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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 160 96 it is the complementary color RGB 103 95 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 160 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 152 160 96: RGB 157 160 91, RGB 174 178 110, RGB 191 196 129, RGB 208 214 148 and RGB 225 232 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 160 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 152 160 96: RGB 152 160 96, RGB 135 142 77, RGB 118 124 58, RGB 101 106 39 and RGB 84 88 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 40 / 37

HEX #98A060

RGB 152 160 96

HSL 67.5, 0.25%, 0.5%

LAB 63.89, -13.11, 32.38

 

Complementary color

CMYK 35 / 40 / 0 / 38

HEX #675F9F

RGB 103 95 159

HSL 247.5, 0.25%, 0.5%

LAB 43.61, 18.81, -33.68

 

CMYK 2 / 0 / 43 / 37

HEX #9DA05B

RGB 157 160 91

HSL 62.61, 0.27%, 0.49%

LAB 64.21, -11.62, 35.5

 

CMYK 2 / 0 / 38 / 30

HEX #AEB26E

RGB 174 178 110

HSL 63.53, 0.31%, 0.56%

LAB 70.85, -11.94, 34.28

 

CMYK 3 / 0 / 34 / 23

HEX #BFC481

RGB 191 196 129

HSL 64.48, 0.36%, 0.64%

LAB 77.37, -12.2, 33.11

 

CMYK 3 / 0 / 31 / 16

HEX #D0D694

RGB 208 214 148

HSL 65.45, 0.45%, 0.71%

LAB 83.78, -12.41, 31.99

 

CMYK 3 / 0 / 28 / 9

HEX #E1E8A7

RGB 225 232 167

HSL 66.46, 0.59%, 0.78%

LAB 90.1, -12.58, 30.92

 

CMYK 5 / 0 / 40 / 37

HEX #98A060

RGB 152 160 96

HSL 67.5, 0.25%, 0.5%

LAB 63.89, -13.11, 32.38

 

CMYK 5 / 0 / 46 / 44

HEX #878E4D

RGB 135 142 77

HSL 66.46, 0.3%, 0.43%

LAB 57.11, -12.83, 33.62

 

CMYK 5 / 0 / 53 / 51

HEX #767C3A

RGB 118 124 58

HSL 65.45, 0.36%, 0.36%

LAB 50.18, -12.44, 34.86

 

CMYK 5 / 0 / 63 / 58

HEX #656A27

RGB 101 106 39

HSL 64.48, 0.46%, 0.28%

LAB 43.09, -11.89, 35.97

 

CMYK 5 / 0 / 77 / 65

HEX #545814

RGB 84 88 20

HSL 63.53, 0.63%, 0.21%

LAB 35.82, -11.1, 36.58

 

CMYK 5 / 0 / 40 / 37

HEX #98A060

RGB 152 160 96

HSL 67.5, 0.25%, 0.5%

LAB 63.89, -13.11, 32.38

 

CMYK 11 / 0 / 40 / 38

HEX #8D9F5F

RGB 141 159 95

HSL 76.88, 0.25%, 0.5%

LAB 62.75, -17.17, 31.29

 

CMYK 18 / 0 / 40 / 38

HEX #829F5F

RGB 130 159 95

HSL 87.19, 0.25%, 0.5%

LAB 61.97, -21.51, 30.14

 

CMYK 25 / 0 / 40 / 38

HEX #789F5F

RGB 120 159 95

HSL 96.56, 0.25%, 0.5%

LAB 61.32, -25.31, 29.17

 

CMYK 31 / 0 / 40 / 38

HEX #6D9F5F

RGB 109 159 95

HSL 106.88, 0.25%, 0.5%

LAB 60.67, -29.31, 28.2

 

CMYK 5 / 0 / 40 / 37

HEX #98A060

RGB 152 160 96

HSL 67.5, 0.25%, 0.5%

LAB 63.89, -13.11, 32.38

 

CMYK 5 / 0 / 40 / 17

HEX #C8D37F

RGB 200 211 127

HSL 67.86, 0.49%, 0.66%

LAB 82.06, -16.5, 40.3

 

CMYK 0 / 0 / 43 / 97

HEX #070704

RGB 7 7 4

HSL 60, 0.27%, 0.02%

LAB 1.86, -0.42, 1.14

 

CMYK 5 / 0 / 40 / 77

HEX #373A23

RGB 55 58 35

HSL 67.83, 0.25%, 0.18%

LAB 23.54, -5.8, 13.9

 

CMYK 5 / 0 / 40 / 57

HEX #686D41

RGB 104 109 65

HSL 66.82, 0.25%, 0.34%

LAB 44.61, -9.49, 23.94

 

CMYK 5 / 0 / 40 / 37

HEX #98A060

RGB 152 160 96

HSL 67.5, 0.25%, 0.5%

LAB 63.89, -13.11, 32.38

 

CMYK 40 / 0 / 28 / 38

HEX #5F9F73

RGB 95 159 115

HSL 138.75, 0.25%, 0.5%

LAB 60.31, -30.47, 16.66

 

CMYK 11 / 40 / 0 / 38

HEX #8D5F9F

RGB 141 95 159

HSL 283.13, 0.25%, 0.5%

LAB 47.43, 30.46, -27.42

 

CMYK 5 / 0 / 40 / 37

HEX #98A060

RGB 152 160 96

HSL 67.5, 0.25%, 0.5%

LAB 63.89, -13.11, 32.38

 

CMYK 40 / 5 / 0 / 38

HEX #5F979F

RGB 95 151 159

HSL 187.5, 0.25%, 0.5%

LAB 59.04, -16.24, -10.02

 

CMYK 0 / 40 / 5 / 38

HEX #9F5F97

RGB 159 95 151

HSL 307.5, 0.25%, 0.5%

LAB 49.24, 34.72, -19.72

 

CMYK 5 / 0 / 40 / 37

HEX #98A060

RGB 152 160 96

HSL 67.5, 0.25%, 0.5%

LAB 63.89, -13.11, 32.38

 

CMYK 40 / 0 / 28 / 38

HEX #5F9F73

RGB 95 159 115

HSL 138.75, 0.25%, 0.5%

LAB 60.31, -30.47, 16.66

 

CMYK 35 / 40 / 0 / 38

HEX #675F9F

RGB 103 95 159

HSL 247.5, 0.25%, 0.5%

LAB 43.61, 18.81, -33.68

 

CMYK 0 / 40 / 13 / 38

HEX #9F5F8B

RGB 159 95 139

HSL 318.75, 0.25%, 0.5%

LAB 48.78, 32.56, -13.29

 

CMYK 5 / 0 / 40 / 37

HEX #98A060

RGB 152 160 96

HSL 67.5, 0.25%, 0.5%

LAB 63.89, -13.11, 32.38

 

CMYK 40 / 0 / 16 / 38

HEX #5F9F86

RGB 95 159 134

HSL 156.56, 0.25%, 0.5%

LAB 60.74, -26.49, 6.64

 

CMYK 35 / 40 / 0 / 38

HEX #675F9F

RGB 103 95 159

HSL 247.5, 0.25%, 0.5%

LAB 43.61, 18.81, -33.68

 

CMYK 0 / 40 / 25 / 38

HEX #9F5F78

RGB 159 95 120

HSL 336.56, 0.25%, 0.5%

LAB 48.15, 29.47, -2.87

 

Description

Color code: RGB 152 160 96 | qconv.com Color code: RGB 152 160 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 160 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 160 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 40 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 40% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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