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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 139 160 it is the complementary color RGB 102 116 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 139 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 139 160: RGB 158 139 155, RGB 175 157 174, RGB 192 175 193, RGB 209 193 212 and RGB 226 211 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 139 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 139 160: RGB 153 139 160, RGB 136 121 141, RGB 119 103 122, RGB 102 85 103 and RGB 85 67 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 13 / 0 / 37

HEX #998BA0

RGB 153 139 160

HSL 280, 0.1%, 0.59%

LAB 59.69, 9.27, -9.21

 

Complementary color

CMYK 12 / 0 / 18 / 55

HEX #66745F

RGB 102 116 95

HSL 100, 0.1%, 0.41%

LAB 47.16, -9.51, 9.87

 

CMYK 0 / 12 / 2 / 38

HEX #9E8B9B

RGB 158 139 155

HSL 309.47, 0.09%, 0.58%

LAB 59.98, 10.07, -5.86

 

CMYK 0 / 10 / 1 / 31

HEX #AF9DAE

RGB 175 157 174

HSL 303.33, 0.1%, 0.65%

LAB 66.74, 9.69, -6.41

 

CMYK 1 / 9 / 0 / 24

HEX #C0AFC1

RGB 192 175 193

HSL 296.67, 0.13%, 0.72%

LAB 73.36, 9.35, -6.94

 

CMYK 1 / 9 / 0 / 17

HEX #D1C1D4

RGB 209 193 212

HSL 290.53, 0.18%, 0.79%

LAB 79.87, 9.03, -7.46

 

CMYK 2 / 9 / 0 / 9

HEX #E2D3E7

RGB 226 211 231

HSL 285, 0.29%, 0.87%

LAB 86.27, 8.74, -7.96

 

CMYK 4 / 13 / 0 / 37

HEX #998BA0

RGB 153 139 160

HSL 280, 0.1%, 0.59%

LAB 59.69, 9.27, -9.21

 

CMYK 4 / 14 / 0 / 45

HEX #88798D

RGB 136 121 141

HSL 285, 0.08%, 0.51%

LAB 52.77, 9.65, -8.73

 

CMYK 2 / 16 / 0 / 52

HEX #77677A

RGB 119 103 122

HSL 290.53, 0.08%, 0.44%

LAB 45.67, 10.08, -8.24

 

CMYK 1 / 17 / 0 / 60

HEX #665567

RGB 102 85 103

HSL 296.67, 0.1%, 0.37%

LAB 38.38, 10.57, -7.74

 

CMYK 0 / 21 / 1 / 67

HEX #554354

RGB 85 67 84

HSL 303.33, 0.12%, 0.3%

LAB 30.84, 11.14, -7.22

 

CMYK 4 / 13 / 0 / 37

HEX #998BA0

RGB 153 139 160

HSL 280, 0.1%, 0.59%

LAB 59.69, 9.27, -9.21

 

CMYK 2 / 13 / 0 / 37

HEX #9D8BA0

RGB 157 139 160

HSL 291.43, 0.1%, 0.59%

LAB 60.04, 10.69, -8.63

 

CMYK 0 / 13 / 0 / 37

HEX #A08BA0

RGB 160 139 160

HSL 300, 0.1%, 0.59%

LAB 60.32, 11.76, -8.2

 

CMYK 0 / 13 / 2 / 37

HEX #A08B9D

RGB 160 139 157

HSL 308.57, 0.1%, 0.59%

LAB 60.22, 11.18, -6.62

 

CMYK 0 / 13 / 4 / 37

HEX #A08B99

RGB 160 139 153

HSL 320, 0.1%, 0.59%

LAB 60.1, 10.42, -4.52

 

CMYK 4 / 13 / 0 / 37

HEX #998BA0

RGB 153 139 160

HSL 280, 0.1%, 0.59%

LAB 59.69, 9.27, -9.21

 

CMYK 4 / 13 / 0 / 17

HEX #CAB7D3

RGB 202 183 211

HSL 280.71, 0.24%, 0.77%

LAB 76.76, 11.86, -11.62

 

CMYK 0 / 14 / 0 / 97

HEX #070607

RGB 7 6 7

HSL 300, 0.08%, 0.03%

LAB 1.72, 0.4, -0.29

 

CMYK 5 / 14 / 0 / 77

HEX #37323A

RGB 55 50 58

HSL 277.5, 0.07%, 0.21%

LAB 21.58, 4.06, -4.24

 

CMYK 5 / 13 / 0 / 57

HEX #685F6D

RGB 104 95 109

HSL 278.57, 0.07%, 0.4%

LAB 41.58, 6.49, -6.63

 

CMYK 4 / 13 / 0 / 37

HEX #998BA0

RGB 153 139 160

HSL 280, 0.1%, 0.59%

LAB 59.69, 9.27, -9.21

 

CMYK 0 / 13 / 11 / 37

HEX #A08B8E

RGB 160 139 142

HSL 351.43, 0.1%, 0.59%

LAB 59.79, 8.42, 1.31

 

CMYK 13 / 0 / 9 / 37

HEX #8BA091

RGB 139 160 145

HSL 137.14, 0.1%, 0.59%

LAB 63.9, -10.39, 5.33

 

CMYK 4 / 13 / 0 / 37

HEX #998BA0

RGB 153 139 160

HSL 280, 0.1%, 0.59%

LAB 59.69, 9.27, -9.21

 

CMYK 0 / 4 / 13 / 37

HEX #A0998B

RGB 160 153 139

HSL 40, 0.1%, 0.59%

LAB 63.44, 0.07, 8.27

 

CMYK 13 / 0 / 4 / 37

HEX #8BA099

RGB 139 160 153

HSL 160, 0.1%, 0.59%

LAB 64.1, -8.8, 1.15

 

CMYK 4 / 13 / 0 / 37

HEX #998BA0

RGB 153 139 160

HSL 280, 0.1%, 0.59%

LAB 59.69, 9.27, -9.21

 

CMYK 0 / 13 / 11 / 37

HEX #A08B8E

RGB 160 139 142

HSL 351.43, 0.1%, 0.59%

LAB 59.79, 8.42, 1.31

 

CMYK 9 / 0 / 13 / 37

HEX #92A08B

RGB 146 160 139

HSL 100, 0.1%, 0.59%

LAB 64.26, -8.99, 9.27

 

CMYK 13 / 0 / 1 / 37

HEX #8BA09E

RGB 139 160 158

HSL 174.29, 0.1%, 0.59%

LAB 64.24, -7.76, -1.45

 

CMYK 4 / 13 / 0 / 37

HEX #998BA0

RGB 153 139 160

HSL 280, 0.1%, 0.59%

LAB 59.69, 9.27, -9.21

 

CMYK 0 / 11 / 13 / 37

HEX #A08F8B

RGB 160 143 139

HSL 11.43, 0.1%, 0.59%

LAB 60.77, 5.64, 4.43

 

CMYK 9 / 0 / 13 / 37

HEX #92A08B

RGB 146 160 139

HSL 100, 0.1%, 0.59%

LAB 64.26, -8.99, 9.27

 

CMYK 13 / 2 / 0 / 37

HEX #8B9DA0

RGB 139 157 160

HSL 188.57, 0.1%, 0.59%

LAB 63.46, -5.7, -3.73

 

Description

Color code: RGB 153 139 160 | qconv.com Color code: RGB 153 139 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 139 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 139 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 13 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 13% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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