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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 91 76 it is the complementary color RGB 103 164 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 91 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 91 76 shade: RGB 157 91 71, RGB 174 109 90, RGB 191 127 109, RGB 208 145 128 and RGB 225 163 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 91 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 91 76 shade: RGB 152 91 76, RGB 135 73 57, RGB 118 55 38, RGB 101 37 19 and RGB 84 19 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 91 76 shade: RGB 152 91 76 and RGB 152 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 91 76 shade: RGB 152 91 76, RGB 152 112 76, RGB 152 132 76, RGB 152 152 76 and RGB 131 152 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 91 76 shade matches the following richer shades: RGB 152 91 76, RGB 171 80 58, RGB 189 69 39, RGB 208 58 21 and RGB 226 46 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 91 76 shade: RGB 152 91 76, RGB 134 103 95, RGB 115 114 114, RGB 96 125 132 and RGB 78 136 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 91 76 shade: RGB 152 76 103, RGB 152 76 83, RGB 152 90 76, RGB 152 110 76 and RGB 152 131 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 91 76 shade: RGB 97 58 49, RGB 125 75 63, RGB 152 91 76, RGB 174 111 95 and RGB 188 136 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 91 76 shade: RGB 152 91 76, RGB 123 152 76 and RGB 76 93 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 91 76 shade: RGB 152 91 76, RGB 76 152 90 and RGB 90 76 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 91 76 shade: RGB 152 91 76, RGB 123 152 76, RGB 76 138 152 and RGB 105 76 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 91 76 shade: RGB 152 91 76, RGB 100 152 76, RGB 76 138 152 and RGB 128 76 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 50 / 40

HEX #985B4C

RGB 152 91 76

HSL 11.84, 0.33%, 0.45%

LAB 45.19, 23.34, 19.29

 

Complementary color

CMYK 42 / 8 / 0 / 30

HEX #67A4B3

RGB 103 164 179

HSL 191.84, 0.33%, 0.55%

LAB 63.91, -15.73, -13.95

 

CMYK 0 / 42 / 55 / 38

HEX #9D5B47

RGB 157 91 71

HSL 13.95, 0.38%, 0.45%

LAB 45.78, 24.95, 23.14

 

CMYK 0 / 37 / 48 / 32

HEX #AE6D5A

RGB 174 109 90

HSL 13.57, 0.34%, 0.52%

LAB 52.59, 23.72, 21.43

 

CMYK 0 / 34 / 43 / 25

HEX #BF7F6D

RGB 191 127 109

HSL 13.17, 0.39%, 0.59%

LAB 59.31, 22.65, 19.93

 

CMYK 0 / 30 / 38 / 18

HEX #D09180

RGB 208 145 128

HSL 12.75, 0.46%, 0.66%

LAB 65.92, 21.7, 18.59

 

CMYK 0 / 28 / 35 / 12

HEX #E1A393

RGB 225 163 147

HSL 12.31, 0.57%, 0.73%

LAB 72.43, 20.86, 17.39

 

CMYK 0 / 40 / 50 / 40

HEX #985B4C

RGB 152 91 76

HSL 11.84, 0.33%, 0.45%

LAB 45.19, 23.34, 19.29

 

CMYK 0 / 46 / 58 / 47

HEX #874939

RGB 135 73 57

HSL 12.31, 0.41%, 0.38%

LAB 38.22, 24.65, 21.15

 

CMYK 0 / 53 / 68 / 54

HEX #763726

RGB 118 55 38

HSL 12.75, 0.51%, 0.31%

LAB 31.17, 26.15, 23.39

 

CMYK 0 / 63 / 81 / 60

HEX #652513

RGB 101 37 19

HSL 13.17, 0.68%, 0.24%

LAB 24.12, 27.76, 26.06

 

CMYK 0 / 77 / 100 / 67

HEX #541300

RGB 84 19 0

HSL 13.57, 1%, 0.16%

LAB 17.23, 29.07, 26.15

 

CMYK 0 / 40 / 50 / 40

HEX #985B4C

RGB 152 91 76

HSL 11.84, 0.33%, 0.45%

LAB 45.19, 23.34, 19.29

 

CMYK 0 / 50 / 50 / 40

HEX #984C4C

RGB 152 76 76

HSL 0, 0.33%, 0.45%

LAB 41.79, 31.71, 14.71

 

CMYK 0 / 40 / 50 / 40

HEX #985B4C

RGB 152 91 76

HSL 11.84, 0.33%, 0.45%

LAB 45.19, 23.34, 19.29

 

CMYK 0 / 26 / 50 / 40

HEX #98704C

RGB 152 112 76

HSL 28.42, 0.33%, 0.45%

LAB 50.44, 11.27, 26.13

 

CMYK 0 / 13 / 50 / 40

HEX #98844C

RGB 152 132 76

HSL 44.21, 0.33%, 0.45%

LAB 55.79, -0.1, 32.86

 

CMYK 0 / 0 / 50 / 40

HEX #98984C

RGB 152 152 76

HSL 60, 0.33%, 0.45%

LAB 61.35, -11.02, 39.61

 

CMYK 14 / 0 / 50 / 40

HEX #83984C

RGB 131 152 76

HSL 76.58, 0.33%, 0.45%

LAB 59.71, -19.84, 37.25

 

CMYK 0 / 40 / 50 / 40

HEX #985B4C

RGB 152 91 76

HSL 11.84, 0.33%, 0.45%

LAB 45.19, 23.34, 19.29

 

CMYK 0 / 53 / 66 / 33

HEX #AB503A

RGB 171 80 58

HSL 11.68, 0.49%, 0.45%

LAB 45.22, 35.61, 30.46

 

CMYK 0 / 63 / 79 / 26

HEX #BD4527

RGB 189 69 39

HSL 12, 0.66%, 0.45%

LAB 45.94, 46.77, 42.48

 

CMYK 0 / 72 / 90 / 18

HEX #D03A15

RGB 208 58 21

HSL 11.87, 0.82%, 0.45%

LAB 47.61, 57.16, 53.33

 

CMYK 0 / 80 / 99 / 11

HEX #E22E02

RGB 226 46 2

HSL 11.79, 0.98%, 0.45%

LAB 49.65, 66.13, 61.76

 

CMYK 0 / 40 / 50 / 40

HEX #985B4C

RGB 152 91 76

HSL 11.84, 0.33%, 0.45%

LAB 45.19, 23.34, 19.29

 

CMYK 0 / 23 / 29 / 47

HEX #86675F

RGB 134 103 95

HSL 12.31, 0.17%, 0.45%

LAB 46.44, 11.18, 9.29

 

CMYK 0 / 1 / 1 / 55

HEX #737272

RGB 115 114 114

HSL 0, 0%, 0.45%

LAB 48.13, 0.39, 0.13

 

CMYK 27 / 5 / 0 / 48

HEX #607D84

RGB 96 125 132

HSL 191.67, 0.16%, 0.45%

LAB 50.48, -8.62, -7.2

RGB 96 125 132

CMYK 48 / 10 / 0 / 41

HEX #4E8897

RGB 78 136 151

HSL 192.33, 0.32%, 0.45%

LAB 53.45, -14.74, -13.91

RGB 78 136 151

CMYK 0 / 50 / 32 / 40

HEX #984C67

RGB 152 76 103

HSL 338.68, 0.33%, 0.45%

LAB 42.5, 34.89, -0.95

 

CMYK 0 / 50 / 45 / 40

HEX #984C53

RGB 152 76 83

HSL 354.47, 0.33%, 0.45%

LAB 41.95, 32.44, 10.63

 

CMYK 0 / 41 / 50 / 40

HEX #985A4C

RGB 152 90 76

HSL 11.05, 0.33%, 0.45%

LAB 44.95, 23.91, 18.97

 

CMYK 0 / 28 / 50 / 40

HEX #986E4C

RGB 152 110 76

HSL 26.84, 0.33%, 0.45%

LAB 49.92, 12.42, 25.46

 

CMYK 0 / 14 / 50 / 40

HEX #98834C

RGB 152 131 76

HSL 43.42, 0.33%, 0.45%

LAB 55.51, 0.46, 32.52

 

CMYK 0 / 40 / 49 / 62

HEX #613A31

RGB 97 58 49

HSL 11.25, 0.33%, 0.29%

LAB 28.87, 16.13, 12.86

 

CMYK 0 / 40 / 50 / 51

HEX #7D4B3F

RGB 125 75 63

HSL 11.61, 0.33%, 0.37%

LAB 37.39, 19.79, 16.12

 

CMYK 0 / 40 / 50 / 40

HEX #985B4C

RGB 152 91 76

HSL 11.84, 0.33%, 0.45%

LAB 45.19, 23.34, 19.29

 

CMYK 0 / 36 / 45 / 32

HEX #AE6F5F

RGB 174 111 95

HSL 12.15, 0.33%, 0.53%

LAB 53.16, 23.13, 19.3

 

CMYK 0 / 28 / 35 / 26

HEX #BC887B

RGB 188 136 123

HSL 12, 0.33%, 0.61%

LAB 61.42, 18.13, 14.84

 

CMYK 0 / 40 / 50 / 40

HEX #985B4C

RGB 152 91 76

HSL 11.84, 0.33%, 0.45%

LAB 45.19, 23.34, 19.29

 

CMYK 19 / 0 / 50 / 40

HEX #7B984C

RGB 123 152 76

HSL 82.89, 0.33%, 0.45%

LAB 59.15, -23.09, 36.43

 

CMYK 50 / 39 / 0 / 40

HEX #4C5D98

RGB 76 93 152

HSL 226.58, 0.33%, 0.45%

LAB 40.63, 10.62, -34.35

 

CMYK 0 / 40 / 50 / 40

HEX #985B4C

RGB 152 91 76

HSL 11.84, 0.33%, 0.45%

LAB 45.19, 23.34, 19.29

 

CMYK 50 / 0 / 41 / 40

HEX #4C985A

RGB 76 152 90

HSL 131.05, 0.33%, 0.45%

LAB 56.81, -37.46, 25.56

 

CMYK 41 / 50 / 0 / 40

HEX #5A4C98

RGB 90 76 152

HSL 251.05, 0.33%, 0.45%

LAB 37.13, 25.04, -39.83

 

CMYK 0 / 40 / 50 / 40

HEX #985B4C

RGB 152 91 76

HSL 11.84, 0.33%, 0.45%

LAB 45.19, 23.34, 19.29

 

CMYK 19 / 0 / 50 / 40

HEX #7B984C

RGB 123 152 76

HSL 82.89, 0.33%, 0.45%

LAB 59.15, -23.09, 36.43

 

CMYK 50 / 9 / 0 / 40

HEX #4C8A98

RGB 76 138 152

HSL 191.05, 0.33%, 0.45%

LAB 54.01, -16.03, -13.66

 

CMYK 31 / 50 / 0 / 40

HEX #694C98

RGB 105 76 152

HSL 262.89, 0.33%, 0.45%

LAB 38.62, 29.12, -37.37

 

CMYK 0 / 40 / 50 / 40

HEX #985B4C

RGB 152 91 76

HSL 11.84, 0.33%, 0.45%

LAB 45.19, 23.34, 19.29

 

CMYK 34 / 0 / 50 / 40

HEX #64984C

RGB 100 152 76

HSL 101.05, 0.33%, 0.45%

LAB 57.74, -31.84, 34.39

 

CMYK 50 / 9 / 0 / 40

HEX #4C8A98

RGB 76 138 152

HSL 191.05, 0.33%, 0.45%

LAB 54.01, -16.03, -13.66

 

CMYK 16 / 50 / 0 / 40

HEX #804C98

RGB 128 76 152

HSL 281.05, 0.33%, 0.45%

LAB 41.26, 35.77, -33.03

 

Description

Color code: RGB 152 91 76 | qconv.com Color code: RGB 152 91 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 91 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 91 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 50 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 50% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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