 130.82, 0.65%, 0.37%

LAB 56.13, -53.04, 42.13

 

CMYK 65 / 79 / 0 / 39

HEX #37219B

RGB 55 33 155

HSL 250.82, 0.65%, 0.37%

LAB 24.53, 44.74, -62.26

 

CMYK 0 / 64 / 79 / 39

HEX #9B3821

RGB 155 56 33

HSL 11.31, 0.65%, 0.37%

LAB 37.67, 40.08, 35.32

 

CMYK 30 / 0 / 79 / 39

HEX #6C9B21

RGB 108 155 33

HSL 83.11, 0.65%, 0.37%

LAB 58.73, -34.04, 54.29

 

CMYK 79 / 14 / 0 / 39

HEX #21859B

RGB 33 133 155

HSL 190.82, 0.65%, 0.37%

LAB 51.23, -19.98, -19.75

 

CMYK 48 / 79 / 0 / 39

HEX #50219B

RGB 80 33 155

HSL 263.11, 0.65%, 0.37%

LAB 27.19, 48.06, -57.81

 

CMYK 0 / 64 / 79 / 39

HEX #9B3821

RGB 155 56 33

HSL 11.31, 0.65%, 0.37%

LAB 37.67, 40.08, 35.32

 

CMYK 54 / 0 / 79 / 39

HEX #479B21

RGB 71 155 33

HSL 101.31, 0.65%, 0.37%

LAB 56.97, -46.78, 51.99

 

CMYK 79 / 14 / 0 / 39

HEX #21859B

RGB 33 133 155

HSL 190.82, 0.65%, 0.37%

LAB 51.23, -19.98, -19.75

 

CMYK 25 / 79 / 0 / 39

HEX #74219B

RGB 116 33 155

HSL 280.82, 0.65%, 0.37%

LAB 32.18, 54.23, -49.44

 

Description

Color code: RGB 155 56 33 | qconv.com Color code: RGB 155 56 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 56 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 56 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 79 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 79% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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