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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 85 63 it is the complementary color RGB 104 170 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 85 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 151 85 63: RGB 156 85 58, RGB 173 103 77, RGB 190 121 96, RGB 207 139 115 and RGB 224 157 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 85 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 151 85 63: RGB 151 85 63, RGB 134 67 44, RGB 117 49 25, RGB 100 31 6 and RGB 83 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 58 / 41

HEX #97553F

RGB 151 85 63

HSL 15, 0.41%, 0.42%

LAB 43.41, 25.12, 24.65

 

Complementary color

CMYK 46 / 11 / 0 / 25

HEX #68AAC0

RGB 104 170 192

HSL 195, 0.41%, 0.58%

LAB 66.13, -15.12, -17.82

 

CMYK 0 / 46 / 63 / 39

HEX #9C553A

RGB 156 85 58

HSL 16.53, 0.46%, 0.42%

LAB 44.05, 26.83, 28.51

 

CMYK 0 / 40 / 55 / 32

HEX #AD674D

RGB 173 103 77

HSL 16.25, 0.38%, 0.49%

LAB 50.83, 25.43, 26.59

 

CMYK 0 / 36 / 49 / 25

HEX #BE7960

RGB 190 121 96

HSL 15.96, 0.42%, 0.56%

LAB 57.53, 24.2, 24.89

 

CMYK 0 / 33 / 44 / 19

HEX #CF8B73

RGB 207 139 115

HSL 15.65, 0.49%, 0.63%

LAB 64.14, 23.12, 23.39

 

CMYK 0 / 30 / 40 / 12

HEX #E09D86

RGB 224 157 134

HSL 15.33, 0.59%, 0.7%

LAB 70.65, 22.17, 22.04

 

CMYK 0 / 44 / 58 / 41

HEX #97553F

RGB 151 85 63

HSL 15, 0.41%, 0.42%

LAB 43.41, 25.12, 24.65

 

CMYK 0 / 50 / 67 / 47

HEX #86432C

RGB 134 67 44

HSL 15.33, 0.51%, 0.35%

LAB 36.49, 26.62, 26.77

 

CMYK 0 / 58 / 79 / 54

HEX #753119

RGB 117 49 25

HSL 15.65, 0.65%, 0.28%

LAB 29.54, 28.28, 29.18

 

CMYK 0 / 69 / 94 / 61

HEX #641F06

RGB 100 31 6

HSL 15.96, 0.89%, 0.21%

LAB 22.66, 29.96, 30.74

 

CMYK 0 / 84 / 100 / 67

HEX #530D00

RGB 83 13 0

HSL 9.4, 1%, 0.16%

LAB 16.14, 31.1, 24.75

 

CMYK 0 / 44 / 58 / 41

HEX #97553F

RGB 151 85 63

HSL 15, 0.41%, 0.42%

LAB 43.41, 25.12, 24.65

 

CMYK 0 / 34 / 58 / 41

HEX #97633F

RGB 151 99 63

HSL 24.55, 0.41%, 0.42%

LAB 46.79, 17.12, 28.88

 

CMYK 0 / 25 / 58 / 41

HEX #97723F

RGB 151 114 63

HSL 34.77, 0.41%, 0.42%

LAB 50.66, 8.48, 33.57

 

CMYK 0 / 15 / 58 / 41

HEX #97813F

RGB 151 129 63

HSL 45, 0.41%, 0.42%

LAB 54.7, -0.04, 38.34

 

CMYK 0 / 5 / 58 / 41

HEX #978F3F

RGB 151 143 63

HSL 54.55, 0.41%, 0.42%

LAB 58.59, -7.75, 42.8

 

CMYK 0 / 44 / 58 / 41

HEX #97553F

RGB 151 85 63

HSL 15, 0.41%, 0.42%

LAB 43.41, 25.12, 24.65

 

CMYK 0 / 44 / 58 / 21

HEX #CA7254

RGB 202 114 84

HSL 15.25, 0.53%, 0.56%

LAB 57.3, 31.8, 31.64

 

CMYK 0 / 44 / 58 / 1

HEX #FD8E6A

RGB 253 142 106

HSL 14.69, 0.97%, 0.7%

LAB 70.36, 38.72, 37.5

 

CMYK 0 / 43 / 59 / 81

HEX #311C14

RGB 49 28 20

HSL 16.55, 0.42%, 0.14%

LAB 12.82, 9.24, 9.77

 

CMYK 0 / 44 / 58 / 61

HEX #64382A

RGB 100 56 42

HSL 14.48, 0.41%, 0.28%

LAB 28.66, 17.97, 17.14

 

CMYK 0 / 44 / 58 / 41

HEX #97553F

RGB 151 85 63

HSL 15, 0.41%, 0.42%

LAB 43.41, 25.12, 24.65

 

CMYK 26 / 0 / 58 / 41

HEX #6F973F

RGB 111 151 63

HSL 87.27, 0.41%, 0.42%

LAB 57.91, -28.73, 41.23

 

CMYK 58 / 50 / 0 / 41

HEX #3F4C97

RGB 63 76 151

HSL 231.14, 0.41%, 0.42%

LAB 34.92, 18.27, -42.88

 

CMYK 0 / 44 / 58 / 41

HEX #97553F

RGB 151 85 63

HSL 15, 0.41%, 0.42%

LAB 43.41, 25.12, 24.65

 

CMYK 58 / 0 / 44 / 41

HEX #3F9755

RGB 63 151 85

HSL 135, 0.41%, 0.42%

LAB 55.93, -41.33, 27.03

 

CMYK 44 / 58 / 0 / 41

HEX #553F97

RGB 85 63 151

HSL 255, 0.41%, 0.42%

LAB 33.39, 31.56, -45.24

 

CMYK 0 / 44 / 58 / 41

HEX #97553F

RGB 151 85 63

HSL 15, 0.41%, 0.42%

LAB 43.41, 25.12, 24.65

 

CMYK 26 / 0 / 58 / 41

HEX #6F973F

RGB 111 151 63

HSL 87.27, 0.41%, 0.42%

LAB 57.91, -28.73, 41.23

 

CMYK 58 / 15 / 0 / 41

HEX #3F8197

RGB 63 129 151

HSL 195, 0.41%, 0.42%

LAB 50.68, -14.31, -18.19

 

CMYK 32 / 58 / 0 / 41

HEX #663F97

RGB 102 63 151

HSL 266.59, 0.41%, 0.42%

LAB 35.23, 35.75, -42.19

 

CMYK 0 / 44 / 58 / 41

HEX #97553F

RGB 151 85 63

HSL 15, 0.41%, 0.42%

LAB 43.41, 25.12, 24.65

 

CMYK 44 / 0 / 58 / 41

HEX #55973F

RGB 85 151 63

HSL 105, 0.41%, 0.42%

LAB 56.51, -38.14, 39.24

 

CMYK 58 / 15 / 0 / 41

HEX #3F8197

RGB 63 129 151

HSL 195, 0.41%, 0.42%

LAB 50.68, -14.31, -18.19

 

CMYK 15 / 58 / 0 / 41

HEX #813F97

RGB 129 63 151

HSL 285, 0.41%, 0.42%

LAB 38.65, 42.89, -36.54

 

Description

Color code: RGB 151 85 63 | qconv.com Color code: RGB 151 85 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 85 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 85 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 58 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 58% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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