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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 126 128 it is the complementary color RGB 102 129 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 126 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 126 128: RGB 158 126 123, RGB 175 144 142, RGB 192 162 161, RGB 209 180 180 and RGB 226 198 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 126 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 126 128: RGB 153 126 128, RGB 136 108 109, RGB 119 90 90, RGB 102 72 71 and RGB 85 54 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 16 / 40

HEX #997E80

RGB 153 126 128

HSL 355.56, 0.12%, 0.55%

LAB 55.33, 10.72, 2.81

 

Complementary color

CMYK 21 / 0 / 2 / 49

HEX #66817F

RGB 102 129 127

HSL 175.56, 0.12%, 0.45%

LAB 51.9, -10.09, -2.12

 

CMYK 0 / 20 / 22 / 38

HEX #9E7E7B

RGB 158 126 123

HSL 5.14, 0.15%, 0.55%

LAB 55.71, 11.86, 6.32

 

CMYK 0 / 18 / 19 / 31

HEX #AF908E

RGB 175 144 142

HSL 3.64, 0.17%, 0.62%

LAB 62.52, 11.32, 5.43

 

CMYK 0 / 16 / 16 / 25

HEX #C0A2A1

RGB 192 162 161

HSL 1.94, 0.2%, 0.69%

LAB 69.2, 10.84, 4.62

 

CMYK 0 / 14 / 14 / 18

HEX #D1B4B4

RGB 209 180 180

HSL 0, 0.24%, 0.76%

LAB 75.76, 10.41, 3.85

 

CMYK 0 / 12 / 12 / 11

HEX #E2C6C7

RGB 226 198 199

HSL 357.86, 0.33%, 0.83%

LAB 82.21, 10.02, 3.12

 

CMYK 0 / 18 / 16 / 40

HEX #997E80

RGB 153 126 128

HSL 355.56, 0.12%, 0.55%

LAB 55.33, 10.72, 2.81

 

CMYK 0 / 21 / 20 / 47

HEX #886C6D

RGB 136 108 109

HSL 357.86, 0.11%, 0.48%

LAB 48.34, 11.27, 3.66

 

CMYK 0 / 24 / 24 / 53

HEX #775A5A

RGB 119 90 90

HSL 0, 0.14%, 0.41%

LAB 41.17, 11.9, 4.61

 

CMYK 0 / 29 / 30 / 60

HEX #664847

RGB 102 72 71

HSL 1.94, 0.18%, 0.34%

LAB 33.8, 12.67, 5.68

 

CMYK 0 / 36 / 39 / 67

HEX #553634

RGB 85 54 52

HSL 3.64, 0.24%, 0.27%

LAB 26.21, 13.61, 6.96

 

CMYK 0 / 18 / 16 / 40

HEX #997E80

RGB 153 126 128

HSL 355.56, 0.12%, 0.55%

LAB 55.33, 10.72, 2.81

 

CMYK 0 / 17 / 18 / 40

HEX #9A807E

RGB 154 128 126

HSL 4.29, 0.12%, 0.55%

LAB 55.9, 9.63, 4.81

 

CMYK 0 / 14 / 18 / 40

HEX #9A857E

RGB 154 133 126

HSL 15, 0.12%, 0.55%

LAB 57.22, 6.78, 6.7

 

CMYK 0 / 11 / 18 / 40

HEX #9A897E

RGB 154 137 126

HSL 23.57, 0.12%, 0.55%

LAB 58.29, 4.52, 8.23

 

CMYK 0 / 8 / 18 / 40

HEX #9A8E7E

RGB 154 142 126

HSL 34.29, 0.12%, 0.55%

LAB 59.64, 1.71, 10.14

 

CMYK 0 / 18 / 16 / 40

HEX #997E80

RGB 153 126 128

HSL 355.56, 0.12%, 0.55%

LAB 55.33, 10.72, 2.81

 

CMYK 0 / 18 / 16 / 20

HEX #CCA8AB

RGB 204 168 171

HSL 355, 0.26%, 0.73%

LAB 72.08, 13.62, 3.4

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 18 / 16 / 80

HEX #332A2B

RGB 51 42 43

HSL 353.33, 0.1%, 0.18%

LAB 18.07, 4.35, 0.89

 

CMYK 0 / 18 / 17 / 60

HEX #665455

RGB 102 84 85

HSL 356.67, 0.1%, 0.36%

LAB 37.52, 7.61, 2.2

 

CMYK 0 / 18 / 16 / 40

HEX #997E80

RGB 153 126 128

HSL 355.56, 0.12%, 0.55%

LAB 55.33, 10.72, 2.81

 

CMYK 3 / 0 / 18 / 40

HEX #969A7E

RGB 150 154 126

HSL 68.57, 0.12%, 0.55%

LAB 62.59, -6.47, 14.24

 

CMYK 18 / 10 / 0 / 40

HEX #7E8B9A

RGB 126 139 154

HSL 212.14, 0.12%, 0.55%

LAB 57.3, -1.39, -9.56

 

CMYK 0 / 18 / 16 / 40

HEX #997E80

RGB 153 126 128

HSL 355.56, 0.12%, 0.55%

LAB 55.33, 10.72, 2.81

 

CMYK 17 / 0 / 18 / 40

HEX #809A7E

RGB 128 154 126

HSL 115.71, 0.12%, 0.55%

LAB 60.96, -14.73, 11.72

 

CMYK 18 / 17 / 0 / 40

HEX #7E809A

RGB 126 128 154

HSL 235.71, 0.12%, 0.55%

LAB 54.25, 4.93, -14.16

 

CMYK 0 / 18 / 16 / 40

HEX #997E80

RGB 153 126 128

HSL 355.56, 0.12%, 0.55%

LAB 55.33, 10.72, 2.81

 

CMYK 3 / 0 / 18 / 40

HEX #969A7E

RGB 150 154 126

HSL 68.57, 0.12%, 0.55%

LAB 62.59, -6.47, 14.24

 

CMYK 18 / 0 / 2 / 40

HEX #7E9A97

RGB 126 154 151

HSL 173.57, 0.12%, 0.55%

LAB 61.46, -10.39, -1.69

 

CMYK 16 / 18 / 0 / 40

HEX #817E9A

RGB 129 126 154

HSL 246.43, 0.12%, 0.55%

LAB 53.94, 7.12, -14.59

 

CMYK 0 / 18 / 16 / 40

HEX #997E80

RGB 153 126 128

HSL 355.56, 0.12%, 0.55%

LAB 55.33, 10.72, 2.81

 

CMYK 8 / 0 / 18 / 40

HEX #8E9A7E

RGB 142 154 126

HSL 85.71, 0.12%, 0.55%

LAB 61.97, -9.53, 13.28

 

CMYK 18 / 0 / 2 / 40

HEX #7E9A97

RGB 126 154 151

HSL 173.57, 0.12%, 0.55%

LAB 61.46, -10.39, -1.69

 

CMYK 11 / 18 / 0 / 40

HEX #897E9A

RGB 137 126 154

HSL 263.57, 0.12%, 0.55%

LAB 54.63, 9.87, -13.49

 

Description

Color code: RGB 153 126 128 | qconv.com Color code: RGB 153 126 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 126 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 126 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 16 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 16% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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