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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 119 151 it is the complementary color RGB 102 136 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 119 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 119 151: RGB 158 119 146, RGB 175 137 165, RGB 192 155 184, RGB 209 173 203 and RGB 226 191 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 119 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 119 151: RGB 153 119 151, RGB 136 101 132, RGB 119 83 113, RGB 102 65 94 and RGB 85 47 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 1 / 40

HEX #997797

RGB 153 119 151

HSL 303.53, 0.14%, 0.53%

LAB 54.24, 18.96, -12.19

 

Complementary color

CMYK 25 / 0 / 24 / 47

HEX #668868

RGB 102 136 104

HSL 123.53, 0.14%, 0.47%

LAB 53.42, -18.72, 13.39

 

CMYK 0 / 25 / 8 / 38

HEX #9E7792

RGB 158 119 146

HSL 318.46, 0.17%, 0.54%

LAB 54.59, 19.82, -8.69

 

CMYK 0 / 22 / 6 / 31

HEX #AF89A5

RGB 175 137 165

HSL 315.79, 0.19%, 0.61%

LAB 61.41, 19.21, -9.26

 

CMYK 0 / 19 / 4 / 25

HEX #C09BB8

RGB 192 155 184

HSL 312.97, 0.23%, 0.68%

LAB 68.1, 18.67, -9.79

 

CMYK 0 / 17 / 3 / 18

HEX #D1ADCB

RGB 209 173 203

HSL 310, 0.28%, 0.75%

LAB 74.67, 18.17, -10.31

 

CMYK 0 / 15 / 2 / 11

HEX #E2BFDE

RGB 226 191 222

HSL 306.86, 0.38%, 0.82%

LAB 81.13, 17.71, -10.81

 

CMYK 0 / 22 / 1 / 40

HEX #997797

RGB 153 119 151

HSL 303.53, 0.14%, 0.53%

LAB 54.24, 18.96, -12.19

 

CMYK 0 / 26 / 3 / 47

HEX #886584

RGB 136 101 132

HSL 306.86, 0.15%, 0.46%

LAB 47.25, 19.6, -11.7

 

CMYK 0 / 30 / 5 / 53

HEX #775371

RGB 119 83 113

HSL 310, 0.18%, 0.4%

LAB 40.08, 20.31, -11.18

 

CMYK 0 / 36 / 8 / 60

HEX #66415E

RGB 102 65 94

HSL 312.97, 0.22%, 0.33%

LAB 32.73, 21.1, -10.59

 

CMYK 0 / 45 / 12 / 67

HEX #552F4B

RGB 85 47 75

HSL 315.79, 0.29%, 0.26%

LAB 25.18, 21.97, -9.89

 

CMYK 0 / 22 / 1 / 40

HEX #997797

RGB 153 119 151

HSL 303.53, 0.14%, 0.53%

LAB 54.24, 18.96, -12.19

 

CMYK 0 / 22 / 5 / 41

HEX #977690

RGB 151 118 144

HSL 312.73, 0.14%, 0.53%

LAB 53.55, 17.46, -9.16

 

CMYK 0 / 22 / 8 / 41

HEX #97768B

RGB 151 118 139

HSL 321.82, 0.14%, 0.53%

LAB 53.38, 16.52, -6.48

 

CMYK 0 / 22 / 12 / 41

HEX #977685

RGB 151 118 133

HSL 332.73, 0.14%, 0.53%

LAB 53.2, 15.43, -3.24

 

CMYK 0 / 22 / 16 / 41

HEX #97767F

RGB 151 118 127

HSL 343.64, 0.14%, 0.53%

LAB 53.02, 14.38, 0.02

 

CMYK 0 / 22 / 1 / 40

HEX #997797

RGB 153 119 151

HSL 303.53, 0.14%, 0.53%

LAB 54.24, 18.96, -12.19

 

CMYK 0 / 22 / 1 / 20

HEX #CC9FC9

RGB 204 159 201

HSL 304, 0.31%, 0.71%

LAB 70.77, 23.74, -15.11

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 22 / 2 / 80

HEX #332832

RGB 51 40 50

HSL 305.45, 0.12%, 0.18%

LAB 17.7, 7.3, -4.56

 

CMYK 0 / 23 / 1 / 60

HEX #664F65

RGB 102 79 101

HSL 302.61, 0.13%, 0.35%

LAB 36.66, 13.87, -9.08

 

CMYK 0 / 22 / 1 / 40

HEX #997797

RGB 153 119 151

HSL 303.53, 0.14%, 0.53%

LAB 54.24, 18.96, -12.19

 

CMYK 0 / 17 / 22 / 41

HEX #977E76

RGB 151 126 118

HSL 14.55, 0.14%, 0.53%

LAB 54.88, 8.29, 7.94

 

CMYK 22 / 0 / 7 / 41

HEX #76978C

RGB 118 151 140

HSL 160, 0.14%, 0.53%

LAB 59.78, -13.83, 2.02

 

CMYK 0 / 22 / 1 / 40

HEX #997797

RGB 153 119 151

HSL 303.53, 0.14%, 0.53%

LAB 54.24, 18.96, -12.19

 

CMYK 1 / 0 / 22 / 41

HEX #969776

RGB 150 151 118

HSL 61.82, 0.14%, 0.53%

LAB 61.59, -6.1, 17.32

 

CMYK 22 / 1 / 0 / 41

HEX #769697

RGB 118 150 151

HSL 181.82, 0.14%, 0.53%

LAB 59.8, -10.84, -4.2

 

CMYK 0 / 22 / 1 / 40

HEX #997797

RGB 153 119 151

HSL 303.53, 0.14%, 0.53%

LAB 54.24, 18.96, -12.19

 

CMYK 0 / 17 / 22 / 41

HEX #977E76

RGB 151 126 118

HSL 14.55, 0.14%, 0.53%

LAB 54.88, 8.29, 7.94

 

CMYK 22 / 0 / 21 / 41

HEX #769778

RGB 118 151 120

HSL 123.64, 0.14%, 0.53%

LAB 59.29, -17.86, 12.64

 

CMYK 22 / 5 / 0 / 41

HEX #768F97

RGB 118 143 151

HSL 194.55, 0.14%, 0.53%

LAB 57.78, -6.99, -7.19

 

CMYK 0 / 22 / 1 / 40

HEX #997797

RGB 153 119 151

HSL 303.53, 0.14%, 0.53%

LAB 54.24, 18.96, -12.19

 

CMYK 0 / 10 / 22 / 41

HEX #978876

RGB 151 136 118

HSL 32.73, 0.14%, 0.53%

LAB 57.56, 2.61, 11.72

 

CMYK 22 / 0 / 21 / 41

HEX #769778

RGB 118 151 120

HSL 123.64, 0.14%, 0.53%

LAB 59.29, -17.86, 12.64

 

CMYK 22 / 12 / 0 / 41

HEX #768597

RGB 118 133 151

HSL 212.73, 0.14%, 0.53%

LAB 54.93, -1.34, -11.45

 

Description

Color code: RGB 153 119 151 | qconv.com Color code: RGB 153 119 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 119 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 119 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 1 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 1% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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