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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 134 72 it is the complementary color RGB 102 121 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 134 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 134 72: RGB 158 134 67, RGB 175 152 86, RGB 192 170 105, RGB 209 188 124 and RGB 226 206 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 134 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 134 72: RGB 153 134 72, RGB 136 116 53, RGB 119 98 34, RGB 102 80 15 and RGB 85 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 53 / 40

HEX #998648

RGB 153 134 72

HSL 45.93, 0.36%, 0.44%

LAB 56.38, -1.16, 35.72

 

Complementary color

CMYK 44 / 34 / 0 / 28

HEX #6679B7

RGB 102 121 183

HSL 225.93, 0.36%, 0.56%

LAB 51.74, 9.61, -34.93

 

CMYK 0 / 15 / 58 / 38

HEX #9E8643

RGB 158 134 67

HSL 44.18, 0.4%, 0.44%

LAB 56.81, 0.62, 38.94

 

CMYK 0 / 13 / 51 / 31

HEX #AF9856

RGB 175 152 86

HSL 44.49, 0.36%, 0.51%

LAB 63.54, -0.22, 37.62

 

CMYK 0 / 11 / 45 / 25

HEX #C0AA69

RGB 192 170 105

HSL 44.83, 0.41%, 0.58%

LAB 70.16, -0.9, 36.33

 

CMYK 0 / 10 / 41 / 18

HEX #D1BC7C

RGB 209 188 124

HSL 45.18, 0.48%, 0.65%

LAB 76.67, -1.48, 35.08

 

CMYK 0 / 9 / 37 / 11

HEX #E2CE8F

RGB 226 206 143

HSL 45.54, 0.59%, 0.72%

LAB 83.07, -1.97, 33.89

 

CMYK 0 / 12 / 53 / 40

HEX #998648

RGB 153 134 72

HSL 45.93, 0.36%, 0.44%

LAB 56.38, -1.16, 35.72

 

CMYK 0 / 15 / 61 / 47

HEX #887435

RGB 136 116 53

HSL 45.54, 0.44%, 0.37%

LAB 49.47, -0.28, 37.03

 

CMYK 0 / 18 / 71 / 53

HEX #776222

RGB 119 98 34

HSL 45.18, 0.56%, 0.3%

LAB 42.42, 0.85, 38.16

 

CMYK 0 / 22 / 85 / 60

HEX #66500F

RGB 102 80 15

HSL 44.83, 0.74%, 0.23%

LAB 35.2, 2.35, 38.61

 

CMYK 0 / 27 / 100 / 67

HEX #553E00

RGB 85 62 0

HSL 43.76, 1%, 0.17%

LAB 27.78, 4.32, 37.18

 

CMYK 0 / 12 / 53 / 40

HEX #998648

RGB 153 134 72

HSL 45.93, 0.36%, 0.44%

LAB 56.38, -1.16, 35.72

 

CMYK 0 / 5 / 53 / 40

HEX #989147

RGB 152 145 71

HSL 54.81, 0.36%, 0.44%

LAB 59.33, -7.72, 39.73

 

CMYK 5 / 0 / 53 / 40

HEX #919847

RGB 145 152 71

HSL 65.19, 0.36%, 0.44%

LAB 60.72, -14.48, 41.21

 

CMYK 13 / 0 / 53 / 40

HEX #849847

RGB 132 152 71

HSL 74.81, 0.36%, 0.44%

LAB 59.72, -19.95, 39.79

 

CMYK 22 / 0 / 53 / 40

HEX #769847

RGB 118 152 71

HSL 85.19, 0.36%, 0.44%

LAB 58.75, -25.63, 38.41

 

CMYK 0 / 12 / 53 / 40

HEX #998648

RGB 153 134 72

HSL 45.93, 0.36%, 0.44%

LAB 56.38, -1.16, 35.72

 

CMYK 0 / 12 / 53 / 20

HEX #CCB360

RGB 204 179 96

HSL 46.11, 0.51%, 0.59%

LAB 73.49, -1.52, 45.24

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 12 / 53 / 80

HEX #332D18

RGB 51 45 24

HSL 46.67, 0.36%, 0.15%

LAB 18.57, -0.93, 14.55

 

CMYK 0 / 13 / 53 / 60

HEX #665930

RGB 102 89 48

HSL 45.56, 0.36%, 0.29%

LAB 38.17, -0.75, 25.52

 

CMYK 0 / 12 / 53 / 40

HEX #998648

RGB 153 134 72

HSL 45.93, 0.36%, 0.44%

LAB 56.38, -1.16, 35.72

 

CMYK 51 / 0 / 53 / 40

HEX #4B9847

RGB 75 152 71

HSL 117.04, 0.36%, 0.44%

LAB 56.49, -40.67, 35.15

 

CMYK 34 / 53 / 0 / 40

HEX #644798

RGB 100 71 152

HSL 261.48, 0.36%, 0.44%

LAB 36.9, 30.77, -40.14

 

CMYK 0 / 12 / 53 / 40

HEX #998648

RGB 153 134 72

HSL 45.93, 0.36%, 0.44%

LAB 56.38, -1.16, 35.72

 

CMYK 53 / 0 / 13 / 40

HEX #479884

RGB 71 152 132

HSL 165.19, 0.36%, 0.44%

LAB 57.52, -29.82, 3.01

 

CMYK 13 / 53 / 0 / 40

HEX #844798

RGB 132 71 152

HSL 285.19, 0.36%, 0.44%

LAB 40.7, 39.7, -33.87

 

CMYK 0 / 12 / 53 / 40

HEX #998648

RGB 153 134 72

HSL 45.93, 0.36%, 0.44%

LAB 56.38, -1.16, 35.72

 

CMYK 51 / 0 / 53 / 40

HEX #4B9847

RGB 75 152 71

HSL 117.04, 0.36%, 0.44%

LAB 56.49, -40.67, 35.15

 

CMYK 53 / 39 / 0 / 40

HEX #475C98

RGB 71 92 152

HSL 224.44, 0.36%, 0.44%

LAB 40.02, 10.03, -35.33

 

CMYK 3 / 53 / 0 / 40

HEX #944798

RGB 148 71 152

HSL 297.04, 0.36%, 0.44%

LAB 42.87, 44.32, -30.31

 

CMYK 0 / 12 / 53 / 40

HEX #998648

RGB 153 134 72

HSL 45.93, 0.36%, 0.44%

LAB 56.38, -1.16, 35.72

 

CMYK 53 / 0 / 39 / 40

HEX #47985C

RGB 71 152 92

HSL 135.56, 0.36%, 0.44%

LAB 56.65, -38.48, 24.23

 

CMYK 53 / 39 / 0 / 40

HEX #475C98

RGB 71 92 152

HSL 224.44, 0.36%, 0.44%

LAB 40.02, 10.03, -35.33

 

CMYK 0 / 53 / 13 / 40

HEX #984784

RGB 152 71 132

HSL 314.81, 0.36%, 0.44%

LAB 42.53, 41.93, -18.69

 

Description

Color code: RGB 153 134 72 | qconv.com Color code: RGB 153 134 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 134 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 134 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 53 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 53% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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