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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 237 123 it is the complementary color RGB 102 18 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 237 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 237 123: RGB 158 237 118, RGB 175 255 137, RGB 192 255 156, RGB 209 255 175 and RGB 226 255 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 237 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 237 123: RGB 153 237 123, RGB 136 219 104, RGB 119 201 85, RGB 102 183 66 and RGB 85 165 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 48 / 7

HEX #99ED7B

RGB 153 237 123

HSL 104.21, 0.76%, 0.71%

LAB 86.39, -45.96, 47.07

 

Complementary color

CMYK 23 / 86 / 0 / 48

HEX #661284

RGB 102 18 132

HSL 284.21, 0.76%, 0.29%

LAB 26.52, 51.69, -44.52

 

CMYK 33 / 0 / 50 / 7

HEX #9EED76

RGB 158 237 118

HSL 99.83, 0.77%, 0.7%

LAB 86.58, -44.92, 49.71

 

CMYK 31 / 0 / 46 / 0

HEX #AFFF89

RGB 175 255 137

HSL 100.68, 1%, 0.77%

LAB 92.77, -44.84, 48.57

 

CMYK 25 / 0 / 39 / 0

HEX #C0FF9C

RGB 192 255 156

HSL 98.18, 1%, 0.81%

LAB 93.94, -36.77, 41.09

 

CMYK 18 / 0 / 31 / 0

HEX #D1FFAF

RGB 209 255 175

HSL 94.5, 1%, 0.84%

LAB 95.23, -28.36, 33.57

 

CMYK 11 / 0 / 24 / 0

HEX #E2FFC2

RGB 226 255 194

HSL 88.52, 1%, 0.88%

LAB 96.65, -19.73, 26.11

 

CMYK 35 / 0 / 48 / 7

HEX #99ED7B

RGB 153 237 123

HSL 104.21, 0.76%, 0.71%

LAB 86.39, -45.96, 47.07

 

CMYK 38 / 0 / 53 / 14

HEX #88DB68

RGB 136 219 104

HSL 103.3, 0.61%, 0.63%

LAB 80.12, -46.03, 48.23

 

CMYK 41 / 0 / 58 / 21

HEX #77C955

RGB 119 201 85

HSL 102.41, 0.52%, 0.56%

LAB 73.77, -46.01, 49.34

 

CMYK 44 / 0 / 64 / 28

HEX #66B742

RGB 102 183 66

HSL 101.54, 0.47%, 0.49%

LAB 67.34, -45.87, 50.32

 

CMYK 48 / 0 / 72 / 35

HEX #55A52F

RGB 85 165 47

HSL 100.68, 0.56%, 0.42%

LAB 60.82, -45.53, 50.97

 

CMYK 35 / 0 / 48 / 7

HEX #99ED7B

RGB 153 237 123

HSL 104.21, 0.76%, 0.71%

LAB 86.39, -45.96, 47.07

 

CMYK 43 / 0 / 48 / 7

HEX #88ED7C

RGB 136 237 124

HSL 113.63, 0.76%, 0.71%

LAB 85.63, -51.07, 45.48

 

CMYK 48 / 0 / 44 / 7

HEX #7CED84

RGB 124 237 132

HSL 124.25, 0.76%, 0.71%

LAB 85.26, -53.34, 41.04

 

CMYK 48 / 0 / 36 / 7

HEX #7CED97

RGB 124 237 151

HSL 134.34, 0.76%, 0.71%

LAB 85.55, -50.39, 31.96

 

CMYK 48 / 0 / 29 / 7

HEX #7CEDA9

RGB 124 237 169

HSL 143.89, 0.76%, 0.71%

LAB 85.87, -47.2, 23.21

 

CMYK 35 / 0 / 48 / 7

HEX #99ED7B

RGB 153 237 123

HSL 104.21, 0.76%, 0.71%

LAB 86.39, -45.96, 47.07

 

CMYK 36 / 0 / 48 / 87

HEX #152111

RGB 21 33 17

HSL 105, 0.32%, 0.1%

LAB 11.19, -9.33, 8.87

 

CMYK 36 / 0 / 48 / 67

HEX #36542C

RGB 54 84 44

HSL 105, 0.31%, 0.25%

LAB 32.5, -19.87, 19.89

 

CMYK 36 / 0 / 48 / 47

HEX #578746

RGB 87 135 70

HSL 104.31, 0.32%, 0.4%

LAB 51.61, -29.25, 29.79

 

CMYK 35 / 0 / 48 / 27

HEX #78BA61

RGB 120 186 97

HSL 104.49, 0.39%, 0.55%

LAB 69.45, -37.77, 38.43

 

CMYK 35 / 0 / 48 / 7

HEX #99ED7B

RGB 153 237 123

HSL 104.21, 0.76%, 0.71%

LAB 86.39, -45.96, 47.07

 

CMYK 48 / 0 / 3 / 7

HEX #7CEDE5

RGB 124 237 229

HSL 175.75, 0.76%, 0.71%

LAB 87.25, -34.16, -6.11

 

CMYK 0 / 48 / 16 / 7

HEX #ED7CC7

RGB 237 124 199

HSL 320.18, 0.76%, 0.71%

LAB 66.93, 52.62, -19.44

 

CMYK 35 / 0 / 48 / 7

HEX #99ED7B

RGB 153 237 123

HSL 104.21, 0.76%, 0.71%

LAB 86.39, -45.96, 47.07

 

CMYK 48 / 35 / 0 / 7

HEX #7C9AED

RGB 124 154 237

HSL 224.07, 0.76%, 0.71%

LAB 64.57, 11.61, -45.05

 

CMYK 0 / 48 / 35 / 7

HEX #ED7C9A

RGB 237 124 154

HSL 344.07, 0.76%, 0.71%

LAB 65.56, 46.54, 3.93

 

CMYK 35 / 0 / 48 / 7

HEX #99ED7B

RGB 153 237 123

HSL 104.21, 0.76%, 0.71%

LAB 86.39, -45.96, 47.07

 

CMYK 48 / 0 / 3 / 7

HEX #7CEDE5

RGB 124 237 229

HSL 175.75, 0.76%, 0.71%

LAB 87.25, -34.16, -6.11

 

CMYK 13 / 48 / 0 / 7

HEX #CF7CED

RGB 207 124 237

HSL 284.07, 0.76%, 0.71%

LAB 64.8, 50.52, -44.19

 

CMYK 0 / 48 / 44 / 7

HEX #ED7C84

RGB 237 124 132

HSL 355.75, 0.76%, 0.71%

LAB 65.03, 44.14, 15.68

 

CMYK 35 / 0 / 48 / 7

HEX #99ED7B

RGB 153 237 123

HSL 104.21, 0.76%, 0.71%

LAB 86.39, -45.96, 47.07

 

CMYK 48 / 11 / 0 / 7

HEX #7CD3ED

RGB 124 211 237

HSL 193.81, 0.76%, 0.71%

LAB 80.17, -19.45, -20.94

 

CMYK 13 / 48 / 0 / 7

HEX #CF7CED

RGB 207 124 237

HSL 284.07, 0.76%, 0.71%

LAB 64.8, 50.52, -44.19

 

CMYK 0 / 36 / 48 / 7

HEX #ED977C

RGB 237 151 124

HSL 14.34, 0.76%, 0.71%

LAB 70.59, 29.4, 27.68

 

Description

Color code: RGB 153 237 123 | qconv.com Color code: RGB 153 237 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 237 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 237 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 48 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 48% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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