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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 246 204 it is the complementary color RGB 100 9 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 246 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 155 246 204: RGB 160 246 199, RGB 177 255 218, RGB 194 255 237, RGB 211 255 255 and RGB 228 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 246 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 155 246 204: RGB 155 246 204, RGB 138 228 185, RGB 121 210 166, RGB 104 192 147 and RGB 87 174 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 17 / 4

HEX #9BF6CC

RGB 155 246 204

HSL 152.31, 0.83%, 0.79%

LAB 90.43, -36.19, 11.71

 

Complementary color

CMYK 0 / 91 / 49 / 61

HEX #640933

RGB 100 9 51

HSL 332.31, 0.83%, 0.21%

LAB 20.61, 40.74, -0.01

 

CMYK 35 / 0 / 19 / 4

HEX #A0F6C7

RGB 160 246 199

HSL 147.21, 0.83%, 0.8%

LAB 90.56, -35.77, 14.5

 

CMYK 31 / 0 / 15 / 0

HEX #B1FFDA

RGB 177 255 218

HSL 151.54, 1%, 0.85%

LAB 94.28, -31.37, 10.12

 

CMYK 24 / 0 / 7 / 0

HEX #C2FFED

RGB 194 255 237

HSL 162.3, 1%, 0.88%

LAB 95.62, -22.63, 2.38

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 37 / 0 / 17 / 4

HEX #9BF6CC

RGB 155 246 204

HSL 152.31, 0.83%, 0.79%

LAB 90.43, -36.19, 11.71

 

CMYK 39 / 0 / 19 / 11

HEX #8AE4B9

RGB 138 228 185

HSL 151.33, 0.63%, 0.72%

LAB 84.17, -36.43, 12.61

 

CMYK 42 / 0 / 21 / 18

HEX #79D2A6

RGB 121 210 166

HSL 150.34, 0.5%, 0.65%

LAB 77.82, -36.67, 13.57

 

CMYK 46 / 0 / 23 / 25

HEX #68C093

RGB 104 192 147

HSL 149.32, 0.41%, 0.58%

LAB 71.38, -36.89, 14.6

 

CMYK 50 / 0 / 26 / 32

HEX #57AE80

RGB 87 174 128

HSL 148.28, 0.35%, 0.51%

LAB 64.85, -37.08, 15.72

 

CMYK 37 / 0 / 17 / 4

HEX #9BF6CC

RGB 155 246 204

HSL 152.31, 0.83%, 0.79%

LAB 90.43, -36.19, 11.71

 

CMYK 36 / 0 / 11 / 4

HEX #9DF5DB

RGB 157 245 219

HSL 162.27, 0.81%, 0.79%

LAB 90.59, -32.1, 4.16

 

CMYK 36 / 0 / 4 / 4

HEX #9DF5EA

RGB 157 245 234

HSL 172.5, 0.81%, 0.79%

LAB 90.97, -28.82, -3.09

 

CMYK 36 / 1 / 0 / 4

HEX #9DF2F5

RGB 157 242 245

HSL 182.05, 0.81%, 0.79%

LAB 90.44, -24.85, -9.59

 

CMYK 36 / 7 / 0 / 4

HEX #9DE4F5

RGB 157 228 245

HSL 191.59, 0.81%, 0.79%

LAB 86.63, -17.94, -15.29

 

CMYK 37 / 0 / 17 / 4

HEX #9BF6CC

RGB 155 246 204

HSL 152.31, 0.83%, 0.79%

LAB 90.43, -36.19, 11.71

 

CMYK 38 / 0 / 17 / 84

HEX #1A2A23

RGB 26 42 35

HSL 153.75, 0.24%, 0.13%

LAB 15.47, -8.66, 2.44

 

CMYK 37 / 0 / 17 / 64

HEX #3B5D4D

RGB 59 93 77

HSL 151.76, 0.22%, 0.3%

LAB 36.54, -16.33, 5.31

 

CMYK 37 / 0 / 17 / 44

HEX #5B9077

RGB 91 144 119

HSL 151.7, 0.23%, 0.46%

LAB 55.59, -23.48, 7.76

 

CMYK 37 / 0 / 17 / 24

HEX #7BC3A2

RGB 123 195 162

HSL 152.5, 0.38%, 0.62%

LAB 73.45, -29.9, 9.53

 

CMYK 37 / 0 / 17 / 4

HEX #9BF6CC

RGB 155 246 204

HSL 152.31, 0.83%, 0.79%

LAB 90.43, -36.19, 11.71

 

CMYK 36 / 27 / 0 / 4

HEX #9DB4F5

RGB 157 180 245

HSL 224.32, 0.81%, 0.79%

LAB 73.81, 7.47, -34.84

 

CMYK 0 / 31 / 36 / 4

HEX #F5A89D

RGB 245 168 157

HSL 7.5, 0.81%, 0.79%

LAB 75.98, 27.02, 17.18

 

CMYK 37 / 0 / 17 / 4

HEX #9BF6CC

RGB 155 246 204

HSL 152.31, 0.83%, 0.79%

LAB 90.43, -36.19, 11.71

 

CMYK 17 / 36 / 0 / 4

HEX #CC9DF5

RGB 204 157 245

HSL 272.05, 0.81%, 0.79%

LAB 71.92, 33.7, -37.47

 

CMYK 0 / 17 / 36 / 4

HEX #F5CC9D

RGB 245 204 157

HSL 32.05, 0.81%, 0.79%

LAB 84.5, 8.08, 28.84

 

CMYK 37 / 0 / 17 / 4

HEX #9BF6CC

RGB 155 246 204

HSL 152.31, 0.83%, 0.79%

LAB 90.43, -36.19, 11.71

 

CMYK 36 / 27 / 0 / 4

HEX #9DB4F5

RGB 157 180 245

HSL 224.32, 0.81%, 0.79%

LAB 73.81, 7.47, -34.84

 

CMYK 0 / 36 / 19 / 4

HEX #F59DC6

RGB 245 157 198

HSL 332.05, 0.81%, 0.79%

LAB 74.57, 38.29, -7.31

 

CMYK 0 / 9 / 36 / 4

HEX #F5DE9D

RGB 245 222 157

HSL 44.32, 0.81%, 0.79%

LAB 88.96, -1.19, 34.79

 

CMYK 37 / 0 / 17 / 4

HEX #9BF6CC

RGB 155 246 204

HSL 152.31, 0.83%, 0.79%

LAB 90.43, -36.19, 11.71

 

CMYK 35 / 36 / 0 / 4

HEX #9F9DF5

RGB 159 157 245

HSL 241.36, 0.81%, 0.79%

LAB 68.08, 20.95, -43.76

 

CMYK 0 / 36 / 19 / 4

HEX #F59DC6

RGB 245 157 198

HSL 332.05, 0.81%, 0.79%

LAB 74.57, 38.29, -7.31

 

CMYK 1 / 0 / 36 / 4

HEX #F2F59D

RGB 242 245 157

HSL 62.05, 0.81%, 0.79%

LAB 94.58, -13.85, 42.06

 

Description

Color code: RGB 155 246 204 | qconv.com Color code: RGB 155 246 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 246 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 246 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 17 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 17% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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