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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 107 198 it is the complementary color RGB 101 148 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 107 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 154 107 198: RGB 159 107 193, RGB 176 125 212, RGB 193 143 231, RGB 210 161 250 and RGB 227 179 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 107 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 154 107 198: RGB 154 107 198, RGB 137 89 179, RGB 120 71 160, RGB 103 53 141 and RGB 86 35 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 46 / 0 / 22

HEX #9A6BC6

RGB 154 107 198

HSL 270.99, 0.44%, 0.6%

LAB 53.45, 36.38, -40.55

 

Complementary color

CMYK 32 / 0 / 61 / 42

HEX #659439

RGB 101 148 57

HSL 90.99, 0.44%, 0.4%

LAB 56.33, -31.74, 42.11

 

CMYK 18 / 45 / 0 / 24

HEX #9F6BC1

RGB 159 107 193

HSL 276.28, 0.41%, 0.59%

LAB 53.75, 36.68, -37.18

 

CMYK 17 / 41 / 0 / 17

HEX #B07DD4

RGB 176 125 212

HSL 275.17, 0.5%, 0.66%

LAB 60.47, 35.86, -37.29

 

CMYK 16 / 38 / 0 / 9

HEX #C18FE7

RGB 193 143 231

HSL 274.09, 0.65%, 0.73%

LAB 67.09, 35.09, -37.41

 

CMYK 16 / 36 / 0 / 2

HEX #D2A1FA

RGB 210 161 250

HSL 273.03, 0.9%, 0.81%

LAB 73.61, 34.37, -37.52

 

CMYK 11 / 30 / 0 / 0

HEX #E3B3FF

RGB 227 179 255

HSL 277.89, 1%, 0.85%

LAB 79.49, 30.81, -30.99

 

CMYK 22 / 46 / 0 / 22

HEX #9A6BC6

RGB 154 107 198

HSL 270.99, 0.44%, 0.6%

LAB 53.45, 36.38, -40.55

 

CMYK 23 / 50 / 0 / 30

HEX #8959B3

RGB 137 89 179

HSL 272, 0.37%, 0.53%

LAB 46.6, 37.28, -40.51

 

CMYK 25 / 56 / 0 / 37

HEX #7847A0

RGB 120 71 160

HSL 273.03, 0.39%, 0.45%

LAB 39.64, 38.2, -40.45

 

CMYK 27 / 62 / 0 / 45

HEX #67358D

RGB 103 53 141

HSL 274.09, 0.45%, 0.38%

LAB 32.6, 39.07, -40.3

 

CMYK 30 / 71 / 0 / 52

HEX #56237A

RGB 86 35 122

HSL 275.17, 0.55%, 0.31%

LAB 25.52, 39.71, -39.94

 

CMYK 22 / 46 / 0 / 22

HEX #9A6BC6

RGB 154 107 198

HSL 270.99, 0.44%, 0.6%

LAB 53.45, 36.38, -40.55

 

CMYK 15 / 45 / 0 / 23

HEX #A76CC5

RGB 167 108 197

HSL 279.78, 0.43%, 0.6%

LAB 55.04, 39.34, -37.37

 

CMYK 8 / 45 / 0 / 23

HEX #B66CC5

RGB 182 108 197

HSL 289.89, 0.43%, 0.6%

LAB 56.78, 43.74, -34.52

 

CMYK 0 / 45 / 0 / 23

HEX #C56CC5

RGB 197 108 197

HSL 300, 0.43%, 0.6%

LAB 58.63, 48.18, -31.51

 

CMYK 0 / 45 / 8 / 23

HEX #C56CB6

RGB 197 108 182

HSL 310.11, 0.43%, 0.6%

LAB 58.01, 45.52, -23.9

 

CMYK 22 / 46 / 0 / 22

HEX #9A6BC6

RGB 154 107 198

HSL 270.99, 0.44%, 0.6%

LAB 53.45, 36.38, -40.55

 

CMYK 22 / 46 / 0 / 2

HEX #C287F9

RGB 194 135 249

HSL 271.05, 0.9%, 0.75%

LAB 66.24, 43.71, -48.62

 

CMYK 22 / 47 / 0 / 82

HEX #23182D

RGB 35 24 45

HSL 271.43, 0.3%, 0.14%

LAB 10.56, 10.76, -12.06

 

CMYK 22 / 46 / 0 / 62

HEX #4B3460

RGB 75 52 96

HSL 271.36, 0.3%, 0.29%

LAB 26.15, 20.05, -22.32

 

CMYK 22 / 46 / 0 / 42

HEX #724F93

RGB 114 79 147

HSL 270.88, 0.3%, 0.44%

LAB 40.04, 28.65, -32.04

 

CMYK 22 / 46 / 0 / 22

HEX #9A6BC6

RGB 154 107 198

HSL 270.99, 0.44%, 0.6%

LAB 53.45, 36.38, -40.55

 

CMYK 0 / 45 / 31 / 23

HEX #C56C87

RGB 197 108 135

HSL 341.8, 0.43%, 0.6%

LAB 56.43, 38.37, 0.97

 

CMYK 45 / 0 / 41 / 23

HEX #6CC575

RGB 108 197 117

HSL 126.07, 0.43%, 0.6%

LAB 72.5, -43.46, 32.02

 

CMYK 22 / 46 / 0 / 22

HEX #9A6BC6

RGB 154 107 198

HSL 270.99, 0.44%, 0.6%

LAB 53.45, 36.38, -40.55

 

CMYK 0 / 22 / 45 / 23

HEX #C5996C

RGB 197 153 108

HSL 30.34, 0.43%, 0.6%

LAB 66.32, 10.67, 29.91

 

CMYK 45 / 0 / 22 / 23

HEX #6CC599

RGB 108 197 153

HSL 150.34, 0.43%, 0.6%

LAB 73.17, -36.87, 13.89

 

CMYK 22 / 46 / 0 / 22

HEX #9A6BC6

RGB 154 107 198

HSL 270.99, 0.44%, 0.6%

LAB 53.45, 36.38, -40.55

 

CMYK 0 / 45 / 31 / 23

HEX #C56C87

RGB 197 108 135

HSL 341.8, 0.43%, 0.6%

LAB 56.43, 38.37, 0.97

 

CMYK 22 / 0 / 45 / 23

HEX #99C56C

RGB 153 197 108

HSL 89.66, 0.43%, 0.6%

LAB 74.69, -29.78, 39.86

 

CMYK 45 / 0 / 14 / 23

HEX #6CC5AA

RGB 108 197 170

HSL 161.8, 0.43%, 0.6%

LAB 73.56, -33.18, 5.27

 

CMYK 22 / 46 / 0 / 22

HEX #9A6BC6

RGB 154 107 198

HSL 270.99, 0.44%, 0.6%

LAB 53.45, 36.38, -40.55

 

CMYK 0 / 45 / 45 / 23

HEX #C56C6C

RGB 197 108 108

HSL 0, 0.43%, 0.6%

LAB 55.76, 35.2, 15.79

 

CMYK 22 / 0 / 45 / 23

HEX #99C56C

RGB 153 197 108

HSL 89.66, 0.43%, 0.6%

LAB 74.69, -29.78, 39.86

 

CMYK 45 / 0 / 0 / 23

HEX #6CC5C5

RGB 108 197 197

HSL 180, 0.43%, 0.6%

LAB 74.29, -26.64, -8.32

 

Description

Color code: RGB 154 107 198 | qconv.com Color code: RGB 154 107 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 107 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 107 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 46 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 46% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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