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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 118 94 it is the complementary color RGB 103 137 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 118 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 152 118 94: RGB 157 118 89, RGB 174 136 108, RGB 191 154 127, RGB 208 172 146 and RGB 225 190 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 118 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 152 118 94: RGB 152 118 94, RGB 135 100 75, RGB 118 82 56, RGB 101 64 37 and RGB 84 46 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 38 / 40

HEX #98765E

RGB 152 118 94

HSL 24.83, 0.24%, 0.48%

LAB 52.33, 9.87, 18.32

 

Complementary color

CMYK 36 / 15 / 0 / 37

HEX #6789A1

RGB 103 137 161

HSL 204.83, 0.24%, 0.52%

LAB 55.43, -5.75, -16.56

 

CMYK 0 / 25 / 43 / 38

HEX #9D7659

RGB 157 118 89

HSL 25.59, 0.28%, 0.48%

LAB 52.78, 11.39, 21.89

 

CMYK 0 / 22 / 38 / 32

HEX #AE886C

RGB 174 136 108

HSL 25.45, 0.29%, 0.55%

LAB 59.61, 10.58, 20.58

 

CMYK 0 / 19 / 34 / 25

HEX #BF9A7F

RGB 191 154 127

HSL 25.31, 0.33%, 0.62%

LAB 66.31, 9.9, 19.39

 

CMYK 0 / 17 / 30 / 18

HEX #D0AC92

RGB 208 172 146

HSL 25.16, 0.4%, 0.69%

LAB 72.89, 9.3, 18.29

 

CMYK 0 / 16 / 27 / 12

HEX #E1BEA5

RGB 225 190 165

HSL 25, 0.5%, 0.76%

LAB 79.36, 8.78, 17.27

 

CMYK 0 / 22 / 38 / 40

HEX #98765E

RGB 152 118 94

HSL 24.83, 0.24%, 0.48%

LAB 52.33, 9.87, 18.32

 

CMYK 0 / 26 / 44 / 47

HEX #87644B

RGB 135 100 75

HSL 25, 0.29%, 0.41%

LAB 45.32, 10.71, 19.67

 

CMYK 0 / 31 / 53 / 54

HEX #765238

RGB 118 82 56

HSL 25.16, 0.36%, 0.34%

LAB 38.15, 11.75, 21.2

 

CMYK 0 / 37 / 63 / 60

HEX #654025

RGB 101 64 37

HSL 25.31, 0.46%, 0.27%

LAB 30.8, 13.06, 22.94

 

CMYK 0 / 45 / 79 / 67

HEX #542E12

RGB 84 46 18

HSL 25.45, 0.65%, 0.2%

LAB 23.28, 14.77, 24.86

 

CMYK 0 / 22 / 38 / 40

HEX #98765E

RGB 152 118 94

HSL 24.83, 0.24%, 0.48%

LAB 52.33, 9.87, 18.32

 

CMYK 0 / 17 / 38 / 41

HEX #977E5D

RGB 151 126 93

HSL 34.14, 0.24%, 0.48%

LAB 54.33, 4.75, 21.57

 

CMYK 0 / 10 / 38 / 41

HEX #97885D

RGB 151 136 93

HSL 44.48, 0.24%, 0.48%

LAB 57.05, -0.88, 25.16

 

CMYK 0 / 4 / 38 / 41

HEX #97915D

RGB 151 145 93

HSL 53.79, 0.24%, 0.48%

LAB 59.54, -5.85, 28.41

 

CMYK 3 / 0 / 38 / 41

HEX #93975D

RGB 147 151 93

HSL 64.14, 0.24%, 0.48%

LAB 60.89, -10.76, 30.08

 

CMYK 0 / 22 / 38 / 40

HEX #98765E

RGB 152 118 94

HSL 24.83, 0.24%, 0.48%

LAB 52.33, 9.87, 18.32

 

CMYK 0 / 22 / 38 / 20

HEX #CB9E7E

RGB 203 158 126

HSL 24.94, 0.43%, 0.65%

LAB 68.5, 12.39, 23.13

 

CMYK 0 / 22 / 38 / 0

HEX #FEC59D

RGB 254 197 157

HSL 24.74, 0.98%, 0.81%

LAB 83.67, 15.2, 27.88

 

CMYK 0 / 22 / 38 / 80

HEX #32271F

RGB 50 39 31

HSL 25.26, 0.23%, 0.16%

LAB 16.64, 3.68, 7.23

 

CMYK 0 / 23 / 39 / 60

HEX #654E3E

RGB 101 78 62

HSL 24.62, 0.24%, 0.32%

LAB 35.13, 7.18, 13.17

 

CMYK 0 / 22 / 38 / 40

HEX #98765E

RGB 152 118 94

HSL 24.83, 0.24%, 0.48%

LAB 52.33, 9.87, 18.32

 

CMYK 23 / 0 / 38 / 41

HEX #74975D

RGB 116 151 93

HSL 96.21, 0.24%, 0.48%

LAB 58.64, -23.1, 26.71

 

CMYK 38 / 38 / 0 / 41

HEX #5D5D97

RGB 93 93 151

HSL 240, 0.24%, 0.48%

LAB 41.83, 14.88, -31.77

 

CMYK 0 / 22 / 38 / 40

HEX #98765E

RGB 152 118 94

HSL 24.83, 0.24%, 0.48%

LAB 52.33, 9.87, 18.32

 

CMYK 38 / 0 / 23 / 41

HEX #5D9774

RGB 93 151 116

HSL 143.79, 0.24%, 0.48%

LAB 57.77, -27, 12.56

 

CMYK 23 / 38 / 0 / 41

HEX #745D97

RGB 116 93 151

HSL 263.79, 0.24%, 0.48%

LAB 43.91, 21.83, -28.36

 

CMYK 0 / 22 / 38 / 40

HEX #98765E

RGB 152 118 94

HSL 24.83, 0.24%, 0.48%

LAB 52.33, 9.87, 18.32

 

CMYK 23 / 0 / 38 / 41

HEX #74975D

RGB 116 151 93

HSL 96.21, 0.24%, 0.48%

LAB 58.64, -23.1, 26.71

 

CMYK 38 / 15 / 0 / 41

HEX #5D8097

RGB 93 128 151

HSL 203.79, 0.24%, 0.48%

LAB 51.84, -6.23, -16.29

 

CMYK 15 / 38 / 0 / 41

HEX #805D97

RGB 128 93 151

HSL 276.21, 0.24%, 0.48%

LAB 45.15, 25.66, -26.33

 

CMYK 0 / 22 / 38 / 40

HEX #98765E

RGB 152 118 94

HSL 24.83, 0.24%, 0.48%

LAB 52.33, 9.87, 18.32

 

CMYK 35 / 0 / 38 / 41

HEX #62975D

RGB 98 151 93

HSL 114.83, 0.24%, 0.48%

LAB 57.58, -29.6, 25.13

 

CMYK 38 / 15 / 0 / 41

HEX #5D8097

RGB 93 128 151

HSL 203.79, 0.24%, 0.48%

LAB 51.84, -6.23, -16.29

 

CMYK 4 / 38 / 0 / 41

HEX #915D97

RGB 145 93 151

HSL 293.79, 0.24%, 0.48%

LAB 47.08, 31.21, -23.18

 

Description

Color code: RGB 152 118 94 | qconv.com Color code: RGB 152 118 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 118 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 118 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 38 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 38% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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