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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 174 83 it is the complementary color RGB 102 81 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 174 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 174 83: RGB 158 174 78, RGB 175 192 97, RGB 192 210 116, RGB 209 228 135 and RGB 226 246 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 174 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 174 83: RGB 153 174 83, RGB 136 156 64, RGB 119 138 45, RGB 102 120 26 and RGB 85 102 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 52 / 32

HEX #99AE53

RGB 153 174 83

HSL 73.85, 0.36%, 0.5%

LAB 67.78, -21.3, 43.78

 

Complementary color

CMYK 41 / 53 / 0 / 33

HEX #6651AC

RGB 102 81 172

HSL 253.85, 0.36%, 0.5%

LAB 40.72, 30.85, -45.99

 

CMYK 9 / 0 / 55 / 32

HEX #9EAE4E

RGB 158 174 78

HSL 70, 0.38%, 0.49%

LAB 68.09, -19.72, 46.63

 

CMYK 9 / 0 / 49 / 25

HEX #AFC061

RGB 175 192 97

HSL 70.74, 0.43%, 0.57%

LAB 74.62, -20.06, 45.52

 

CMYK 9 / 0 / 45 / 18

HEX #C0D274

RGB 192 210 116

HSL 71.49, 0.51%, 0.64%

LAB 81.05, -20.32, 44.37

 

CMYK 8 / 0 / 41 / 11

HEX #D1E487

RGB 209 228 135

HSL 72.26, 0.63%, 0.71%

LAB 87.38, -20.52, 43.22

 

CMYK 8 / 0 / 37 / 4

HEX #E2F69A

RGB 226 246 154

HSL 73.04, 0.84%, 0.78%

LAB 93.63, -20.68, 42.09

 

CMYK 12 / 0 / 52 / 32

HEX #99AE53

RGB 153 174 83

HSL 73.85, 0.36%, 0.5%

LAB 67.78, -21.3, 43.78

 

CMYK 13 / 0 / 59 / 39

HEX #889C40

RGB 136 156 64

HSL 73.04, 0.42%, 0.43%

LAB 61.12, -20.97, 44.85

 

CMYK 14 / 0 / 67 / 46

HEX #778A2D

RGB 119 138 45

HSL 72.26, 0.51%, 0.36%

LAB 54.33, -20.51, 45.67

 

CMYK 15 / 0 / 78 / 53

HEX #66781A

RGB 102 120 26

HSL 71.49, 0.64%, 0.29%

LAB 47.41, -19.84, 45.87

 

CMYK 17 / 0 / 93 / 60

HEX #556607

RGB 85 102 7

HSL 70.74, 0.87%, 0.21%

LAB 40.33, -18.88, 44.69

 

CMYK 12 / 0 / 52 / 32

HEX #99AE53

RGB 153 174 83

HSL 73.85, 0.36%, 0.5%

LAB 67.78, -21.3, 43.78

 

CMYK 20 / 0 / 53 / 32

HEX #8AAD51

RGB 138 173 81

HSL 82.83, 0.36%, 0.5%

LAB 66.43, -26.99, 42.91

 

CMYK 29 / 0 / 53 / 32

HEX #7AAD51

RGB 122 173 81

HSL 93.26, 0.36%, 0.5%

LAB 65.45, -33.07, 41.5

 

CMYK 38 / 0 / 53 / 32

HEX #6BAD51

RGB 107 173 81

HSL 103.04, 0.36%, 0.5%

LAB 64.65, -38.36, 40.35

 

CMYK 47 / 0 / 53 / 32

HEX #5CAD51

RGB 92 173 81

HSL 112.83, 0.36%, 0.5%

LAB 63.96, -43.16, 39.36

 

CMYK 12 / 0 / 52 / 32

HEX #99AE53

RGB 153 174 83

HSL 73.85, 0.36%, 0.5%

LAB 67.78, -21.3, 43.78

 

CMYK 12 / 0 / 52 / 12

HEX #C6E16B

RGB 198 225 107

HSL 73.73, 0.66%, 0.65%

LAB 85.46, -26.14, 54.06

 

CMYK 14 / 0 / 52 / 92

HEX #12150A

RGB 18 21 10

HSL 76.36, 0.35%, 0.06%

LAB 6.2, -3.29, 5.12

 

CMYK 13 / 0 / 53 / 72

HEX #3F4822

RGB 63 72 34

HSL 74.21, 0.36%, 0.21%

LAB 28.92, -10.67, 21.46

 

CMYK 12 / 0 / 52 / 52

HEX #6C7B3B

RGB 108 123 59

HSL 74.06, 0.35%, 0.36%

LAB 49.09, -16.16, 32.85

 

CMYK 12 / 0 / 52 / 32

HEX #99AE53

RGB 153 174 83

HSL 73.85, 0.36%, 0.5%

LAB 67.78, -21.3, 43.78

 

CMYK 53 / 0 / 31 / 32

HEX #51AD77

RGB 81 173 119

HSL 144.78, 0.36%, 0.5%

LAB 64.14, -39.97, 19.62

 

CMYK 10 / 53 / 0 / 32

HEX #9C51AD

RGB 156 81 173

HSL 288.91, 0.36%, 0.5%

LAB 46.93, 45.61, -36.32

 

CMYK 12 / 0 / 52 / 32

HEX #99AE53

RGB 153 174 83

HSL 73.85, 0.36%, 0.5%

LAB 67.78, -21.3, 43.78

 

CMYK 53 / 12 / 0 / 32

HEX #5199AD

RGB 81 153 173

HSL 193.04, 0.36%, 0.5%

LAB 59.48, -16.83, -17.36

 

CMYK 0 / 53 / 12 / 32

HEX #AD5199

RGB 173 81 153

HSL 313.04, 0.36%, 0.5%

LAB 48.35, 46.91, -22.12

 

CMYK 12 / 0 / 52 / 32

HEX #99AE53

RGB 153 174 83

HSL 73.85, 0.36%, 0.5%

LAB 67.78, -21.3, 43.78

 

CMYK 53 / 0 / 31 / 32

HEX #51AD77

RGB 81 173 119

HSL 144.78, 0.36%, 0.5%

LAB 64.14, -39.97, 19.62

 

CMYK 42 / 53 / 0 / 32

HEX #6551AD

RGB 101 81 173

HSL 253.04, 0.36%, 0.5%

LAB 40.68, 30.89, -46.63

 

CMYK 0 / 53 / 22 / 32

HEX #AD5187

RGB 173 81 135

HSL 324.78, 0.36%, 0.5%

LAB 47.65, 44.08, -12.43

 

CMYK 12 / 0 / 52 / 32

HEX #99AE53

RGB 153 174 83

HSL 73.85, 0.36%, 0.5%

LAB 67.78, -21.3, 43.78

 

CMYK 53 / 0 / 15 / 32

HEX #51AD93

RGB 81 173 147

HSL 163.04, 0.36%, 0.5%

LAB 64.76, -33.82, 5.07

 

CMYK 42 / 53 / 0 / 32

HEX #6551AD

RGB 101 81 173

HSL 253.04, 0.36%, 0.5%

LAB 40.68, 30.89, -46.63

 

CMYK 0 / 53 / 38 / 32

HEX #AD516B

RGB 173 81 107

HSL 343.04, 0.36%, 0.5%

LAB 46.75, 40.33, 3.18

 

Description

Color code: RGB 153 174 83 | qconv.com Color code: RGB 153 174 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 174 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 174 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 52 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 52% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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