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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 159 149 it is the complementary color RGB 104 96 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 159 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 151 159 149: RGB 156 159 144, RGB 173 177 163, RGB 190 195 182, RGB 207 213 201 and RGB 224 231 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 159 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 151 159 149: RGB 151 159 149, RGB 134 141 130, RGB 117 123 111, RGB 100 105 92 and RGB 83 87 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 6 / 38

HEX #979F95

RGB 151 159 149

HSL 108, 0.05%, 0.6%

LAB 64.6, -4.78, 4.22

 

Complementary color

CMYK 2 / 9 / 0 / 58

HEX #68606A

RGB 104 96 106

HSL 288, 0.05%, 0.4%

LAB 41.77, 5.23, -4.52

 

CMYK 2 / 0 / 9 / 38

HEX #9C9F90

RGB 156 159 144

HSL 72, 0.07%, 0.59%

LAB 64.87, -3.86, 7.45

 

CMYK 2 / 0 / 8 / 31

HEX #ADB1A3

RGB 173 177 163

HSL 77.14, 0.08%, 0.67%

LAB 71.54, -3.98, 6.67

 

CMYK 3 / 0 / 7 / 24

HEX #BEC3B6

RGB 190 195 182

HSL 83.08, 0.1%, 0.74%

LAB 78.08, -4.09, 5.92

 

CMYK 3 / 0 / 6 / 16

HEX #CFD5C9

RGB 207 213 201

HSL 90, 0.13%, 0.81%

LAB 84.52, -4.19, 5.21

 

CMYK 3 / 0 / 5 / 9

HEX #E0E7DC

RGB 224 231 220

HSL 98.18, 0.19%, 0.88%

LAB 90.86, -4.3, 4.53

 

CMYK 5 / 0 / 6 / 38

HEX #979F95

RGB 151 159 149

HSL 108, 0.05%, 0.6%

LAB 64.6, -4.78, 4.22

 

CMYK 5 / 0 / 8 / 45

HEX #868D82

RGB 134 141 130

HSL 98.18, 0.05%, 0.53%

LAB 57.78, -4.71, 4.98

 

CMYK 5 / 0 / 10 / 52

HEX #757B6F

RGB 117 123 111

HSL 90, 0.05%, 0.46%

LAB 50.8, -4.63, 5.78

 

CMYK 5 / 0 / 12 / 59

HEX #64695C

RGB 100 105 92

HSL 83.08, 0.07%, 0.39%

LAB 43.63, -4.55, 6.65

SW® 6187

CMYK 5 / 0 / 16 / 66

HEX #535749

RGB 83 87 73

HSL 77.14, 0.09%, 0.31%

LAB 36.25, -4.46, 7.6

 

CMYK 5 / 0 / 6 / 38

HEX #979F95

RGB 151 159 149

HSL 108, 0.05%, 0.6%

LAB 64.6, -4.78, 4.22

 

CMYK 6 / 0 / 7 / 38

HEX #949E93

RGB 148 158 147

HSL 114.55, 0.05%, 0.6%

LAB 64.04, -5.7, 4.51

 

CMYK 7 / 0 / 6 / 38

HEX #939E95

RGB 147 158 149

HSL 130.91, 0.05%, 0.6%

LAB 64.02, -5.68, 3.35

 

CMYK 7 / 0 / 5 / 38

HEX #939E96

RGB 147 158 150

HSL 136.36, 0.05%, 0.6%

LAB 64.05, -5.49, 2.82

 

CMYK 7 / 0 / 4 / 38

HEX #939E98

RGB 147 158 152

HSL 147.27, 0.05%, 0.6%

LAB 64.1, -5.1, 1.78

 

CMYK 5 / 0 / 6 / 38

HEX #979F95

RGB 151 159 149

HSL 108, 0.05%, 0.6%

LAB 64.6, -4.78, 4.22

 

CMYK 5 / 0 / 6 / 18

HEX #C7D2C5

RGB 199 210 197

HSL 110.77, 0.13%, 0.8%

LAB 83.05, -6.11, 5.14

 

CMYK 0 / 0 / 0 / 98

HEX #060606

RGB 6 6 6

HSL 0, 0%, 0.02%

LAB 1.65, 0, -0

 

CMYK 5 / 0 / 7 / 78

HEX #363935

RGB 54 57 53

HSL 105, 0.04%, 0.22%

LAB 23.56, -2.2, 2.05

 

CMYK 5 / 0 / 6 / 58

HEX #676C65

RGB 103 108 101

HSL 102.86, 0.03%, 0.41%

LAB 45.01, -3.36, 3.25

 

CMYK 5 / 0 / 6 / 38

HEX #979F95

RGB 151 159 149

HSL 108, 0.05%, 0.6%

LAB 64.6, -4.78, 4.22

 

CMYK 7 / 0 / 0 / 38

HEX #939E9E

RGB 147 158 158

HSL 180, 0.05%, 0.6%

LAB 64.26, -3.9, -1.35

 

CMYK 0 / 7 / 3 / 38

HEX #9E939A

RGB 158 147 154

HSL 321.82, 0.05%, 0.6%

LAB 62.06, 5.36, -2.23

 

CMYK 5 / 0 / 6 / 38

HEX #979F95

RGB 151 159 149

HSL 108, 0.05%, 0.6%

LAB 64.6, -4.78, 4.22

 

CMYK 7 / 6 / 0 / 38

HEX #93959E

RGB 147 149 158

HSL 229.09, 0.05%, 0.6%

LAB 61.8, 1.08, -4.98

 

CMYK 0 / 7 / 6 / 38

HEX #9E9395

RGB 158 147 149

HSL 349.09, 0.05%, 0.6%

LAB 61.92, 4.43, 0.4

 

CMYK 5 / 0 / 6 / 38

HEX #979F95

RGB 151 159 149

HSL 108, 0.05%, 0.6%

LAB 64.6, -4.78, 4.22

 

CMYK 7 / 0 / 0 / 38

HEX #939E9E

RGB 147 158 158

HSL 180, 0.05%, 0.6%

LAB 64.26, -3.9, -1.35

 

CMYK 1 / 7 / 0 / 38

HEX #9C939E

RGB 156 147 158

HSL 289.09, 0.05%, 0.6%

LAB 62, 5.41, -4.6

 

CMYK 0 / 7 / 7 / 38

HEX #9E9393

RGB 158 147 147

HSL 0, 0.05%, 0.6%

LAB 61.86, 4.06, 1.45

 

CMYK 5 / 0 / 6 / 38

HEX #979F95

RGB 151 159 149

HSL 108, 0.05%, 0.6%

LAB 64.6, -4.78, 4.22

 

CMYK 7 / 2 / 0 / 38

HEX #939B9E

RGB 147 155 158

HSL 196.36, 0.05%, 0.6%

LAB 63.44, -2.25, -2.57

 

CMYK 1 / 7 / 0 / 38

HEX #9C939E

RGB 156 147 158

HSL 289.09, 0.05%, 0.6%

LAB 62, 5.41, -4.6

 

CMYK 0 / 5 / 7 / 38

HEX #9E9693

RGB 158 150 147

HSL 16.36, 0.05%, 0.6%

LAB 62.67, 2.38, 2.62

 

Description

Color code: RGB 151 159 149 | qconv.com Color code: RGB 151 159 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 159 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 159 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 6 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 6% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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