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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE6F5F it is the complementary color #5190A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE6F5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AE6F5F: #B36F5A, #C4816D, #D59380, #E6A593 and #F7B7A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE6F5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AE6F5F: #AE6F5F, #9D5D4C, #8C4B39, #7B3926 and #6A2713

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 45 / 32

HEX #AE6F5F

RGB 174 111 95

HSL 12.15, 0.33%, 0.53%

LAB 53.16, 23.13, 19.3

 

Complementary color

CMYK 49 / 10 / 0 / 37

HEX #5190A0

RGB 81 144 160

HSL 192.15, 0.33%, 0.47%

LAB 56.32, -15.77, -14.74

 

CMYK 0 / 38 / 50 / 30

HEX #B36F5A

RGB 179 111 90

HSL 14.16, 0.37%, 0.53%

LAB 53.7, 24.66, 23.01

 

CMYK 0 / 34 / 44 / 23

HEX #C4816D

RGB 196 129 109

HSL 13.79, 0.42%, 0.6%

LAB 60.37, 23.55, 21.47

 

CMYK 0 / 31 / 40 / 16

HEX #D59380

RGB 213 147 128

HSL 13.41, 0.5%, 0.67%

LAB 66.95, 22.58, 20.1

 

CMYK 0 / 28 / 36 / 10

HEX #E6A593

RGB 230 165 147

HSL 13.01, 0.62%, 0.74%

LAB 73.44, 21.72, 18.86

 

CMYK 0 / 26 / 33 / 3

HEX #F7B7A6

RGB 247 183 166

HSL 12.59, 0.84%, 0.81%

LAB 79.84, 20.94, 17.73

 

CMYK 0 / 36 / 45 / 32

HEX #AE6F5F

RGB 174 111 95

HSL 12.15, 0.33%, 0.53%

LAB 53.16, 23.13, 19.3

 

CMYK 0 / 41 / 52 / 38

HEX #9D5D4C

RGB 157 93 76

HSL 12.59, 0.35%, 0.46%

LAB 46.34, 24.29, 20.92

 

CMYK 0 / 46 / 59 / 45

HEX #8C4B39

RGB 140 75 57

HSL 13.01, 0.42%, 0.39%

LAB 39.42, 25.63, 22.83

 

CMYK 0 / 54 / 69 / 52

HEX #7B3926

RGB 123 57 38

HSL 13.41, 0.53%, 0.32%

LAB 32.43, 27.15, 25.09

 

CMYK 0 / 63 / 82 / 58

HEX #6A2713

RGB 106 39 19

HSL 13.79, 0.7%, 0.25%

LAB 25.45, 28.77, 27.72

 

CMYK 0 / 36 / 45 / 32

HEX #AE6F5F

RGB 174 111 95

HSL 12.15, 0.33%, 0.53%

LAB 53.16, 23.13, 19.3

 

CMYK 0 / 29 / 45 / 32

HEX #AE7C5F

RGB 174 124 95

HSL 22.03, 0.33%, 0.53%

LAB 56.33, 15.82, 23.53

 

CMYK 0 / 21 / 45 / 32

HEX #AE895F

RGB 174 137 95

HSL 31.9, 0.33%, 0.53%

LAB 59.63, 8.53, 27.85

 

CMYK 0 / 14 / 45 / 32

HEX #AE965F

RGB 174 150 95

HSL 41.77, 0.33%, 0.53%

LAB 63.04, 1.34, 32.24

 

CMYK 0 / 6 / 45 / 32

HEX #AEA45F

RGB 174 164 95

HSL 52.41, 0.33%, 0.53%

LAB 66.81, -6.22, 36.97

 

CMYK 0 / 36 / 45 / 32

HEX #AE6F5F

RGB 174 111 95

HSL 12.15, 0.33%, 0.53%

LAB 53.16, 23.13, 19.3

 

CMYK 0 / 36 / 45 / 12

HEX #E1907B

RGB 225 144 123

HSL 12.35, 0.63%, 0.68%

LAB 67.56, 28.35, 23.93

 

CMYK 0 / 38 / 48 / 92

HEX #150D0B

RGB 21 13 11

HSL 12, 0.31%, 0.06%

LAB 4.26, 2.68, 1.9

 

CMYK 0 / 36 / 46 / 72

HEX #482E27

RGB 72 46 39

HSL 12.73, 0.3%, 0.22%

LAB 21.87, 10.93, 9.37

 

CMYK 0 / 37 / 46 / 52

HEX #7B4E43

RGB 123 78 67

HSL 11.79, 0.29%, 0.37%

LAB 37.96, 17.59, 14.37

 

CMYK 0 / 36 / 45 / 32

HEX #AE6F5F

RGB 174 111 95

HSL 12.15, 0.33%, 0.53%

LAB 53.16, 23.13, 19.3

 

CMYK 18 / 0 / 45 / 32

HEX #8FAE5F

RGB 143 174 95

HSL 83.54, 0.33%, 0.53%

LAB 67.23, -23.98, 36.98

 

CMYK 45 / 36 / 0 / 32

HEX #5F6FAE

RGB 95 111 174

HSL 227.85, 0.33%, 0.53%

LAB 48.08, 11.16, -35.51

 

CMYK 0 / 36 / 45 / 32

HEX #AE6F5F

RGB 174 111 95

HSL 12.15, 0.33%, 0.53%

LAB 53.16, 23.13, 19.3

 

CMYK 45 / 0 / 36 / 32

HEX #5FAE6F

RGB 95 174 111

HSL 132.15, 0.33%, 0.53%

LAB 64.85, -38.14, 24.99

 

CMYK 36 / 45 / 0 / 32

HEX #6F5FAE

RGB 111 95 174

HSL 252.15, 0.33%, 0.53%

LAB 45.11, 25.25, -40.11

 

CMYK 0 / 36 / 45 / 32

HEX #AE6F5F

RGB 174 111 95

HSL 12.15, 0.33%, 0.53%

LAB 53.16, 23.13, 19.3

 

CMYK 18 / 0 / 45 / 32

HEX #8FAE5F

RGB 143 174 95

HSL 83.54, 0.33%, 0.53%

LAB 67.23, -23.98, 36.98

 

CMYK 45 / 9 / 0 / 32

HEX #5F9EAE

RGB 95 158 174

HSL 192.15, 0.33%, 0.53%

LAB 61.6, -15.92, -14.65

 

CMYK 27 / 45 / 0 / 32

HEX #7F5FAE

RGB 127 95 174

HSL 264.3, 0.33%, 0.53%

LAB 46.65, 29.74, -37.58

 

CMYK 0 / 36 / 45 / 32

HEX #AE6F5F

RGB 174 111 95

HSL 12.15, 0.33%, 0.53%

LAB 53.16, 23.13, 19.3

 

CMYK 32 / 0 / 45 / 32

HEX #77AE5F

RGB 119 174 95

HSL 101.77, 0.33%, 0.53%

LAB 65.76, -32.89, 34.82

 

CMYK 45 / 9 / 0 / 32

HEX #5F9EAE

RGB 95 158 174

HSL 192.15, 0.33%, 0.53%

LAB 61.6, -15.92, -14.65

 

CMYK 14 / 45 / 0 / 32

HEX #965FAE

RGB 150 95 174

HSL 281.77, 0.33%, 0.53%

LAB 49.16, 36.52, -33.46

 

Description

Color code: HEX #AE6F5F | qconv.com Color code: HEX #AE6F5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 111 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 111 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 45 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 45% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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