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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 191 150 it is the complementary color RGB 101 64 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 191 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 154 191 150: RGB 159 191 145, RGB 176 209 164, RGB 193 227 183, RGB 210 245 202 and RGB 227 255 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 191 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 154 191 150: RGB 154 191 150, RGB 137 173 131, RGB 120 155 112, RGB 103 137 93 and RGB 86 119 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 21 / 25

HEX #9ABF96

RGB 154 191 150

HSL 114.15, 0.24%, 0.67%

LAB 73.76, -20.31, 16.69

 

Complementary color

CMYK 4 / 39 / 0 / 59

HEX #654069

RGB 101 64 105

HSL 294.15, 0.24%, 0.33%

LAB 32.82, 23.64, -17.47

 

CMYK 17 / 0 / 24 / 25

HEX #9FBF91

RGB 159 191 145

HSL 101.74, 0.26%, 0.66%

LAB 73.98, -19.39, 19.73

 

CMYK 16 / 0 / 22 / 18

HEX #B0D1A4

RGB 176 209 164

HSL 104, 0.33%, 0.73%

LAB 80.47, -19.28, 18.77

 

CMYK 15 / 0 / 19 / 11

HEX #C1E3B7

RGB 193 227 183

HSL 106.36, 0.44%, 0.8%

LAB 86.85, -19.19, 17.85

 

CMYK 14 / 0 / 18 / 4

HEX #D2F5CA

RGB 210 245 202

HSL 108.84, 0.68%, 0.88%

LAB 93.13, -19.1, 16.98

 

CMYK 11 / 0 / 13 / 0

HEX #E3FFDD

RGB 227 255 221

HSL 109.41, 1%, 0.93%

LAB 97.26, -15.13, 13.21

 

CMYK 19 / 0 / 21 / 25

HEX #9ABF96

RGB 154 191 150

HSL 114.15, 0.24%, 0.67%

LAB 73.76, -20.31, 16.69

 

CMYK 21 / 0 / 24 / 32

HEX #89AD83

RGB 137 173 131

HSL 111.43, 0.2%, 0.6%

LAB 67.16, -20.47, 17.67

 

CMYK 23 / 0 / 28 / 39

HEX #789B70

RGB 120 155 112

HSL 108.84, 0.18%, 0.52%

LAB 60.43, -20.64, 18.72

 

CMYK 25 / 0 / 32 / 46

HEX #67895D

RGB 103 137 93

HSL 106.36, 0.19%, 0.45%

LAB 53.56, -20.83, 19.84

 

CMYK 28 / 0 / 38 / 53

HEX #56774A

RGB 86 119 74

HSL 104, 0.23%, 0.38%

LAB 46.53, -21.03, 21.06

 

CMYK 19 / 0 / 21 / 25

HEX #9ABF96

RGB 154 191 150

HSL 114.15, 0.24%, 0.67%

LAB 73.76, -20.31, 16.69

 

CMYK 21 / 0 / 20 / 25

HEX #96BF99

RGB 150 191 153

HSL 124.39, 0.24%, 0.67%

LAB 73.58, -21.15, 14.78

 

CMYK 21 / 0 / 16 / 25

HEX #96BFA0

RGB 150 191 160

HSL 134.63, 0.24%, 0.67%

LAB 73.73, -19.87, 11.21

 

CMYK 21 / 0 / 13 / 25

HEX #96BFA6

RGB 150 191 166

HSL 143.41, 0.24%, 0.67%

LAB 73.87, -18.72, 8.16

 

CMYK 21 / 0 / 9 / 25

HEX #96BFAD

RGB 150 191 173

HSL 153.66, 0.24%, 0.67%

LAB 74.04, -17.34, 4.6

 

CMYK 19 / 0 / 21 / 25

HEX #9ABF96

RGB 154 191 150

HSL 114.15, 0.24%, 0.67%

LAB 73.76, -20.31, 16.69

 

CMYK 19 / 0 / 21 / 5

HEX #C3F2BE

RGB 195 242 190

HSL 114.23, 0.67%, 0.85%

LAB 91.15, -24.65, 20.25

 

CMYK 18 / 0 / 21 / 85

HEX #1F261E

RGB 31 38 30

HSL 112.5, 0.12%, 0.13%

LAB 14.24, -5.13, 4.28

 

CMYK 19 / 0 / 21 / 65

HEX #485946

RGB 72 89 70

HSL 113.68, 0.12%, 0.31%

LAB 35.92, -10.75, 8.87

 

CMYK 19 / 0 / 21 / 45

HEX #718C6E

RGB 113 140 110

HSL 114, 0.12%, 0.49%

LAB 55.47, -15.71, 12.93

 

CMYK 19 / 0 / 21 / 25

HEX #9ABF96

RGB 154 191 150

HSL 114.15, 0.24%, 0.67%

LAB 73.76, -20.31, 16.69

 

CMYK 21 / 2 / 0 / 25

HEX #96BBBF

RGB 150 187 191

HSL 185.85, 0.24%, 0.67%

LAB 73.41, -11.46, -6.12

 

CMYK 0 / 21 / 11 / 25

HEX #BF96AA

RGB 191 150 170

HSL 330.73, 0.24%, 0.67%

LAB 66.36, 18.59, -4.56

 

CMYK 19 / 0 / 21 / 25

HEX #9ABF96

RGB 154 191 150

HSL 114.15, 0.24%, 0.67%

LAB 73.76, -20.31, 16.69

 

CMYK 21 / 19 / 0 / 25

HEX #969ABF

RGB 150 154 191

HSL 234.15, 0.24%, 0.67%

LAB 64.45, 6.56, -19.57

 

CMYK 0 / 21 / 19 / 25

HEX #BF969A

RGB 191 150 154

HSL 354.15, 0.24%, 0.67%

LAB 65.92, 15.96, 3.78

 

CMYK 19 / 0 / 21 / 25

HEX #9ABF96

RGB 154 191 150

HSL 114.15, 0.24%, 0.67%

LAB 73.76, -20.31, 16.69

 

CMYK 21 / 2 / 0 / 25

HEX #96BBBF

RGB 150 187 191

HSL 185.85, 0.24%, 0.67%

LAB 73.41, -11.46, -6.12

 

CMYK 2 / 21 / 0 / 25

HEX #BB96BF

RGB 187 150 191

HSL 294.15, 0.24%, 0.67%

LAB 66.63, 21.04, -15.96

 

CMYK 0 / 19 / 21 / 25

HEX #BF9A96

RGB 191 154 150

HSL 5.85, 0.24%, 0.67%

LAB 66.82, 13.13, 7.31

 

CMYK 19 / 0 / 21 / 25

HEX #9ABF96

RGB 154 191 150

HSL 114.15, 0.24%, 0.67%

LAB 73.76, -20.31, 16.69

 

CMYK 21 / 9 / 0 / 25

HEX #96AEBF

RGB 150 174 191

HSL 204.88, 0.24%, 0.67%

LAB 69.84, -4.52, -11.44

 

CMYK 2 / 21 / 0 / 25

HEX #BB96BF

RGB 187 150 191

HSL 294.15, 0.24%, 0.67%

LAB 66.63, 21.04, -15.96

 

CMYK 0 / 13 / 21 / 25

HEX #BFA696

RGB 191 166 150

HSL 23.41, 0.24%, 0.67%

LAB 69.86, 6.56, 11.63

 

Description

Color code: RGB 154 191 150 | qconv.com Color code: RGB 154 191 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 191 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 191 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 21 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 21% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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