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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 161 151 it is the complementary color RGB 103 94 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 161 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 152 161 151: RGB 157 161 146, RGB 174 179 165, RGB 191 197 184, RGB 208 215 203 and RGB 225 233 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 161 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 152 161 151: RGB 152 161 151, RGB 135 143 132, RGB 118 125 113, RGB 101 107 94 and RGB 84 89 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 6 / 37

HEX #98A197

RGB 152 161 151

HSL 114, 0.05%, 0.61%

LAB 65.28, -5.13, 4.09

 

Complementary color

CMYK 1 / 10 / 0 / 59

HEX #675E68

RGB 103 94 104

HSL 294, 0.05%, 0.39%

LAB 41.04, 5.64, -4.38

 

CMYK 2 / 0 / 9 / 37

HEX #9DA192

RGB 157 161 146

HSL 76, 0.07%, 0.6%

LAB 65.54, -4.22, 7.31

 

CMYK 3 / 0 / 8 / 30

HEX #AEB3A5

RGB 174 179 165

HSL 81.43, 0.08%, 0.67%

LAB 72.2, -4.33, 6.53

NCS® S3005-G50Y

CMYK 3 / 0 / 7 / 23

HEX #BFC5B8

RGB 191 197 184

HSL 87.69, 0.1%, 0.75%

LAB 78.73, -4.43, 5.79

 

CMYK 3 / 0 / 6 / 16

HEX #D0D7CB

RGB 208 215 203

HSL 95, 0.13%, 0.82%

LAB 85.16, -4.53, 5.08

 

CMYK 3 / 0 / 5 / 9

HEX #E1E9DE

RGB 225 233 222

HSL 103.64, 0.2%, 0.89%

LAB 91.49, -4.63, 4.4

 

CMYK 6 / 0 / 6 / 37

HEX #98A197

RGB 152 161 151

HSL 114, 0.05%, 0.61%

LAB 65.28, -5.13, 4.09

 

CMYK 6 / 0 / 8 / 44

HEX #878F84

RGB 135 143 132

HSL 103.64, 0.05%, 0.54%

LAB 58.47, -5.07, 4.84

 

CMYK 6 / 0 / 10 / 51

HEX #767D71

RGB 118 125 113

HSL 95, 0.05%, 0.47%

LAB 51.51, -5, 5.64

 

CMYK 6 / 0 / 12 / 58

HEX #656B5E

RGB 101 107 94

HSL 87.69, 0.06%, 0.39%

LAB 44.36, -4.93, 6.5

 

CMYK 6 / 0 / 16 / 65

HEX #54594B

RGB 84 89 75

HSL 81.43, 0.09%, 0.32%

LAB 37, -4.86, 7.44

 

CMYK 6 / 0 / 6 / 37

HEX #98A197

RGB 152 161 151

HSL 114, 0.05%, 0.61%

LAB 65.28, -5.13, 4.09

 

CMYK 6 / 0 / 6 / 37

HEX #96A097

RGB 150 160 151

HSL 126, 0.05%, 0.61%

LAB 64.85, -5.31, 3.45

 

CMYK 6 / 0 / 5 / 37

HEX #96A098

RGB 150 160 152

HSL 132, 0.05%, 0.61%

LAB 64.88, -5.12, 2.93

 

CMYK 6 / 0 / 4 / 37

HEX #96A09A

RGB 150 160 154

HSL 144, 0.05%, 0.61%

LAB 64.93, -4.73, 1.89

 

CMYK 6 / 0 / 2 / 37

HEX #96A09C

RGB 150 160 156

HSL 156, 0.05%, 0.61%

LAB 64.98, -4.34, 0.85

 

CMYK 6 / 0 / 6 / 37

HEX #98A197

RGB 152 161 151

HSL 114, 0.05%, 0.61%

LAB 65.28, -5.13, 4.09

 

CMYK 6 / 0 / 6 / 17

HEX #C8D4C7

RGB 200 212 199

HSL 115.38, 0.13%, 0.81%

LAB 83.7, -6.44, 5.02

 

CMYK 0 / 0 / 0 / 97

HEX #080808

RGB 8 8 8

HSL 0, 0%, 0.03%

LAB 2.19, 0, -0

 

CMYK 5 / 0 / 7 / 77

HEX #383B37

RGB 56 59 55

HSL 105, 0.04%, 0.22%

LAB 24.46, -2.19, 2.03

 

CMYK 5 / 0 / 6 / 57

HEX #686E67

RGB 104 110 103

HSL 111.43, 0.03%, 0.42%

LAB 45.74, -3.73, 3.11

 

CMYK 6 / 0 / 6 / 37

HEX #98A197

RGB 152 161 151

HSL 114, 0.05%, 0.61%

LAB 65.28, -5.13, 4.09

 

CMYK 6 / 1 / 0 / 37

HEX #969FA0

RGB 150 159 160

HSL 186, 0.05%, 0.61%

LAB 64.82, -3, -1.64

 

CMYK 0 / 6 / 3 / 37

HEX #A0969B

RGB 160 150 155

HSL 330, 0.05%, 0.61%

LAB 63.05, 4.6, -1.31

 

CMYK 6 / 0 / 6 / 37

HEX #98A197

RGB 152 161 151

HSL 114, 0.05%, 0.61%

LAB 65.28, -5.13, 4.09

 

CMYK 6 / 6 / 0 / 37

HEX #9697A0

RGB 150 151 160

HSL 234, 0.05%, 0.61%

LAB 62.64, 1.43, -4.84

 

CMYK 0 / 6 / 6 / 37

HEX #A09697

RGB 160 150 151

HSL 354, 0.05%, 0.61%

LAB 62.94, 3.86, 0.79

 

CMYK 6 / 0 / 6 / 37

HEX #98A197

RGB 152 161 151

HSL 114, 0.05%, 0.61%

LAB 65.28, -5.13, 4.09

 

CMYK 6 / 1 / 0 / 37

HEX #969FA0

RGB 150 159 160

HSL 186, 0.05%, 0.61%

LAB 64.82, -3, -1.64

 

CMYK 1 / 6 / 0 / 37

HEX #9F96A0

RGB 159 150 160

HSL 294, 0.05%, 0.61%

LAB 63.11, 5.19, -4.06

 

CMYK 0 / 6 / 6 / 37

HEX #A09796

RGB 160 151 150

HSL 6, 0.05%, 0.61%

LAB 63.18, 3.12, 1.7

 

CMYK 6 / 0 / 6 / 37

HEX #98A197

RGB 152 161 151

HSL 114, 0.05%, 0.61%

LAB 65.28, -5.13, 4.09

 

CMYK 6 / 2 / 0 / 37

HEX #969CA0

RGB 150 156 160

HSL 204, 0.05%, 0.61%

LAB 64, -1.34, -2.84

 

CMYK 1 / 6 / 0 / 37

HEX #9F96A0

RGB 159 150 160

HSL 294, 0.05%, 0.61%

LAB 63.11, 5.19, -4.06

 

CMYK 0 / 4 / 6 / 37

HEX #A09A96

RGB 160 154 150

HSL 24, 0.05%, 0.61%

LAB 63.99, 1.45, 2.87

 

Description

Color code: RGB 152 161 151 | qconv.com Color code: RGB 152 161 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 161 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 161 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 6 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 6% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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