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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 228 92.2 113.6 it is the complementary color RGB 27 162.8 141.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 228 92.2 113.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 228 92.2 113.6 shade: RGB 233 92.2 108.6, RGB 250 110.2 127.6, RGB 255 128.2 146.6, RGB 255 146.2 165.6 and RGB 255 164.2 184.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 228 92.2 113.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 228 92.2 113.6 shade: RGB 228 92.2 113.6, RGB 211 74.2 94.6, RGB 194 56.2 75.6, RGB 177 38.2 56.6 and RGB 160 20.2 37.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 228 92.2 113.6 shade: RGB 229 93 114 and RGB 229 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 228 92.2 113.6 shade: RGB 229 93 114, RGB 229 93 151, RGB 229 93 187, RGB 229 93 224 and RGB 196 93 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 228 92.2 113.6 shade matches the following richer shades: RGB 229 93 114 and RGB 244 77 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 228 92.2 113.6 shade: RGB 229 93 114, RGB 213 108 125, RGB 198 123 135, RGB 183 139 145 and RGB 168 154 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 228 92.2 113.6 shade: RGB 229 93 188, RGB 229 93 152, RGB 229 93 115, RGB 229 106 93 and RGB 229 143 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 228 92.2 113.6 shade: RGB 205 33 61, RGB 223 57 83, RGB 229 93 114, RGB 234 128 145 and RGB 240 164 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 228 92.2 113.6 shade: RGB 228 92.2 113.6, RGB 224 229 93 and RGB 93 170 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 228 92.2 113.6 shade: RGB 228 92.2 113.6, RGB 115 229 93 and RGB 93 115 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 228 92.2 113.6 shade: RGB 228 92.2 113.6, RGB 224 229 93, RGB 93 229 206 and RGB 97 93 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 228 92.2 113.6 shade: RGB 228 92.2 113.6, RGB 183 229 93, RGB 93 229 206 and RGB 138 93 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92.2 113.6

HSL 350.54, 0.72%, 0.63%

LAB 57.45, 54.48, 15.56

 

Complementary color

CMYK 83 / 0 / 13 / 36

HEX #1BA28D

RGB 27 162.8 141.4

HSL 170.54, 0.72%, 0.37%

LAB 60.15, -39.25, 1.37

 

CMYK 0 / 60 / 53 / 9

HEX #E95C6C

RGB 233 92.2 108.6

HSL 353.01, 0.76%, 0.64%

LAB 58.14, 55.71, 19.55

 

CMYK 0 / 56 / 49 / 2

HEX #FA6E7F

RGB 250 110.2 127.6

HSL 352.53, 0.93%, 0.71%

LAB 64.22, 54.87, 17.34

 

CMYK 0 / 50 / 43 / 0

HEX #FF8092

RGB 255 128.2 146.6

HSL 351.29, 1%, 0.75%

LAB 68.64, 49.86, 12.85

 

CMYK 0 / 43 / 35 / 0

HEX #FF92A5

RGB 255 146.2 165.6

HSL 349.3, 1%, 0.79%

LAB 72.64, 42.99, 7.91

 

CMYK 0 / 36 / 28 / 0

HEX #FFA4B8

RGB 255 164.2 184.6

HSL 346.52, 1%, 0.82%

LAB 76.9, 36.13, 3.59

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92.2 113.6

HSL 350.54, 0.72%, 0.63%

LAB 57.45, 54.48, 15.56

 

CMYK 0 / 65 / 55 / 17

HEX #D34A5E

RGB 211 74.2 94.6

HSL 351.05, 0.61%, 0.56%

LAB 51.37, 55.15, 18.03

 

CMYK 0 / 71 / 61 / 24

HEX #C2384B

RGB 194 56.2 75.6

HSL 351.55, 0.55%, 0.49%

LAB 45.41, 55.52, 21.03

 

CMYK 0 / 78 / 68 / 31

HEX #B12638

RGB 177 38.2 56.6

HSL 352.05, 0.64%, 0.42%

LAB 39.64, 55.35, 24.71

 

CMYK 0 / 87 / 77 / 37

HEX #A01425

RGB 160 20.2 37.6

HSL 352.53, 0.78%, 0.35%

LAB 34.23, 54.27, 29.22

 

CMYK 0 / 59 / 50 / 10

HEX #E55D72

RGB 229 93 114

HSL 350.74, 0.72%, 0.63%

LAB 57.75, 54.48, 15.77

 

CMYK 0 / 59 / 59 / 10

HEX #E55D5D

RGB 229 93 93

HSL 0, 0.72%, 0.63%

LAB 57.34, 52.86, 27.42

 

CMYK 0 / 59 / 50 / 10

HEX #E55D72

RGB 229 93 114

HSL 350.74, 0.72%, 0.63%

LAB 57.75, 54.48, 15.77

 

CMYK 0 / 59 / 34 / 10

HEX #E55D97

RGB 229 93 151

HSL 334.41, 0.72%, 0.63%

LAB 58.72, 58.22, -4.47

 

CMYK 0 / 59 / 18 / 10

HEX #E55DBB

RGB 229 93 187

HSL 318.53, 0.72%, 0.63%

LAB 59.96, 62.87, -23.39

 

CMYK 0 / 59 / 2 / 10

HEX #E55DE0

RGB 229 93 224

HSL 302.21, 0.72%, 0.63%

LAB 61.54, 68.54, -41.89

 

CMYK 14 / 59 / 0 / 10

HEX #C45DE5

RGB 196 93 229

HSL 285.44, 0.72%, 0.63%

LAB 57.29, 61.34, -51.7

 

CMYK 0 / 59 / 50 / 10

HEX #E55D72

RGB 229 93 114

HSL 350.74, 0.72%, 0.63%

LAB 57.75, 54.48, 15.77

 

CMYK 0 / 68 / 57 / 4

HEX #F44D68

RGB 244 77 104

HSL 350.3, 0.88%, 0.63%

LAB 57.6, 64.99, 21.82

 

CMYK 0 / 59 / 50 / 10

HEX #E55D72

RGB 229 93 114

HSL 350.74, 0.72%, 0.63%

LAB 57.75, 54.48, 15.77

 

CMYK 0 / 49 / 41 / 16

HEX #D56C7D

RGB 213 108 125

HSL 350.29, 0.56%, 0.63%

LAB 58.37, 42.89, 9.87

 

CMYK 0 / 38 / 32 / 22

HEX #C67B87

RGB 198 123 135

HSL 350.4, 0.4%, 0.63%

LAB 59.82, 30.71, 5.88

 

CMYK 0 / 24 / 21 / 28

HEX #B78B91

RGB 183 139 145

HSL 351.82, 0.23%, 0.63%

LAB 62.15, 17.64, 3.3

 

CMYK 0 / 8 / 7 / 34

HEX #A89A9C

RGB 168 154 156

HSL 351.43, 0.07%, 0.63%

LAB 64.83, 5.49, 0.81

 

CMYK 0 / 59 / 18 / 10

HEX #E55DBC

RGB 229 93 188

HSL 318.09, 0.72%, 0.63%

LAB 59.99, 63.01, -23.91

 

CMYK 0 / 59 / 34 / 10

HEX #E55D98

RGB 229 93 152

HSL 333.97, 0.72%, 0.63%

LAB 58.75, 58.34, -5.01

 

CMYK 0 / 59 / 50 / 10

HEX #E55D73

RGB 229 93 115

HSL 350.29, 0.72%, 0.63%

LAB 57.77, 54.57, 15.22

 

CMYK 0 / 54 / 59 / 10

HEX #E56A5D

RGB 229 106 93

HSL 5.74, 0.72%, 0.63%

LAB 59.67, 46.79, 30.4

 

CMYK 0 / 38 / 59 / 10

HEX #E58F5D

RGB 229 143 93

HSL 22.06, 0.72%, 0.63%

LAB 67.35, 27.86, 39.97

 

CMYK 0 / 84 / 70 / 20

HEX #CD213D

RGB 205 33 61

HSL 350.23, 0.72%, 0.47%

LAB 44.81, 64.8, 29.61

 

CMYK 0 / 74 / 63 / 13

HEX #DF3953

RGB 223 57 83

HSL 350.6, 0.72%, 0.55%

LAB 50.97, 64.39, 24.82

 

CMYK 0 / 59 / 50 / 10

HEX #E55D72

RGB 229 93 114

HSL 350.74, 0.72%, 0.63%

LAB 57.75, 54.48, 15.77

 

CMYK 0 / 45 / 38 / 8

HEX #EA8091

RGB 234 128 145

HSL 350.38, 0.72%, 0.71%

LAB 65.73, 42.44, 9.24

 

CMYK 0 / 32 / 27 / 6

HEX #F0A4B0

RGB 240 164 176

HSL 350.53, 0.72%, 0.79%

LAB 74.96, 29.7, 5.27

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92.2 113.6

HSL 350.54, 0.72%, 0.63%

LAB 57.45, 54.48, 15.56

 

CMYK 2 / 0 / 59 / 10

HEX #E0E55D

RGB 224 229 93

HSL 62.21, 0.72%, 0.63%

LAB 88.29, -18.88, 63.93

 

CMYK 59 / 26 / 0 / 10

HEX #5DAAE5

RGB 93 170 229

HSL 206.03, 0.72%, 0.63%

LAB 67.08, -6.56, -36.84

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92.2 113.6

HSL 350.54, 0.72%, 0.63%

LAB 57.45, 54.48, 15.56

 

CMYK 50 / 0 / 59 / 10

HEX #73E55D

RGB 115 229 93

HSL 110.29, 0.72%, 0.63%

LAB 82.1, -57.53, 55.3

 

CMYK 59 / 50 / 0 / 10

HEX #5D73E5

RGB 93 115 229

HSL 230.29, 0.72%, 0.63%

LAB 52.11, 25.86, -60.54

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92.2 113.6

HSL 350.54, 0.72%, 0.63%

LAB 57.45, 54.48, 15.56

 

CMYK 2 / 0 / 59 / 10

HEX #E0E55D

RGB 224 229 93

HSL 62.21, 0.72%, 0.63%

LAB 88.29, -18.88, 63.93

 

CMYK 59 / 0 / 10 / 10

HEX #5DE5CE

RGB 93 229 206

HSL 169.85, 0.72%, 0.63%

LAB 83.35, -42.39, 0.16

 

CMYK 58 / 59 / 0 / 10

HEX #615DE5

RGB 97 93 229

HSL 241.76, 0.72%, 0.63%

LAB 47.01, 39.92, -68.78

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92.2 113.6

HSL 350.54, 0.72%, 0.63%

LAB 57.45, 54.48, 15.56

 

CMYK 20 / 0 / 59 / 10

HEX #B7E55D

RGB 183 229 93

HSL 80.29, 0.72%, 0.63%

LAB 85.45, -34.95, 59.99

 

CMYK 59 / 0 / 10 / 10

HEX #5DE5CE

RGB 93 229 206

HSL 169.85, 0.72%, 0.63%

LAB 83.35, -42.39, 0.16

 

CMYK 40 / 59 / 0 / 10

HEX #8A5DE5

RGB 138 93 229

HSL 259.85, 0.72%, 0.63%

LAB 50.56, 47.93, -62.87

 

Description

Color code: RGB 228 92.2 113.6 | qconv.com Color code: RGB 228 92.2 113.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 92.2 green and 113.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 92.2 113.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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