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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 20.2 42.6 it is the complementary color RGB 100 234.8 212.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 20.2 42.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 20.2 42.6 shade: RGB 160 20.2 37.6, RGB 177 38.2 56.6, RGB 194 56.2 75.6, RGB 211 74.2 94.6 and RGB 228 92.2 113.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 20.2 42.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 20.2 42.6 shade: RGB 155 20.2 42.6, RGB 138 2.2 23.6, RGB 121 0 4.6, RGB 104 0 0 and RGB 87 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 20.2 42.6 shade: RGB 153 20 42 and RGB 153 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 20.2 42.6 shade: RGB 153 20 42, RGB 153 20 78, RGB 153 20 114, RGB 153 20 150 and RGB 121 20 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 20.2 42.6 shade matches the following richer shades: RGB 153 20 42 and RGB 167 6 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 20.2 42.6 shade: RGB 153 20 42, RGB 139 34 51, RGB 125 48 61, RGB 111 62 70 and RGB 97 76 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 20.2 42.6 shade: RGB 153 20 113, RGB 153 20 78, RGB 153 20 42, RGB 153 33 20 and RGB 153 69 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 20.2 42.6 shade: RGB 80 10 22, RGB 117 15 32, RGB 153 20 42, RGB 190 25 52 and RGB 226 30 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 20.2 42.6 shade: RGB 155 20.2 42.6, RGB 149 153 20 and RGB 20 96 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 20.2 42.6 shade: RGB 155 20.2 42.6, RGB 42 153 20 and RGB 20 42 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 20.2 42.6 shade: RGB 155 20.2 42.6, RGB 149 153 20, RGB 20 153 131 and RGB 24 20 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 20.2 42.6 shade: RGB 155 20.2 42.6, RGB 109 153 20, RGB 20 153 131 and RGB 64 20 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 73 / 39

HEX #9B142A

RGB 155 20.2 42.6

HSL 350.03, 0.77%, 0.34%

LAB 33.24, 53.08, 24.65

 

Complementary color

CMYK 57 / 0 / 10 / 8

HEX #64EAD4

RGB 100 234.8 212.4

HSL 170.03, 0.77%, 0.66%

LAB 85.4, -42.11, -0.21

 

CMYK 0 / 87 / 77 / 37

HEX #A01425

RGB 160 20.2 37.6

HSL 352.53, 0.78%, 0.35%

LAB 34.23, 54.27, 29.22

 

CMYK 0 / 78 / 68 / 31

HEX #B12638

RGB 177 38.2 56.6

HSL 352.05, 0.64%, 0.42%

LAB 39.64, 55.35, 24.71

 

CMYK 0 / 71 / 61 / 24

HEX #C2384B

RGB 194 56.2 75.6

HSL 351.55, 0.55%, 0.49%

LAB 45.41, 55.52, 21.03

 

CMYK 0 / 65 / 55 / 17

HEX #D34A5E

RGB 211 74.2 94.6

HSL 351.05, 0.61%, 0.56%

LAB 51.37, 55.15, 18.03

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92.2 113.6

HSL 350.54, 0.72%, 0.63%

LAB 57.45, 54.48, 15.56

 

CMYK 0 / 87 / 73 / 39

HEX #9B142A

RGB 155 20.2 42.6

HSL 350.03, 0.77%, 0.34%

LAB 33.24, 53.08, 24.65

 

CMYK 0 / 98 / 83 / 46

HEX #8A0217

RGB 138 2.2 23.6

HSL 350.54, 0.97%, 0.27%

LAB 28.16, 50.85, 29.9

 

CMYK 0 / 100 / 96 / 53

HEX #790004

RGB 121 0 4.6

HSL 357.72, 1%, 0.24%

LAB 23.92, 46.24, 34.06

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 87 / 73 / 40

HEX #99142A

RGB 153 20 42

HSL 350.08, 0.77%, 0.34%

LAB 32.79, 52.53, 24.4

 

CMYK 0 / 87 / 87 / 40

HEX #991414

RGB 153 20 20

HSL 0, 0.77%, 0.34%

LAB 32.53, 51.77, 37.24

 

CMYK 0 / 87 / 73 / 40

HEX #99142A

RGB 153 20 42

HSL 350.08, 0.77%, 0.34%

LAB 32.79, 52.53, 24.4

 

CMYK 0 / 87 / 49 / 40

HEX #99144E

RGB 153 20 78

HSL 333.83, 0.77%, 0.34%

LAB 33.61, 54.93, 1.98

 

CMYK 0 / 87 / 25 / 40

HEX #991472

RGB 153 20 114

HSL 317.59, 0.77%, 0.34%

LAB 34.98, 58.76, -19.15

 

CMYK 0 / 87 / 2 / 40

HEX #991496

RGB 153 20 150

HSL 301.35, 0.77%, 0.34%

LAB 36.88, 63.86, -38.51

 

CMYK 21 / 87 / 0 / 40

HEX #791499

RGB 121 20 153

HSL 285.56, 0.77%, 0.34%

LAB 31.5, 58.6, -49.3

 

CMYK 0 / 87 / 73 / 40

HEX #99142A

RGB 153 20 42

HSL 350.08, 0.77%, 0.34%

LAB 32.79, 52.53, 24.4

 

CMYK 0 / 96 / 80 / 35

HEX #A70621

RGB 167 6 33

HSL 349.94, 0.93%, 0.34%

LAB 34.91, 58.2, 33.2

 

CMYK 0 / 87 / 73 / 40

HEX #99142A

RGB 153 20 42

HSL 350.08, 0.77%, 0.34%

LAB 32.79, 52.53, 24.4

 

CMYK 0 / 76 / 63 / 45

HEX #8B2233

RGB 139 34 51

HSL 350.29, 0.61%, 0.34%

LAB 31.51, 44.75, 16.36

 

CMYK 0 / 62 / 51 / 51

HEX #7D303D

RGB 125 48 61

HSL 349.87, 0.45%, 0.34%

LAB 31.37, 34.63, 9.19

 

CMYK 0 / 44 / 37 / 56

HEX #6F3E46

RGB 111 62 70

HSL 350.2, 0.28%, 0.34%

LAB 32.41, 22.44, 4.49

 

CMYK 0 / 22 / 18 / 62

HEX #614C50

RGB 97 76 80

HSL 348.57, 0.12%, 0.34%

LAB 34.58, 9.57, 1.01

 

CMYK 0 / 87 / 26 / 40

HEX #991471

RGB 153 20 113

HSL 318.05, 0.77%, 0.34%

LAB 34.93, 58.64, -18.58

 

CMYK 0 / 87 / 49 / 40

HEX #99144E

RGB 153 20 78

HSL 333.83, 0.77%, 0.34%

LAB 33.61, 54.93, 1.98

 

CMYK 0 / 87 / 73 / 40

HEX #99142A

RGB 153 20 42

HSL 350.08, 0.77%, 0.34%

LAB 32.79, 52.53, 24.4

 

CMYK 0 / 78 / 87 / 40

HEX #992114

RGB 153 33 20

HSL 5.86, 0.77%, 0.34%

LAB 33.8, 48.2, 38.33

 

CMYK 0 / 55 / 87 / 40

HEX #994514

RGB 153 69 20

HSL 22.11, 0.77%, 0.34%

LAB 39.71, 32.39, 43.38

 

CMYK 0 / 88 / 73 / 69

HEX #500A16

RGB 80 10 22

HSL 349.71, 0.78%, 0.18%

LAB 15.38, 32.04, 12.89

 

CMYK 0 / 87 / 73 / 54

HEX #750F20

RGB 117 15 32

HSL 350, 0.77%, 0.26%

LAB 24.41, 42.8, 18.98

 

CMYK 0 / 87 / 73 / 40

HEX #99142A

RGB 153 20 42

HSL 350.08, 0.77%, 0.34%

LAB 32.79, 52.53, 24.4

 

CMYK 0 / 87 / 73 / 25

HEX #BE1934

RGB 190 25 52

HSL 350.18, 0.77%, 0.42%

LAB 41.04, 62.07, 29.85

 

CMYK 0 / 87 / 72 / 11

HEX #E21E3F

RGB 226 30 63

HSL 349.9, 0.77%, 0.5%

LAB 48.83, 71.01, 34.23

 

CMYK 0 / 87 / 73 / 39

HEX #9B142A

RGB 155 20.2 42.6

HSL 350.03, 0.77%, 0.34%

LAB 33.24, 53.08, 24.65

 

CMYK 3 / 0 / 87 / 40

HEX #959914

RGB 149 153 20

HSL 61.8, 0.77%, 0.34%

LAB 60.98, -16.16, 60.9

 

CMYK 87 / 37 / 0 / 40

HEX #146099

RGB 20 96 153

HSL 205.71, 0.77%, 0.34%

LAB 39.27, -0.45, -37.25

 

CMYK 0 / 87 / 73 / 39

HEX #9B142A

RGB 155 20.2 42.6

HSL 350.03, 0.77%, 0.34%

LAB 33.24, 53.08, 24.65

 

CMYK 73 / 0 / 87 / 40

HEX #2A9914

RGB 42 153 20

HSL 110.08, 0.77%, 0.34%

LAB 55.41, -53.7, 53.93

 

CMYK 87 / 73 / 0 / 40

HEX #142A99

RGB 20 42 153

HSL 230.08, 0.77%, 0.34%

LAB 24.01, 35.76, -61.97

 

CMYK 0 / 87 / 73 / 39

HEX #9B142A

RGB 155 20.2 42.6

HSL 350.03, 0.77%, 0.34%

LAB 33.24, 53.08, 24.65

 

CMYK 3 / 0 / 87 / 40

HEX #959914

RGB 149 153 20

HSL 61.8, 0.77%, 0.34%

LAB 60.98, -16.16, 60.9

 

CMYK 87 / 0 / 14 / 40

HEX #149983

RGB 20 153 131

HSL 170.08, 0.77%, 0.34%

LAB 56.65, -38.38, 2.17

 

CMYK 84 / 87 / 0 / 40

HEX #181499

RGB 24 20 153

HSL 241.8, 0.77%, 0.34%

LAB 20.02, 47.9, -68.58

 

CMYK 0 / 87 / 73 / 39

HEX #9B142A

RGB 155 20.2 42.6

HSL 350.03, 0.77%, 0.34%

LAB 33.24, 53.08, 24.65

 

CMYK 29 / 0 / 87 / 40

HEX #6D9914

RGB 109 153 20

HSL 79.85, 0.77%, 0.34%

LAB 58.12, -33.28, 57.35

 

CMYK 87 / 0 / 14 / 40

HEX #149983

RGB 20 153 131

HSL 170.08, 0.77%, 0.34%

LAB 56.65, -38.38, 2.17

 

CMYK 58 / 87 / 0 / 40

HEX #401499

RGB 64 20 153

HSL 259.85, 0.77%, 0.34%

LAB 23.31, 50.74, -63.04

 

Description

Color code: RGB 155 20.2 42.6 | qconv.com Color code: RGB 155 20.2 42.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 20.2 green and 42.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 20.2 42.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 73 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 73% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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