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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 146 51 it is the complementary color RGB 100 109 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 146 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 155 146 51: RGB 160 146 46, RGB 177 164 65, RGB 194 182 84, RGB 211 200 103 and RGB 228 218 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 146 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 155 146 51: RGB 155 146 51, RGB 138 128 32, RGB 121 110 13, RGB 104 92 0 and RGB 87 74 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 67 / 39

HEX #9B9233

RGB 155 146 51

HSL 54.81, 0.5%, 0.4%

LAB 59.68, -8.44, 49.58

 

Complementary color

CMYK 51 / 47 / 0 / 20

HEX #646DCC

RGB 100 109 204

HSL 234.81, 0.5%, 0.6%

LAB 49.5, 22.89, -50.54

 

CMYK 0 / 9 / 71 / 37

HEX #A0922E

RGB 160 146 46

HSL 52.63, 0.55%, 0.4%

LAB 60.09, -6.49, 52.23

 

CMYK 0 / 7 / 63 / 31

HEX #B1A441

RGB 177 164 65

HSL 53.04, 0.46%, 0.47%

LAB 66.73, -7.47, 51.52

 

CMYK 0 / 6 / 57 / 24

HEX #C2B654

RGB 194 182 84

HSL 53.45, 0.47%, 0.55%

LAB 73.26, -8.27, 50.51

 

CMYK 0 / 5 / 51 / 17

HEX #D3C867

RGB 211 200 103

HSL 53.89, 0.55%, 0.62%

LAB 79.69, -8.93, 49.37

 

CMYK 0 / 4 / 46 / 11

HEX #E4DA7A

RGB 228 218 122

HSL 54.34, 0.66%, 0.69%

LAB 86.03, -9.48, 48.19

 

CMYK 0 / 6 / 67 / 39

HEX #9B9233

RGB 155 146 51

HSL 54.81, 0.5%, 0.4%

LAB 59.68, -8.44, 49.58

 

CMYK 0 / 7 / 77 / 46

HEX #8A8020

RGB 138 128 32

HSL 54.34, 0.62%, 0.33%

LAB 52.89, -7.38, 49.96

 

CMYK 0 / 9 / 89 / 53

HEX #796E0D

RGB 121 110 13

HSL 53.89, 0.81%, 0.26%

LAB 45.97, -6.01, 49.18

 

CMYK 0 / 12 / 100 / 59

HEX #685C00

RGB 104 92 0

HSL 53.08, 1%, 0.2%

LAB 38.89, -4.28, 46.25

 

CMYK 0 / 15 / 100 / 66

HEX #574A00

RGB 87 74 0

HSL 51.03, 1%, 0.17%

LAB 31.63, -2.12, 40.24

 

CMYK 0 / 6 / 67 / 39

HEX #9B9233

RGB 155 146 51

HSL 54.81, 0.5%, 0.4%

LAB 59.68, -8.44, 49.58

 

CMYK 5 / 0 / 67 / 40

HEX #929933

RGB 146 153 51

HSL 64.12, 0.5%, 0.4%

LAB 60.9, -16.12, 50.6

 

CMYK 16 / 0 / 67 / 40

HEX #819933

RGB 129 153 51

HSL 74.12, 0.5%, 0.4%

LAB 59.61, -23.42, 48.86

 

CMYK 27 / 0 / 67 / 40

HEX #709933

RGB 112 153 51

HSL 84.12, 0.5%, 0.4%

LAB 58.48, -30.37, 47.32

 

CMYK 38 / 0 / 67 / 40

HEX #5F9933

RGB 95 153 51

HSL 94.12, 0.5%, 0.4%

LAB 57.52, -36.79, 46.01

 

CMYK 0 / 6 / 67 / 39

HEX #9B9233

RGB 155 146 51

HSL 54.81, 0.5%, 0.4%

LAB 59.68, -8.44, 49.58

 

CMYK 0 / 6 / 67 / 19

HEX #CEC244

RGB 206 194 68

HSL 54.78, 0.58%, 0.54%

LAB 77.35, -10.43, 62.18

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 0 / 6 / 68 / 79

HEX #353211

RGB 53 50 17

HSL 55, 0.51%, 0.14%

LAB 20.36, -3.96, 21.06

 

CMYK 0 / 6 / 67 / 59

HEX #686222

RGB 104 98 34

HSL 54.86, 0.51%, 0.27%

LAB 40.89, -6.32, 36.08

 

CMYK 0 / 6 / 67 / 39

HEX #9B9233

RGB 155 146 51

HSL 54.81, 0.5%, 0.4%

LAB 59.68, -8.44, 49.58

 

CMYK 67 / 0 / 60 / 40

HEX #33993D

RGB 51 153 61

HSL 125.88, 0.5%, 0.4%

LAB 55.91, -48.45, 39.19

 

CMYK 33 / 67 / 0 / 40

HEX #663399

RGB 102 51 153

HSL 270, 0.5%, 0.4%

LAB 32.9, 42.89, -47.16

 

CMYK 0 / 6 / 67 / 39

HEX #9B9233

RGB 155 146 51

HSL 54.81, 0.5%, 0.4%

LAB 59.68, -8.44, 49.58

 

CMYK 67 / 0 / 7 / 40

HEX #33998E

RGB 51 153 142

HSL 173.53, 0.5%, 0.4%

LAB 57.5, -31.62, -2.79

 

CMYK 7 / 67 / 0 / 40

HEX #8E3399

RGB 142 51 153

HSL 293.53, 0.5%, 0.4%

LAB 38.58, 52.33, -37.74

 

CMYK 0 / 6 / 67 / 39

HEX #9B9233

RGB 155 146 51

HSL 54.81, 0.5%, 0.4%

LAB 59.68, -8.44, 49.58

 

CMYK 67 / 0 / 60 / 40

HEX #33993D

RGB 51 153 61

HSL 125.88, 0.5%, 0.4%

LAB 55.91, -48.45, 39.19

 

CMYK 67 / 60 / 0 / 40

HEX #333D99

RGB 51 61 153

HSL 234.12, 0.5%, 0.4%

LAB 30.26, 26.67, -51.67

 

CMYK 0 / 67 / 7 / 40

HEX #99338E

RGB 153 51 142

HSL 306.47, 0.5%, 0.4%

LAB 39.74, 53.15, -29.12

 

CMYK 0 / 6 / 67 / 39

HEX #9B9233

RGB 155 146 51

HSL 54.81, 0.5%, 0.4%

LAB 59.68, -8.44, 49.58

 

CMYK 67 / 0 / 41 / 40

HEX #33995B

RGB 51 153 91

HSL 143.53, 0.5%, 0.4%

LAB 56.33, -43.71, 24.23

 

CMYK 67 / 60 / 0 / 40

HEX #333D99

RGB 51 61 153

HSL 234.12, 0.5%, 0.4%

LAB 30.26, 26.67, -51.67

 

CMYK 0 / 67 / 27 / 40

HEX #993370

RGB 153 51 112

HSL 324.12, 0.5%, 0.4%

LAB 38.39, 48.61, -12.65

 

Description

Color code: RGB 155 146 51 | qconv.com Color code: RGB 155 146 51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 146 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 146 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 67 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 67% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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