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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 232 21 it is the complementary color RGB 104 23 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 232 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 232 21 shade: RGB 156 232 16, RGB 173 250 35, RGB 190 255 54, RGB 207 255 73 and RGB 224 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 232 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 232 21 shade: RGB 151 232 21, RGB 134 214 2, RGB 117 196 0, RGB 100 178 0 and RGB 83 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 232 21 shade: RGB 152 233 21, RGB 209 233 21, RGB 233 200 21, RGB 233 143 21 and RGB 233 86 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 232 21 shade: RGB 152 233 21, RGB 95 233 21, RGB 37 233 21, RGB 21 233 62 and RGB 21 233 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 232 21 shade matches the following richer shades: RGB 152 233 21 and RGB 156 253 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 232 21 shade: RGB 152 233 21, RGB 147 212 42, RGB 142 192 62, RGB 137 171 83 and RGB 132 150 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 232 21 shade: RGB 233 201 21, RGB 208 233 21, RGB 152 233 21, RGB 95 233 21 and RGB 39 233 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 232 21 shade: RGB 102 157 14, RGB 127 195 18, RGB 152 233 21, RGB 168 236 59 and RGB 185 240 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 232 21 shade: RGB 151 232 21, RGB 21 233 145 and RGB 229 21 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 232 21 shade: RGB 151 232 21, RGB 21 152 233 and RGB 233 21 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 232 21 shade: RGB 151 232 21, RGB 21 233 145, RGB 102 21 233 and RGB 233 21 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 232 21 shade: RGB 151 232 21, RGB 21 233 208, RGB 102 21 233 and RGB 233 21 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 91 / 9

HEX #97E815

RGB 151 232 21

HSL 83.03, 0.83%, 0.5%

LAB 84.15, -51.57, 79.72

 

Complementary color

CMYK 56 / 90 / 0 / 8

HEX #6817EA

RGB 104 23 234

HSL 263.03, 0.83%, 0.5%

LAB 36.92, 73.51, -88.15

 

CMYK 33 / 0 / 93 / 9

HEX #9CE810

RGB 156 232 16

HSL 81.11, 0.87%, 0.49%

LAB 84.39, -49.89, 80.64

 

CMYK 31 / 0 / 86 / 2

HEX #ADFA23

RGB 173 250 35

HSL 81.49, 0.96%, 0.56%

LAB 90.49, -50.82, 83.15

 

CMYK 25 / 0 / 79 / 0

HEX #BEFF36

RGB 190 255 54

HSL 79.4, 1%, 0.61%

LAB 92.9, -46.12, 81.3

 

CMYK 19 / 0 / 71 / 0

HEX #CFFF49

RGB 207 255 73

HSL 75.82, 1%, 0.64%

LAB 94, -38.88, 77

 

CMYK 12 / 0 / 64 / 0

HEX #E0FF5C

RGB 224 255 92

HSL 71.41, 1%, 0.68%

LAB 95.22, -31.26, 71.74

 

CMYK 35 / 0 / 91 / 9

HEX #97E815

RGB 151 232 21

HSL 83.03, 0.83%, 0.5%

LAB 84.15, -51.57, 79.72

 

CMYK 37 / 0 / 99 / 16

HEX #86D602

RGB 134 214 2

HSL 82.64, 0.98%, 0.42%

LAB 77.97, -50.51, 76.43

 

CMYK 40 / 0 / 100 / 23

HEX #75C400

RGB 117 196 0

HSL 84.18, 1%, 0.38%

LAB 71.73, -49.16, 71.44

 

CMYK 44 / 0 / 100 / 30

HEX #64B200

RGB 100 178 0

HSL 86.29, 1%, 0.35%

LAB 65.4, -47.74, 66.17

 

CMYK 48 / 0 / 100 / 37

HEX #53A000

RGB 83 160 0

HSL 88.88, 1%, 0.31%

LAB 58.96, -46.22, 60.83

 

CMYK 35 / 0 / 91 / 9

HEX #98E915

RGB 152 233 21

HSL 82.92, 0.83%, 0.5%

LAB 84.49, -51.62, 80.02

 

CMYK 10 / 0 / 91 / 9

HEX #D1E915

RGB 209 233 21

HSL 66.79, 0.83%, 0.5%

LAB 87.91, -29.82, 84.2

 

CMYK 0 / 14 / 91 / 9

HEX #E9C815

RGB 233 200 21

HSL 50.66, 0.83%, 0.5%

LAB 81.12, -3.5, 79.78

 

CMYK 0 / 39 / 91 / 9

HEX #E98F15

RGB 233 143 21

HSL 34.53, 0.83%, 0.5%

LAB 67.29, 26.48, 69.41

 

CMYK 0 / 63 / 91 / 9

HEX #E95615

RGB 233 86 21

HSL 18.4, 0.83%, 0.5%

LAB 56.12, 54.44, 61.4

 

CMYK 35 / 0 / 91 / 9

HEX #98E915

RGB 152 233 21

HSL 82.92, 0.83%, 0.5%

LAB 84.49, -51.62, 80.02

 

CMYK 59 / 0 / 91 / 9

HEX #5FE915

RGB 95 233 21

HSL 99.06, 0.83%, 0.5%

LAB 82.25, -68.59, 77.26

 

CMYK 84 / 0 / 91 / 9

HEX #25E915

RGB 37 233 21

HSL 115.47, 0.83%, 0.5%

LAB 81.14, -78.14, 75.88

 

CMYK 91 / 0 / 73 / 9

HEX #15E93E

RGB 21 233 62

HSL 131.6, 0.83%, 0.5%

LAB 81.17, -77.22, 65.86

 

CMYK 91 / 0 / 49 / 9

HEX #15E977

RGB 21 233 119

HSL 147.74, 0.83%, 0.5%

LAB 81.71, -70.54, 42.41

 

CMYK 35 / 0 / 91 / 9

HEX #98E915

RGB 152 233 21

HSL 82.92, 0.83%, 0.5%

LAB 84.49, -51.62, 80.02

 

CMYK 38 / 0 / 100 / 1

HEX #9CFD01

RGB 156 253 1

HSL 83.1, 0.99%, 0.5%

LAB 90.47, -58.43, 86.68

 

CMYK 35 / 0 / 91 / 9

HEX #98E915

RGB 152 233 21

HSL 82.92, 0.83%, 0.5%

LAB 84.49, -51.62, 80.02

 

CMYK 31 / 0 / 80 / 17

HEX #93D42A

RGB 147 212 42

HSL 82.94, 0.67%, 0.5%

LAB 78.14, -44.05, 70.28

 

CMYK 26 / 0 / 68 / 25

HEX #8EC03E

RGB 142 192 62

HSL 83.08, 0.51%, 0.5%

LAB 72.09, -36, 57.67

 

CMYK 20 / 0 / 51 / 33

HEX #89AB53

RGB 137 171 83

HSL 83.18, 0.35%, 0.5%

LAB 65.8, -26.2, 41.16

 

CMYK 12 / 0 / 31 / 41

HEX #849668

RGB 132 150 104

HSL 83.48, 0.18%, 0.5%

LAB 59.63, -14.78, 22.21

 

CMYK 0 / 14 / 91 / 9

HEX #E9C915

RGB 233 201 21

HSL 50.94, 0.83%, 0.5%

LAB 81.37, -4.01, 79.97

 

CMYK 11 / 0 / 91 / 9

HEX #D0E915

RGB 208 233 21

HSL 67.08, 0.83%, 0.5%

LAB 87.84, -30.23, 84.11

 

CMYK 35 / 0 / 91 / 9

HEX #98E915

RGB 152 233 21

HSL 82.92, 0.83%, 0.5%

LAB 84.49, -51.62, 80.02

 

CMYK 59 / 0 / 91 / 9

HEX #5FE915

RGB 95 233 21

HSL 99.06, 0.83%, 0.5%

LAB 82.25, -68.59, 77.26

 

CMYK 83 / 0 / 91 / 9

HEX #27E915

RGB 39 233 21

HSL 114.91, 0.83%, 0.5%

LAB 81.16, -77.95, 75.91

 

CMYK 35 / 0 / 91 / 38

HEX #669D0E

RGB 102 157 14

HSL 83.08, 0.84%, 0.34%

LAB 58.95, -37.97, 59.1

 

CMYK 35 / 0 / 91 / 24

HEX #7FC312

RGB 127 195 18

HSL 83.05, 0.83%, 0.42%

LAB 71.95, -44.92, 69.69

 

CMYK 35 / 0 / 91 / 9

HEX #98E915

RGB 152 233 21

HSL 82.92, 0.83%, 0.5%

LAB 84.49, -51.62, 80.02

 

CMYK 29 / 0 / 75 / 7

HEX #A8EC3B

RGB 168 236 59

HSL 83.05, 0.82%, 0.58%

LAB 86.32, -45.84, 73.33

 

CMYK 23 / 0 / 60 / 6

HEX #B9F061

RGB 185 240 97

HSL 83.08, 0.83%, 0.66%

LAB 88.68, -38.84, 61.93

 

CMYK 35 / 0 / 91 / 9

HEX #97E815

RGB 151 232 21

HSL 83.03, 0.83%, 0.5%

LAB 84.15, -51.57, 79.72

 

CMYK 91 / 0 / 38 / 9

HEX #15E991

RGB 21 233 145

HSL 155.09, 0.83%, 0.5%

LAB 82.1, -65.97, 30.02

 

CMYK 2 / 91 / 0 / 9

HEX #E515E9

RGB 229 21 233

HSL 298.87, 0.83%, 0.5%

LAB 55.15, 89.51, -57.08

 

CMYK 35 / 0 / 91 / 9

HEX #97E815

RGB 151 232 21

HSL 83.03, 0.83%, 0.5%

LAB 84.15, -51.57, 79.72

 

CMYK 91 / 35 / 0 / 9

HEX #1598E9

RGB 21 152 233

HSL 202.92, 0.83%, 0.5%

LAB 60.34, -3.45, -49.76

 

CMYK 0 / 91 / 35 / 9

HEX #E91598

RGB 233 21 152

HSL 322.92, 0.83%, 0.5%

LAB 51.98, 80.23, -15.08

 

CMYK 35 / 0 / 91 / 9

HEX #97E815

RGB 151 232 21

HSL 83.03, 0.83%, 0.5%

LAB 84.15, -51.57, 79.72

 

CMYK 91 / 0 / 38 / 9

HEX #15E991

RGB 21 233 145

HSL 155.09, 0.83%, 0.5%

LAB 82.1, -65.97, 30.02

 

CMYK 56 / 91 / 0 / 9

HEX #6615E9

RGB 102 21 233

HSL 262.92, 0.83%, 0.5%

LAB 36.45, 73.56, -88.37

 

CMYK 0 / 91 / 53 / 9

HEX #E9156D

RGB 233 21 109

HSL 335.09, 0.83%, 0.5%

LAB 50.65, 76.61, 8.93

 

CMYK 35 / 0 / 91 / 9

HEX #97E815

RGB 151 232 21

HSL 83.03, 0.83%, 0.5%

LAB 84.15, -51.57, 79.72

 

CMYK 91 / 0 / 11 / 9

HEX #15E9D0

RGB 21 233 208

HSL 172.92, 0.83%, 0.5%

LAB 83.44, -51.33, -0.91

 

CMYK 56 / 91 / 0 / 9

HEX #6615E9

RGB 102 21 233

HSL 262.92, 0.83%, 0.5%

LAB 36.45, 73.56, -88.37

 

CMYK 0 / 91 / 80 / 9

HEX #E9152E

RGB 233 21 46

HSL 352.92, 0.83%, 0.5%

LAB 49.57, 73.59, 45.15

 

Description

Color code: RGB 151 232 21 | qconv.com Color code: RGB 151 232 21 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 232 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 232 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 91% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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