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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 170 123 it is the complementary color RGB 101 85 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 170 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 154 170 123: RGB 159 170 118, RGB 176 188 137, RGB 193 206 156, RGB 210 224 175 and RGB 227 242 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 170 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 154 170 123: RGB 154 170 123, RGB 137 152 104, RGB 120 134 85, RGB 103 116 66 and RGB 86 98 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 28 / 33

HEX #9AAA7B

RGB 154 170 123

HSL 80.43, 0.22%, 0.57%

LAB 67.31, -13.92, 22.43

 

Complementary color

CMYK 23 / 36 / 0 / 48

HEX #655584

RGB 101 85 132

HSL 260.43, 0.22%, 0.43%

LAB 39.46, 17.1, -23.94

 

CMYK 6 / 0 / 31 / 33

HEX #9FAA76

RGB 159 170 118

HSL 72.69, 0.23%, 0.56%

LAB 67.6, -12.7, 25.58

 

CMYK 6 / 0 / 27 / 26

HEX #B0BC89

RGB 176 188 137

HSL 74.12, 0.28%, 0.64%

LAB 74.19, -12.81, 24.48

 

CMYK 6 / 0 / 24 / 19

HEX #C1CE9C

RGB 193 206 156

HSL 75.6, 0.34%, 0.71%

LAB 80.67, -12.89, 23.45

 

CMYK 6 / 0 / 22 / 12

HEX #D2E0AF

RGB 210 224 175

HSL 77.14, 0.44%, 0.78%

LAB 87.05, -12.96, 22.48

 

CMYK 6 / 0 / 20 / 5

HEX #E3F2C2

RGB 227 242 194

HSL 78.75, 0.65%, 0.85%

LAB 93.33, -13.02, 21.55

 

CMYK 9 / 0 / 28 / 33

HEX #9AAA7B

RGB 154 170 123

HSL 80.43, 0.22%, 0.57%

LAB 67.31, -13.92, 22.43

 

CMYK 10 / 0 / 32 / 40

HEX #899868

RGB 137 152 104

HSL 78.75, 0.19%, 0.5%

LAB 60.58, -13.87, 23.54

 

CMYK 10 / 0 / 37 / 47

HEX #788655

RGB 120 134 85

HSL 77.14, 0.22%, 0.43%

LAB 53.71, -13.8, 24.73

 

CMYK 11 / 0 / 43 / 55

HEX #677442

RGB 103 116 66

HSL 75.6, 0.27%, 0.36%

LAB 46.67, -13.69, 25.98

 

CMYK 12 / 0 / 52 / 62

HEX #56622F

RGB 86 98 47

HSL 74.12, 0.35%, 0.28%

LAB 39.44, -13.49, 27.29

 

CMYK 9 / 0 / 28 / 33

HEX #9AAA7B

RGB 154 170 123

HSL 80.43, 0.22%, 0.57%

LAB 67.31, -13.92, 22.43

 

CMYK 14 / 0 / 28 / 34

HEX #91A979

RGB 145 169 121

HSL 90, 0.22%, 0.57%

LAB 66.35, -17.12, 22.1

 

CMYK 19 / 0 / 28 / 34

HEX #89A979

RGB 137 169 121

HSL 100, 0.22%, 0.57%

LAB 65.81, -20.1, 21.27

 

CMYK 24 / 0 / 28 / 34

HEX #81A979

RGB 129 169 121

HSL 110, 0.22%, 0.57%

LAB 65.3, -22.99, 20.5

 

CMYK 28 / 0 / 28 / 34

HEX #79A979

RGB 121 169 121

HSL 120, 0.22%, 0.57%

LAB 64.82, -25.78, 19.77

 

CMYK 9 / 0 / 28 / 33

HEX #9AAA7B

RGB 154 170 123

HSL 80.43, 0.22%, 0.57%

LAB 67.31, -13.92, 22.43

 

CMYK 10 / 0 / 28 / 13

HEX #C8DDA0

RGB 200 221 160

HSL 80.66, 0.47%, 0.75%

LAB 85.27, -17.27, 27.7

 

CMYK 12 / 0 / 29 / 93

HEX #0F110C

RGB 15 17 12

HSL 84, 0.17%, 0.06%

LAB 4.78, -1.6, 2.15

 

CMYK 9 / 0 / 28 / 73

HEX #3E4431

RGB 62 68 49

HSL 78.95, 0.16%, 0.23%

LAB 27.79, -6.44, 10.71

 

CMYK 9 / 0 / 28 / 53

HEX #6C7756

RGB 108 119 86

HSL 80, 0.16%, 0.4%

LAB 48.33, -10.35, 16.83

 

CMYK 9 / 0 / 28 / 33

HEX #9AAA7B

RGB 154 170 123

HSL 80.43, 0.22%, 0.57%

LAB 67.31, -13.92, 22.43

 

CMYK 28 / 0 / 14 / 34

HEX #79A992

RGB 121 169 146

HSL 151.25, 0.22%, 0.57%

LAB 65.37, -20.99, 6.74

 

CMYK 2 / 28 / 0 / 34

HEX #A679A9

RGB 166 121 169

HSL 296.25, 0.22%, 0.57%

LAB 56.73, 25.9, -18.71

 

CMYK 9 / 0 / 28 / 33

HEX #9AAA7B

RGB 154 170 123

HSL 80.43, 0.22%, 0.57%

LAB 67.31, -13.92, 22.43

 

CMYK 28 / 9 / 0 / 34

HEX #7999A9

RGB 121 153 169

HSL 200, 0.22%, 0.57%

LAB 61.4, -7.26, -11.99

 

CMYK 0 / 28 / 9 / 34

HEX #A97999

RGB 169 121 153

HSL 320, 0.22%, 0.57%

LAB 56.5, 23.93, -9.79

 

CMYK 9 / 0 / 28 / 33

HEX #9AAA7B

RGB 154 170 123

HSL 80.43, 0.22%, 0.57%

LAB 67.31, -13.92, 22.43

 

CMYK 28 / 0 / 14 / 34

HEX #79A992

RGB 121 169 146

HSL 151.25, 0.22%, 0.57%

LAB 65.37, -20.99, 6.74

 

CMYK 19 / 28 / 0 / 34

HEX #8979A9

RGB 137 121 169

HSL 260, 0.22%, 0.57%

LAB 53.88, 16.22, -23.33

 

CMYK 0 / 28 / 15 / 34

HEX #A9798F

RGB 169 121 143

HSL 332.5, 0.22%, 0.57%

LAB 56.18, 22.19, -4.46

 

CMYK 9 / 0 / 28 / 33

HEX #9AAA7B

RGB 154 170 123

HSL 80.43, 0.22%, 0.57%

LAB 67.31, -13.92, 22.43

 

CMYK 28 / 0 / 5 / 34

HEX #79A9A1

RGB 121 169 161

HSL 170, 0.22%, 0.57%

LAB 65.76, -17.73, -1.04

 

CMYK 19 / 28 / 0 / 34

HEX #8979A9

RGB 137 121 169

HSL 260, 0.22%, 0.57%

LAB 53.88, 16.22, -23.33

 

CMYK 0 / 28 / 24 / 34

HEX #A97981

RGB 169 121 129

HSL 350, 0.22%, 0.57%

LAB 55.78, 19.94, 3.1

 

Description

Color code: RGB 154 170 123 | qconv.com Color code: RGB 154 170 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 170 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 170 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 28 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 28% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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