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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 74 113 it is the complementary color RGB 101 181 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 74 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 154 74 113: RGB 159 74 108, RGB 176 92 127, RGB 193 110 146, RGB 210 128 165 and RGB 227 146 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 74 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 154 74 113: RGB 154 74 113, RGB 137 56 94, RGB 120 38 75, RGB 103 20 56 and RGB 86 2 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 27 / 40

HEX #9A4A71

RGB 154 74 113

HSL 330.75, 0.35%, 0.45%

LAB 42.7, 38.07, -6.77

 

Complementary color

CMYK 44 / 0 / 22 / 29

HEX #65B58E

RGB 101 181 142

HSL 150.75, 0.35%, 0.55%

LAB 67.85, -33.66, 12.33

 

CMYK 0 / 53 / 32 / 38

HEX #9F4A6C

RGB 159 74 108

HSL 336, 0.36%, 0.46%

LAB 43.29, 39.11, -2.74

 

CMYK 0 / 48 / 28 / 31

HEX #B05C7F

RGB 176 92 127

HSL 335, 0.35%, 0.53%

LAB 50, 38.27, -4.08

 

CMYK 0 / 43 / 24 / 24

HEX #C16E92

RGB 193 110 146

HSL 333.98, 0.4%, 0.59%

LAB 56.65, 37.41, -5.19

 

CMYK 0 / 39 / 21 / 18

HEX #D280A5

RGB 210 128 165

HSL 332.93, 0.48%, 0.66%

LAB 63.22, 36.58, -6.14

 

CMYK 0 / 36 / 19 / 11

HEX #E392B8

RGB 227 146 184

HSL 331.85, 0.59%, 0.73%

LAB 69.72, 35.79, -6.99

 

CMYK 0 / 52 / 27 / 40

HEX #9A4A71

RGB 154 74 113

HSL 330.75, 0.35%, 0.45%

LAB 42.7, 38.07, -6.77

 

CMYK 0 / 59 / 31 / 46

HEX #89385E

RGB 137 56 94

HSL 331.85, 0.42%, 0.38%

LAB 35.9, 38.79, -5.32

 

CMYK 0 / 68 / 38 / 53

HEX #78264B

RGB 120 38 75

HSL 332.93, 0.52%, 0.31%

LAB 29.13, 39.22, -3.38

 

CMYK 0 / 81 / 46 / 60

HEX #671438

RGB 103 20 56

HSL 333.98, 0.67%, 0.24%

LAB 22.55, 38.92, -0.6

 

CMYK 0 / 98 / 57 / 66

HEX #560225

RGB 86 2 37

HSL 335, 0.95%, 0.17%

LAB 16.28, 37.53, 3.38

 

CMYK 0 / 52 / 27 / 40

HEX #9A4A71

RGB 154 74 113

HSL 330.75, 0.35%, 0.45%

LAB 42.7, 38.07, -6.77

 

CMYK 0 / 52 / 34 / 40

HEX #9A4A65

RGB 154 74 101

HSL 339.75, 0.35%, 0.45%

LAB 42.32, 36.42, 0.06

 

CMYK 0 / 52 / 44 / 40

HEX #9A4A57

RGB 154 74 87

HSL 350.25, 0.35%, 0.45%

LAB 41.93, 34.72, 8.17

 

CMYK 0 / 52 / 52 / 40

HEX #9A4A4A

RGB 154 74 74

HSL 0, 0.35%, 0.45%

LAB 41.63, 33.37, 15.77

 

CMYK 0 / 44 / 52 / 40

HEX #9A574A

RGB 154 87 74

HSL 9.75, 0.35%, 0.45%

LAB 44.49, 26.24, 19.6

 

CMYK 0 / 52 / 27 / 40

HEX #9A4A71

RGB 154 74 113

HSL 330.75, 0.35%, 0.45%

LAB 42.7, 38.07, -6.77

 

CMYK 0 / 52 / 27 / 20

HEX #CD6396

RGB 205 99 150

HSL 331.13, 0.51%, 0.6%

LAB 56.19, 47.7, -8.02

 

CMYK 0 / 100 / 0 / 100

HEX #010001

RGB 1 0 1

HSL 300, 1%, 0%

LAB 0.08, 0.4, -0.29

 

CMYK 0 / 52 / 27 / 80

HEX #341926

RGB 52 25 38

HSL 331.11, 0.35%, 0.15%

LAB 13.02, 15.53, -2.95

 

CMYK 0 / 52 / 26 / 60

HEX #67314C

RGB 103 49 76

HSL 330, 0.36%, 0.3%

LAB 28.39, 27.77, -5.45

 

CMYK 0 / 52 / 27 / 40

HEX #9A4A71

RGB 154 74 113

HSL 330.75, 0.35%, 0.45%

LAB 42.7, 38.07, -6.77

 

CMYK 0 / 16 / 52 / 40

HEX #9A824A

RGB 154 130 74

HSL 42, 0.35%, 0.45%

LAB 55.41, 1.71, 33.51

 

CMYK 52 / 5 / 0 / 40

HEX #4A929A

RGB 74 146 154

HSL 186, 0.35%, 0.45%

LAB 56.43, -20.19, -11.16

 

CMYK 0 / 52 / 27 / 40

HEX #9A4A71

RGB 154 74 113

HSL 330.75, 0.35%, 0.45%

LAB 42.7, 38.07, -6.77

 

CMYK 26 / 0 / 52 / 40

HEX #729A4A

RGB 114 154 74

HSL 90, 0.35%, 0.45%

LAB 59.14, -27.84, 37.31

 

CMYK 52 / 26 / 0 / 40

HEX #4A729A

RGB 74 114 154

HSL 210, 0.35%, 0.45%

LAB 46.74, -2.21, -25.97

 

CMYK 0 / 52 / 27 / 40

HEX #9A4A71

RGB 154 74 113

HSL 330.75, 0.35%, 0.45%

LAB 42.7, 38.07, -6.77

 

CMYK 0 / 16 / 52 / 40

HEX #9A824A

RGB 154 130 74

HSL 42, 0.35%, 0.45%

LAB 55.41, 1.71, 33.51

 

CMYK 52 / 0 / 26 / 40

HEX #4A9A72

RGB 74 154 114

HSL 150, 0.35%, 0.45%

LAB 57.83, -34.23, 13.64

 

CMYK 52 / 36 / 0 / 40

HEX #4A629A

RGB 74 98 154

HSL 222, 0.35%, 0.45%

LAB 42.04, 7.61, -33.33

 

CMYK 0 / 52 / 27 / 40

HEX #9A4A71

RGB 154 74 113

HSL 330.75, 0.35%, 0.45%

LAB 42.7, 38.07, -6.77

 

CMYK 0 / 0 / 52 / 40

HEX #9A9A4A

RGB 154 154 74

HSL 60, 0.35%, 0.45%

LAB 62.06, -11.41, 41.49

 

CMYK 52 / 0 / 26 / 40

HEX #4A9A72

RGB 74 154 114

HSL 150, 0.35%, 0.45%

LAB 57.83, -34.23, 13.64

 

CMYK 52 / 52 / 0 / 40

HEX #4A4A9A

RGB 74 74 154

HSL 240, 0.35%, 0.45%

LAB 35.37, 23, -43.93

 

Description

Color code: RGB 154 74 113 | qconv.com Color code: RGB 154 74 113 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 74 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 74 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 27 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 27% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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