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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 52 23 it is the complementary color RGB 101 203 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 52 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 154 52 23: RGB 159 52 18, RGB 176 70 37, RGB 193 88 56, RGB 210 106 75 and RGB 227 124 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 52 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 154 52 23: RGB 154 52 23, RGB 137 34 4, RGB 120 16 0, RGB 103 0 0 and RGB 86 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 85 / 40

HEX #9A3417

RGB 154 52 23

HSL 13.28, 0.74%, 0.35%

LAB 36.72, 41.2, 39.51

 

Complementary color

CMYK 56 / 13 / 0 / 9

HEX #65CBE8

RGB 101 203 232

HSL 193.28, 0.74%, 0.65%

LAB 76.86, -21.6, -23.37

 

CMYK 0 / 67 / 89 / 38

HEX #9F3412

RGB 159 52 18

HSL 14.47, 0.8%, 0.35%

LAB 37.61, 42.89, 42.9

 

CMYK 0 / 60 / 79 / 31

HEX #B04625

RGB 176 70 37

HSL 14.24, 0.65%, 0.42%

LAB 43.86, 41.47, 40.69

 

CMYK 0 / 54 / 71 / 24

HEX #C15838

RGB 193 88 56

HSL 14.01, 0.55%, 0.49%

LAB 50.22, 39.96, 38.27

 

CMYK 0 / 50 / 64 / 18

HEX #D26A4B

RGB 210 106 75

HSL 13.78, 0.6%, 0.56%

LAB 56.6, 38.49, 36.01

 

CMYK 0 / 45 / 59 / 11

HEX #E37C5E

RGB 227 124 94

HSL 13.53, 0.7%, 0.63%

LAB 62.97, 37.1, 33.97

 

CMYK 0 / 66 / 85 / 40

HEX #9A3417

RGB 154 52 23

HSL 13.28, 0.74%, 0.35%

LAB 36.72, 41.2, 39.51

 

CMYK 0 / 75 / 97 / 46

HEX #892204

RGB 137 34 4

HSL 13.53, 0.94%, 0.28%

LAB 30.57, 42.26, 41.43

 

CMYK 0 / 87 / 100 / 53

HEX #781000

RGB 120 16 0

HSL 8, 1%, 0.24%

LAB 24.84, 42.46, 36.76

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 66 / 85 / 40

HEX #9A3417

RGB 154 52 23

HSL 13.28, 0.74%, 0.35%

LAB 36.72, 41.2, 39.51

 

CMYK 0 / 53 / 85 / 39

HEX #9B4917

RGB 155 73 23

HSL 22.73, 0.74%, 0.35%

LAB 40.89, 31.18, 43.27

 

CMYK 0 / 39 / 85 / 39

HEX #9B5F17

RGB 155 95 23

HSL 32.73, 0.74%, 0.35%

LAB 45.93, 18.95, 47.66

 

CMYK 0 / 25 / 85 / 39

HEX #9B7517

RGB 155 117 23

HSL 42.73, 0.74%, 0.35%

LAB 51.56, 6.37, 52.48

 

CMYK 0 / 10 / 85 / 39

HEX #9B8B17

RGB 155 139 23

HSL 52.73, 0.74%, 0.35%

LAB 57.56, -5.9, 57.55

 

CMYK 0 / 66 / 85 / 40

HEX #9A3417

RGB 154 52 23

HSL 13.28, 0.74%, 0.35%

LAB 36.72, 41.2, 39.51

 

CMYK 0 / 66 / 85 / 20

HEX #CD451F

RGB 205 69 31

HSL 13.1, 0.74%, 0.46%

LAB 48.68, 52.12, 49.86

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 65 / 85 / 80

HEX #341208

RGB 52 18 8

HSL 13.64, 0.73%, 0.12%

LAB 10.41, 16.31, 12.67

 

CMYK 0 / 66 / 85 / 60

HEX #67230F

RGB 103 35 15

HSL 13.64, 0.75%, 0.23%

LAB 24.06, 29.45, 28.39

 

CMYK 0 / 66 / 85 / 40

HEX #9A3417

RGB 154 52 23

HSL 13.28, 0.74%, 0.35%

LAB 36.72, 41.2, 39.51

 

CMYK 35 / 0 / 85 / 39

HEX #649B17

RGB 100 155 23

HSL 85, 0.74%, 0.35%

LAB 58.24, -37.56, 56.53

 

CMYK 85 / 70 / 0 / 39

HEX #172F9B

RGB 23 47 155

HSL 229.09, 0.74%, 0.35%

LAB 25.51, 33.49, -60.72

 

CMYK 0 / 66 / 85 / 40

HEX #9A3417

RGB 154 52 23

HSL 13.28, 0.74%, 0.35%

LAB 36.72, 41.2, 39.51

 

CMYK 85 / 0 / 67 / 39

HEX #179B33

RGB 23 155 51

HSL 132.73, 0.74%, 0.35%

LAB 55.95, -54.7, 43.67

 

CMYK 67 / 85 / 0 / 39

HEX #33179B

RGB 51 23 155

HSL 252.73, 0.74%, 0.35%

LAB 22.6, 48.94, -65.48

 

CMYK 0 / 66 / 85 / 40

HEX #9A3417

RGB 154 52 23

HSL 13.28, 0.74%, 0.35%

LAB 36.72, 41.2, 39.51

 

CMYK 35 / 0 / 85 / 39

HEX #649B17

RGB 100 155 23

HSL 85, 0.74%, 0.35%

LAB 58.24, -37.56, 56.53

 

CMYK 85 / 19 / 0 / 39

HEX #177E9B

RGB 23 126 155

HSL 193.18, 0.74%, 0.35%

LAB 48.85, -17.16, -23.43

 

CMYK 50 / 85 / 0 / 39

HEX #4E179B

RGB 78 23 155

HSL 265, 0.74%, 0.35%

LAB 25.56, 51.79, -60.49

 

CMYK 0 / 66 / 85 / 40

HEX #9A3417

RGB 154 52 23

HSL 13.28, 0.74%, 0.35%

LAB 36.72, 41.2, 39.51

 

CMYK 61 / 0 / 85 / 39

HEX #3C9B17

RGB 60 155 23

HSL 103.18, 0.74%, 0.35%

LAB 56.55, -50.31, 54.39

 

CMYK 85 / 19 / 0 / 39

HEX #177E9B

RGB 23 126 155

HSL 193.18, 0.74%, 0.35%

LAB 48.85, -17.16, -23.43

 

CMYK 25 / 85 / 0 / 39

HEX #75179B

RGB 117 23 155

HSL 282.73, 0.74%, 0.35%

LAB 31.26, 57.56, -50.94

 

Description

Color code: RGB 154 52 23 | qconv.com Color code: RGB 154 52 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 52 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 52 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 85 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 85% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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