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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 76 91 it is the complementary color RGB 102 179 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 76 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 76 91: RGB 158 76 86, RGB 175 94 105, RGB 192 112 124, RGB 209 130 143 and RGB 226 148 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 76 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 76 91: RGB 153 76 91, RGB 136 58 72, RGB 119 40 53, RGB 102 22 34 and RGB 85 4 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 41 / 40

HEX #994C5B

RGB 153 76 91

HSL 348.31, 0.34%, 0.45%

LAB 42.3, 33.74, 6.2

 

Complementary color

CMYK 43 / 0 / 8 / 30

HEX #66B3A4

RGB 102 179 164

HSL 168.31, 0.34%, 0.55%

LAB 67.83, -27.47, 0.21

 

CMYK 0 / 52 / 46 / 38

HEX #9E4C56

RGB 158 76 86

HSL 352.68, 0.35%, 0.46%

LAB 42.93, 35.06, 10.28

 

CMYK 0 / 46 / 40 / 31

HEX #AF5E69

RGB 175 94 105

HSL 351.85, 0.34%, 0.53%

LAB 49.66, 34.01, 8.59

 

CMYK 0 / 42 / 35 / 25

HEX #C0707C

RGB 192 112 124

HSL 351, 0.39%, 0.6%

LAB 56.34, 33, 7.17

 

CMYK 0 / 38 / 32 / 18

HEX #D1828F

RGB 209 130 143

HSL 350.13, 0.46%, 0.66%

LAB 62.93, 32.07, 5.95

 

CMYK 0 / 35 / 28 / 11

HEX #E294A2

RGB 226 148 162

HSL 349.23, 0.57%, 0.73%

LAB 69.44, 31.21, 4.86

 

CMYK 0 / 50 / 41 / 40

HEX #994C5B

RGB 153 76 91

HSL 348.31, 0.34%, 0.45%

LAB 42.3, 33.74, 6.2

 

CMYK 0 / 57 / 47 / 47

HEX #883A48

RGB 136 58 72

HSL 349.23, 0.4%, 0.38%

LAB 35.46, 34.74, 8.07

 

CMYK 0 / 66 / 55 / 53

HEX #772835

RGB 119 40 53

HSL 350.13, 0.5%, 0.31%

LAB 28.63, 35.59, 10.51

 

CMYK 0 / 78 / 67 / 60

HEX #661622

RGB 102 22 34

HSL 351, 0.65%, 0.24%

LAB 22, 35.92, 13.88

 

CMYK 0 / 95 / 82 / 67

HEX #55040F

RGB 85 4 15

HSL 351.85, 0.91%, 0.17%

LAB 15.76, 35.2, 17.96

 

CMYK 0 / 50 / 41 / 40

HEX #994C5B

RGB 153 76 91

HSL 348.31, 0.34%, 0.45%

LAB 42.3, 33.74, 6.2

 

CMYK 0 / 51 / 49 / 40

HEX #994B4E

RGB 153 75 78

HSL 357.69, 0.34%, 0.45%

LAB 41.77, 32.84, 13.49

 

CMYK 0 / 44 / 51 / 40

HEX #99564B

RGB 153 86 75

HSL 8.46, 0.34%, 0.45%

LAB 44.14, 26.49, 18.51

 

CMYK 0 / 35 / 51 / 40

HEX #99634B

RGB 153 99 75

HSL 18.46, 0.34%, 0.45%

LAB 47.24, 19.09, 22.6

 

CMYK 0 / 27 / 51 / 40

HEX #99704B

RGB 153 112 75

HSL 28.46, 0.34%, 0.45%

LAB 50.53, 11.61, 26.84

 

CMYK 0 / 50 / 41 / 40

HEX #994C5B

RGB 153 76 91

HSL 348.31, 0.34%, 0.45%

LAB 42.3, 33.74, 6.2

 

CMYK 0 / 50 / 41 / 20

HEX #CC6579

RGB 204 101 121

HSL 348.35, 0.5%, 0.6%

LAB 55.61, 42.78, 8.11

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 51 / 41 / 80

HEX #33191E

RGB 51 25 30

HSL 348.46, 0.34%, 0.15%

LAB 12.56, 13.7, 2.24

 

CMYK 0 / 50 / 40 / 60

HEX #66333D

RGB 102 51 61

HSL 348.24, 0.33%, 0.3%

LAB 28.19, 24.03, 4.16

 

CMYK 0 / 50 / 41 / 40

HEX #994C5B

RGB 153 76 91

HSL 348.31, 0.34%, 0.45%

LAB 42.3, 33.74, 6.2

 

CMYK 0 / 0 / 51 / 40

HEX #99994B

RGB 153 153 75

HSL 60, 0.34%, 0.45%

LAB 61.71, -11.22, 40.55

 

CMYK 51 / 20 / 0 / 40

HEX #4B7A99

RGB 75 122 153

HSL 203.85, 0.34%, 0.45%

LAB 49.15, -6.99, -21.66

 

CMYK 0 / 50 / 41 / 40

HEX #994C5B

RGB 153 76 91

HSL 348.31, 0.34%, 0.45%

LAB 42.3, 33.74, 6.2

 

CMYK 41 / 0 / 51 / 40

HEX #5B994B

RGB 91 153 75

HSL 107.69, 0.34%, 0.45%

LAB 57.57, -35.55, 34.6

 

CMYK 51 / 41 / 0 / 40

HEX #4B5B99

RGB 75 91 153

HSL 227.69, 0.34%, 0.45%

LAB 40.04, 11.97, -35.87

 

CMYK 0 / 50 / 41 / 40

HEX #994C5B

RGB 153 76 91

HSL 348.31, 0.34%, 0.45%

LAB 42.3, 33.74, 6.2

 

CMYK 0 / 0 / 51 / 40

HEX #99994B

RGB 153 153 75

HSL 60, 0.34%, 0.45%

LAB 61.71, -11.22, 40.55

 

CMYK 51 / 0 / 10 / 40

HEX #4B998A

RGB 75 153 138

HSL 168.46, 0.34%, 0.45%

LAB 58.14, -27.85, 0.52

 

CMYK 51 / 51 / 0 / 40

HEX #4B4B99

RGB 75 75 153

HSL 240, 0.34%, 0.45%

LAB 35.65, 22.26, -42.88

 

CMYK 0 / 50 / 41 / 40

HEX #994C5B

RGB 153 76 91

HSL 348.31, 0.34%, 0.45%

LAB 42.3, 33.74, 6.2

 

CMYK 15 / 0 / 51 / 40

HEX #82994B

RGB 130 153 75

HSL 77.69, 0.34%, 0.45%

LAB 59.92, -20.87, 37.99

 

CMYK 51 / 0 / 10 / 40

HEX #4B998A

RGB 75 153 138

HSL 168.46, 0.34%, 0.45%

LAB 58.14, -27.85, 0.52

 

CMYK 35 / 51 / 0 / 40

HEX #634B99

RGB 99 75 153

HSL 258.46, 0.34%, 0.45%

LAB 37.81, 28.34, -39.29

 

Description

Color code: RGB 153 76 91 | qconv.com Color code: RGB 153 76 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 76 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 76 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 41 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 41% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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