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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 114 202 it is the complementary color RGB 100 141 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 114 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 155 114 202: RGB 160 114 197, RGB 177 132 216, RGB 194 150 235, RGB 211 168 254 and RGB 228 186 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 114 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 155 114 202: RGB 155 114 202, RGB 138 96 183, RGB 121 78 164, RGB 104 60 145 and RGB 87 42 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 44 / 0 / 21

HEX #9B72CA

RGB 155 114 202

HSL 267.95, 0.45%, 0.62%

LAB 55.35, 33.64, -39.83

 

Complementary color

CMYK 29 / 0 / 62 / 45

HEX #648D35

RGB 100 141 53

HSL 87.95, 0.45%, 0.38%

LAB 54.04, -29.2, 41.4

 

CMYK 19 / 42 / 0 / 23

HEX #A072C5

RGB 160 114 197

HSL 273.25, 0.42%, 0.61%

LAB 55.62, 33.94, -36.52

 

CMYK 18 / 39 / 0 / 15

HEX #B184D8

RGB 177 132 216

HSL 272.14, 0.52%, 0.68%

LAB 62.34, 33.14, -36.6

 

CMYK 17 / 36 / 0 / 8

HEX #C296EB

RGB 194 150 235

HSL 271.06, 0.68%, 0.75%

LAB 68.95, 32.41, -36.7

 

CMYK 17 / 34 / 0 / 0

HEX #D3A8FE

RGB 211 168 254

HSL 270, 0.98%, 0.83%

LAB 75.46, 31.72, -36.8

 

CMYK 11 / 27 / 0 / 0

HEX #E4BAFF

RGB 228 186 255

HSL 276.52, 1%, 0.86%

LAB 81.2, 27.36, -28.36

 

CMYK 23 / 44 / 0 / 21

HEX #9B72CA

RGB 155 114 202

HSL 267.95, 0.45%, 0.62%

LAB 55.35, 33.64, -39.83

 

CMYK 25 / 48 / 0 / 28

HEX #8A60B7

RGB 138 96 183

HSL 268.97, 0.38%, 0.55%

LAB 48.5, 34.53, -39.84

 

CMYK 26 / 52 / 0 / 36

HEX #794EA4

RGB 121 78 164

HSL 270, 0.36%, 0.47%

LAB 41.52, 35.47, -39.84

 

CMYK 28 / 59 / 0 / 43

HEX #683C91

RGB 104 60 145

HSL 271.06, 0.41%, 0.4%

LAB 34.44, 36.44, -39.8

 

CMYK 31 / 67 / 0 / 51

HEX #572A7E

RGB 87 42 126

HSL 272.14, 0.5%, 0.33%

LAB 27.27, 37.32, -39.64

 

CMYK 23 / 44 / 0 / 21

HEX #9B72CA

RGB 155 114 202

HSL 267.95, 0.45%, 0.62%

LAB 55.35, 33.64, -39.83

 

CMYK 16 / 43 / 0 / 21

HEX #A872C9

RGB 168 114 201

HSL 277.24, 0.45%, 0.62%

LAB 56.66, 37.19, -37.11

 

CMYK 9 / 43 / 0 / 21

HEX #B672C9

RGB 182 114 201

HSL 286.9, 0.45%, 0.62%

LAB 58.22, 41.34, -34.55

 

CMYK 2 / 43 / 0 / 21

HEX #C572C9

RGB 197 114 201

HSL 297.24, 0.45%, 0.62%

LAB 60, 45.82, -31.65

 

CMYK 0 / 43 / 5 / 21

HEX #C972BF

RGB 201 114 191

HSL 306.9, 0.45%, 0.62%

LAB 60.08, 45.22, -25.81

 

CMYK 23 / 44 / 0 / 21

HEX #9B72CA

RGB 155 114 202

HSL 267.95, 0.45%, 0.62%

LAB 55.35, 33.64, -39.83

 

CMYK 23 / 43 / 0 / 1

HEX #C28FFD

RGB 194 143 253

HSL 267.82, 0.96%, 0.78%

LAB 68.17, 40.28, -47.77

 

CMYK 22 / 43 / 0 / 81

HEX #261C31

RGB 38 28 49

HSL 268.57, 0.27%, 0.15%

LAB 12.38, 10.18, -12.11

 

CMYK 23 / 44 / 0 / 61

HEX #4D3864

RGB 77 56 100

HSL 268.64, 0.28%, 0.31%

LAB 27.64, 19.19, -22.54

 

CMYK 23 / 44 / 0 / 41

HEX #745597

RGB 116 85 151

HSL 268.18, 0.28%, 0.46%

LAB 41.91, 26.66, -31.49

 

CMYK 23 / 44 / 0 / 21

HEX #9B72CA

RGB 155 114 202

HSL 267.95, 0.45%, 0.62%

LAB 55.35, 33.64, -39.83

 

CMYK 0 / 43 / 28 / 21

HEX #C97291

RGB 201 114 145

HSL 338.62, 0.45%, 0.62%

LAB 58.51, 37.97, -1.75

 

CMYK 43 / 0 / 41 / 21

HEX #72C976

RGB 114 201 118

HSL 122.76, 0.45%, 0.62%

LAB 73.97, -43.28, 33.47

 

CMYK 23 / 44 / 0 / 21

HEX #9B72CA

RGB 155 114 202

HSL 267.95, 0.45%, 0.62%

LAB 55.35, 33.64, -39.83

 

CMYK 0 / 24 / 43 / 21

HEX #C99972

RGB 201 153 114

HSL 26.9, 0.45%, 0.62%

LAB 66.84, 12.95, 27.42

 

CMYK 43 / 0 / 24 / 21

HEX #72C999

RGB 114 201 153

HSL 146.9, 0.45%, 0.62%

LAB 74.6, -37.08, 15.94

 

CMYK 23 / 44 / 0 / 21

HEX #9B72CA

RGB 155 114 202

HSL 267.95, 0.45%, 0.62%

LAB 55.35, 33.64, -39.83

 

CMYK 0 / 43 / 28 / 21

HEX #C97291

RGB 201 114 145

HSL 338.62, 0.45%, 0.62%

LAB 58.51, 37.97, -1.75

 

CMYK 19 / 0 / 43 / 21

HEX #A2C972

RGB 162 201 114

HSL 86.9, 0.45%, 0.62%

LAB 76.48, -27.63, 39.22

 

CMYK 43 / 0 / 15 / 21

HEX #72C9AB

RGB 114 201 171

HSL 159.31, 0.45%, 0.62%

LAB 75.01, -33.29, 6.85

 

CMYK 23 / 44 / 0 / 21

HEX #9B72CA

RGB 155 114 202

HSL 267.95, 0.45%, 0.62%

LAB 55.35, 33.64, -39.83

 

CMYK 0 / 43 / 41 / 21

HEX #C97276

RGB 201 114 118

HSL 357.24, 0.45%, 0.62%

LAB 57.81, 34.61, 12.9

 

CMYK 19 / 0 / 43 / 21

HEX #A2C972

RGB 162 201 114

HSL 86.9, 0.45%, 0.62%

LAB 76.48, -27.63, 39.22

 

CMYK 43 / 0 / 2 / 21

HEX #72C9C5

RGB 114 201 197

HSL 177.24, 0.45%, 0.62%

LAB 75.69, -27.18, -6.21

 

Description

Color code: RGB 155 114 202 | qconv.com Color code: RGB 155 114 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 114 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 114 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 44 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 44% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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