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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 40 252 it is the complementary color RGB 102 215 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 40 252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 40 252: RGB 158 40 247, RGB 175 58 255, RGB 192 76 255, RGB 209 94 255 and RGB 226 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 40 252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 40 252: RGB 153 40 252, RGB 136 22 233, RGB 119 4 214, RGB 102 0 195 and RGB 85 0 176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 84 / 0 / 1

HEX #9928FC

RGB 153 40 252

HSL 271.98, 0.97%, 0.57%

LAB 46.07, 78.36, -83.02

 

Complementary color

CMYK 53 / 0 / 99 / 16

HEX #66D703

RGB 102 215 3

HSL 91.98, 0.97%, 0.43%

LAB 76.94, -60.94, 74.96

 

CMYK 36 / 84 / 0 / 3

HEX #9E28F7

RGB 158 40 247

HSL 274.2, 0.93%, 0.56%

LAB 46.31, 77.96, -79.78

 

CMYK 31 / 77 / 0 / 0

HEX #AF3AFF

RGB 175 58 255

HSL 275.63, 1%, 0.61%

LAB 51.11, 76.63, -76.33

 

CMYK 25 / 70 / 0 / 0

HEX #C04CFF

RGB 192 76 255

HSL 278.88, 1%, 0.65%

LAB 55.68, 72.99, -68.81

 

CMYK 18 / 63 / 0 / 0

HEX #D15EFF

RGB 209 94 255

HSL 282.86, 1%, 0.68%

LAB 60.59, 69.01, -60.8

 

CMYK 11 / 56 / 0 / 0

HEX #E270FF

RGB 226 112 255

HSL 287.83, 1%, 0.72%

LAB 65.73, 64.89, -52.48

 

CMYK 39 / 84 / 0 / 1

HEX #9928FC

RGB 153 40 252

HSL 271.98, 0.97%, 0.57%

LAB 46.07, 78.36, -83.02

 

CMYK 42 / 91 / 0 / 9

HEX #8816E9

RGB 136 22 233

HSL 272.42, 0.83%, 0.5%

LAB 40.72, 76.5, -81.18

 

CMYK 44 / 98 / 0 / 16

HEX #7704D6

RGB 119 4 214

HSL 272.86, 0.96%, 0.43%

LAB 35.72, 73.41, -78.61

 

CMYK 48 / 100 / 0 / 24

HEX #6600C3

RGB 102 0 195

HSL 271.38, 1%, 0.38%

LAB 31.27, 68.44, -74.97

 

CMYK 52 / 100 / 0 / 31

HEX #5500B0

RGB 85 0 176

HSL 268.98, 1%, 0.35%

LAB 26.92, 62.88, -70.94

 

CMYK 39 / 84 / 0 / 1

HEX #9928FC

RGB 153 40 252

HSL 271.98, 0.97%, 0.57%

LAB 46.07, 78.36, -83.02

 

CMYK 27 / 85 / 0 / 2

HEX #B826FB

RGB 184 38 251

HSL 281.13, 0.96%, 0.57%

LAB 50.15, 82.82, -75.61

 

CMYK 13 / 85 / 0 / 2

HEX #DB26FB

RGB 219 38 251

HSL 290.99, 0.96%, 0.57%

LAB 55.49, 88.12, -66.69

 

CMYK 0 / 85 / 1 / 2

HEX #FB26F8

RGB 251 38 248

HSL 300.85, 0.96%, 0.57%

LAB 60.49, 92.97, -56.72

 

CMYK 0 / 85 / 16 / 2

HEX #FB26D4

RGB 251 38 212

HSL 310.99, 0.96%, 0.57%

LAB 58.65, 88.12, -39.41

 

CMYK 39 / 84 / 0 / 1

HEX #9928FC

RGB 153 40 252

HSL 271.98, 0.97%, 0.57%

LAB 46.07, 78.36, -83.02

 

CMYK 40 / 83 / 0 / 81

HEX #1D0830

RGB 29 8 48

HSL 271.5, 0.71%, 0.11%

LAB 5.86, 19.81, -21.78

 

CMYK 39 / 84 / 0 / 61

HEX #3C1063

RGB 60 16 99

HSL 271.81, 0.72%, 0.23%

LAB 16.66, 37.39, -39.6

 

CMYK 39 / 84 / 0 / 41

HEX #5B1896

RGB 91 24 150

HSL 271.9, 0.72%, 0.34%

LAB 26.96, 52.01, -55.05

 

CMYK 39 / 84 / 0 / 21

HEX #7A20C9

RGB 122 32 201

HSL 271.95, 0.73%, 0.46%

LAB 36.72, 65.55, -69.41

 

CMYK 39 / 84 / 0 / 1

HEX #9928FC

RGB 153 40 252

HSL 271.98, 0.97%, 0.57%

LAB 46.07, 78.36, -83.02

 

CMYK 0 / 85 / 61 / 2

HEX #FB2663

RGB 251 38 99

HSL 342.82, 0.96%, 0.57%

LAB 54.86, 77.59, 21.34

 

CMYK 85 / 0 / 75 / 2

HEX #26FB3F

RGB 38 251 63

HSL 127.04, 0.96%, 0.57%

LAB 86.88, -81.04, 71.27

 

CMYK 39 / 84 / 0 / 1

HEX #9928FC

RGB 153 40 252

HSL 271.98, 0.97%, 0.57%

LAB 46.07, 78.36, -83.02

 

CMYK 0 / 41 / 85 / 2

HEX #FB9426

RGB 251 148 38

HSL 30.99, 0.96%, 0.57%

LAB 70.75, 31.63, 68.57

 

CMYK 85 / 0 / 41 / 2

HEX #26FB94

RGB 38 251 148

HSL 150.99, 0.96%, 0.57%

LAB 87.75, -70.51, 36.02

 

CMYK 39 / 84 / 0 / 1

HEX #9928FC

RGB 153 40 252

HSL 271.98, 0.97%, 0.57%

LAB 46.07, 78.36, -83.02

 

CMYK 0 / 85 / 61 / 2

HEX #FB2663

RGB 251 38 99

HSL 342.82, 0.96%, 0.57%

LAB 54.86, 77.59, 21.34

 

CMYK 44 / 0 / 85 / 2

HEX #8DFB26

RGB 141 251 38

HSL 90.99, 0.96%, 0.57%

LAB 89.3, -61.79, 80.95

 

CMYK 85 / 0 / 24 / 2

HEX #26FBBF

RGB 38 251 191

HSL 163.1, 0.96%, 0.57%

LAB 88.53, -61.72, 15.29

 

CMYK 39 / 84 / 0 / 1

HEX #9928FC

RGB 153 40 252

HSL 271.98, 0.97%, 0.57%

LAB 46.07, 78.36, -83.02

 

CMYK 0 / 83 / 85 / 2

HEX #FB2A26

RGB 251 42 38

HSL 1.13, 0.96%, 0.57%

LAB 54.35, 74.44, 54.92

 

CMYK 44 / 0 / 85 / 2

HEX #8DFB26

RGB 141 251 38

HSL 90.99, 0.96%, 0.57%

LAB 89.3, -61.79, 80.95

 

CMYK 85 / 1 / 0 / 2

HEX #26F8FB

RGB 38 248 251

HSL 180.85, 0.96%, 0.57%

LAB 89.16, -44.93, -14.96

 

Description

Color code: RGB 153 40 252 | qconv.com Color code: RGB 153 40 252 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 40 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 40 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 84 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 84% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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