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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 131 129 it is the complementary color RGB 100 124 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 131 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 155 131 129: RGB 160 131 124, RGB 177 149 143, RGB 194 167 162, RGB 211 185 181 and RGB 228 203 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 131 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 155 131 129: RGB 155 131 129, RGB 138 113 110, RGB 121 95 91, RGB 104 77 72 and RGB 87 59 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 17 / 39

HEX #9B8381

RGB 155 131 129

HSL 4.62, 0.12%, 0.56%

LAB 56.87, 8.81, 4.48

 

Complementary color

CMYK 21 / 2 / 0 / 51

HEX #647C7E

RGB 100 124 126

HSL 184.62, 0.12%, 0.44%

LAB 50.25, -8.18, -3.98

 

CMYK 0 / 18 / 23 / 37

HEX #A0837C

RGB 160 131 124

HSL 11.67, 0.16%, 0.56%

LAB 57.23, 9.96, 7.95

 

CMYK 0 / 16 / 19 / 31

HEX #B1958F

RGB 177 149 143

HSL 10.59, 0.18%, 0.63%

LAB 64.02, 9.46, 7.05

 

CMYK 0 / 14 / 16 / 24

HEX #C2A7A2

RGB 194 167 162

HSL 9.38, 0.21%, 0.7%

LAB 70.67, 9.01, 6.21

 

CMYK 0 / 12 / 14 / 17

HEX #D3B9B5

RGB 211 185 181

HSL 8, 0.25%, 0.77%

LAB 77.21, 8.61, 5.43

 

CMYK 0 / 11 / 12 / 11

HEX #E4CBC8

RGB 228 203 200

HSL 6.43, 0.34%, 0.84%

LAB 83.64, 8.25, 4.68

 

CMYK 0 / 15 / 17 / 39

HEX #9B8381

RGB 155 131 129

HSL 4.62, 0.12%, 0.56%

LAB 56.87, 8.81, 4.48

 

CMYK 0 / 18 / 20 / 46

HEX #8A716E

RGB 138 113 110

HSL 6.43, 0.11%, 0.49%

LAB 49.91, 9.31, 5.35

 

CMYK 0 / 21 / 25 / 53

HEX #795F5B

RGB 121 95 91

HSL 8, 0.14%, 0.42%

LAB 42.77, 9.89, 6.31

 

CMYK 0 / 26 / 31 / 59

HEX #684D48

RGB 104 77 72

HSL 9.37, 0.18%, 0.35%

LAB 35.44, 10.59, 7.39

 

CMYK 0 / 32 / 39 / 66

HEX #573B35

RGB 87 59 53

HSL 10.59, 0.24%, 0.27%

LAB 27.88, 11.47, 8.67

 

CMYK 0 / 15 / 17 / 39

HEX #9B8381

RGB 155 131 129

HSL 4.62, 0.12%, 0.56%

LAB 56.87, 8.81, 4.48

 

CMYK 0 / 13 / 17 / 39

HEX #9C8781

RGB 156 135 129

HSL 13.33, 0.12%, 0.56%

LAB 58.02, 6.92, 6.15

 

CMYK 0 / 10 / 17 / 39

HEX #9C8C81

RGB 156 140 129

HSL 24.44, 0.12%, 0.56%

LAB 59.35, 4.1, 8.05

 

CMYK 0 / 8 / 17 / 39

HEX #9C9081

RGB 156 144 129

HSL 33.33, 0.12%, 0.56%

LAB 60.43, 1.86, 9.58

 

CMYK 0 / 4 / 17 / 39

HEX #9C9581

RGB 156 149 129

HSL 44.44, 0.12%, 0.56%

LAB 61.78, -0.92, 11.49

 

CMYK 0 / 15 / 17 / 39

HEX #9B8381

RGB 155 131 129

HSL 4.62, 0.12%, 0.56%

LAB 56.87, 8.81, 4.48

 

CMYK 0 / 16 / 17 / 19

HEX #CEAEAB

RGB 206 174 171

HSL 5.14, 0.26%, 0.74%

LAB 73.76, 11.1, 5.85

 

CMYK 0 / 0 / 0 / 99

HEX #020202

RGB 2 2 2

HSL 0, 0%, 0.01%

LAB 0.55, 0, -0

 

CMYK 0 / 15 / 17 / 79

HEX #352D2C

RGB 53 45 44

HSL 6.67, 0.09%, 0.19%

LAB 19.29, 3.43, 1.98

 

CMYK 0 / 15 / 16 / 59

HEX #685857

RGB 104 88 87

HSL 3.53, 0.09%, 0.37%

LAB 38.92, 6.35, 3

 

CMYK 0 / 15 / 17 / 39

HEX #9B8381

RGB 155 131 129

HSL 4.62, 0.12%, 0.56%

LAB 56.87, 8.81, 4.48

 

CMYK 4 / 0 / 17 / 39

HEX #959C81

RGB 149 156 129

HSL 75.56, 0.12%, 0.56%

LAB 63.14, -7.45, 13.31

 

CMYK 17 / 12 / 0 / 39

HEX #818A9C

RGB 129 138 156

HSL 220, 0.12%, 0.56%

LAB 57.31, 0.65, -10.67

 

CMYK 0 / 15 / 17 / 39

HEX #9B8381

RGB 155 131 129

HSL 4.62, 0.12%, 0.56%

LAB 56.87, 8.81, 4.48

 

CMYK 17 / 0 / 16 / 39

HEX #819C83

RGB 129 156 131

HSL 124.44, 0.12%, 0.56%

LAB 61.73, -14.5, 9.99

 

CMYK 16 / 17 / 0 / 39

HEX #83819C

RGB 131 129 156

HSL 244.44, 0.12%, 0.56%

LAB 55, 6.51, -14.14

 

CMYK 0 / 15 / 17 / 39

HEX #9B8381

RGB 155 131 129

HSL 4.62, 0.12%, 0.56%

LAB 56.87, 8.81, 4.48

 

CMYK 4 / 0 / 17 / 39

HEX #959C81

RGB 149 156 129

HSL 75.56, 0.12%, 0.56%

LAB 63.14, -7.45, 13.31

 

CMYK 17 / 1 / 0 / 39

HEX #819A9C

RGB 129 154 156

HSL 184.44, 0.12%, 0.56%

LAB 61.81, -8.29, -3.98

 

CMYK 13 / 17 / 0 / 39

HEX #88819C

RGB 136 129 156

HSL 255.56, 0.12%, 0.56%

LAB 55.42, 8.22, -13.47

 

CMYK 0 / 15 / 17 / 39

HEX #9B8381

RGB 155 131 129

HSL 4.62, 0.12%, 0.56%

LAB 56.87, 8.81, 4.48

 

CMYK 10 / 0 / 17 / 39

HEX #8D9C81

RGB 141 156 129

HSL 93.33, 0.12%, 0.56%

LAB 62.53, -10.47, 12.37

 

CMYK 17 / 1 / 0 / 39

HEX #819A9C

RGB 129 154 156

HSL 184.44, 0.12%, 0.56%

LAB 61.81, -8.29, -3.98

 

CMYK 8 / 17 / 0 / 39

HEX #90819C

RGB 144 129 156

HSL 273.33, 0.12%, 0.56%

LAB 56.12, 11.01, -12.34

 

Description

Color code: RGB 155 131 129 | qconv.com Color code: RGB 155 131 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 131 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 131 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 17 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 17% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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