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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 100 190 it is the complementary color RGB 104 155 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 100 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 151 100 190: RGB 156 100 185, RGB 173 118 204, RGB 190 136 223, RGB 207 154 242 and RGB 224 172 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 100 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 151 100 190: RGB 151 100 190, RGB 134 82 171, RGB 117 64 152, RGB 100 46 133 and RGB 83 28 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 47 / 0 / 25

HEX #9764BE

RGB 151 100 190

HSL 274, 0.41%, 0.57%

LAB 51.17, 37.61, -39.58

 

Complementary color

CMYK 33 / 0 / 58 / 39

HEX #689B41

RGB 104 155 65

HSL 94, 0.41%, 0.43%

LAB 58.76, -33.07, 41.14

 

CMYK 16 / 46 / 0 / 27

HEX #9C64B9

RGB 156 100 185

HSL 279.53, 0.38%, 0.56%

LAB 51.48, 37.92, -36.16

 

CMYK 15 / 42 / 0 / 20

HEX #AD76CC

RGB 173 118 204

HSL 278.37, 0.46%, 0.63%

LAB 58.23, 37.11, -36.32

 

CMYK 15 / 39 / 0 / 13

HEX #BE88DF

RGB 190 136 223

HSL 277.24, 0.58%, 0.7%

LAB 64.87, 36.32, -36.46

 

CMYK 14 / 36 / 0 / 5

HEX #CF9AF2

RGB 207 154 242

HSL 276.14, 0.77%, 0.78%

LAB 71.41, 35.59, -36.61

 

CMYK 12 / 33 / 0 / 0

HEX #E0ACFF

RGB 224 172 255

HSL 277.59, 1%, 0.84%

LAB 77.62, 33.66, -33.9

 

CMYK 21 / 47 / 0 / 25

HEX #9764BE

RGB 151 100 190

HSL 274, 0.41%, 0.57%

LAB 51.17, 37.61, -39.58

 

CMYK 22 / 52 / 0 / 33

HEX #8652AB

RGB 134 82 171

HSL 275.06, 0.35%, 0.5%

LAB 44.29, 38.49, -39.49

 

CMYK 23 / 58 / 0 / 40

HEX #754098

RGB 117 64 152

HSL 276.14, 0.41%, 0.42%

LAB 37.33, 39.36, -39.34

 

CMYK 25 / 65 / 0 / 48

HEX #642E85

RGB 100 46 133

HSL 277.24, 0.49%, 0.35%

LAB 30.3, 40.11, -39.06

 

CMYK 27 / 75 / 0 / 55

HEX #531C72

RGB 83 28 114

HSL 278.37, 0.61%, 0.28%

LAB 23.29, 40.45, -38.46

 

CMYK 21 / 47 / 0 / 25

HEX #9764BE

RGB 151 100 190

HSL 274, 0.41%, 0.57%

LAB 51.17, 37.61, -39.58

 

CMYK 13 / 47 / 0 / 25

HEX #A664BE

RGB 166 100 190

HSL 284, 0.41%, 0.57%

LAB 52.88, 41.92, -36.76

 

CMYK 5 / 47 / 0 / 25

HEX #B564BE

RGB 181 100 190

HSL 294, 0.41%, 0.57%

LAB 54.72, 46.28, -33.76

 

CMYK 0 / 47 / 3 / 25

HEX #BE64B8

RGB 190 100 184

HSL 304, 0.41%, 0.57%

LAB 55.61, 47.83, -28.83

 

CMYK 0 / 47 / 11 / 25

HEX #BE64A9

RGB 190 100 169

HSL 314, 0.41%, 0.57%

LAB 55, 45.24, -21.1

 

CMYK 21 / 47 / 0 / 25

HEX #9764BE

RGB 151 100 190

HSL 274, 0.41%, 0.57%

LAB 51.17, 37.61, -39.58

 

CMYK 20 / 47 / 0 / 5

HEX #C07FF1

RGB 192 127 241

HSL 274.21, 0.8%, 0.72%

LAB 63.95, 45.69, -47.86

 

CMYK 22 / 49 / 0 / 85

HEX #1D1325

RGB 29 19 37

HSL 273.33, 0.32%, 0.11%

LAB 7.77, 9.71, -10.52

 

CMYK 20 / 48 / 0 / 65

HEX #462E58

RGB 70 46 88

HSL 274.29, 0.31%, 0.26%

LAB 23.54, 20.16, -21.21

 

CMYK 21 / 47 / 0 / 45

HEX #6E498B

RGB 110 73 139

HSL 273.64, 0.31%, 0.42%

LAB 37.74, 29.06, -30.84

 

CMYK 21 / 47 / 0 / 25

HEX #9764BE

RGB 151 100 190

HSL 274, 0.41%, 0.57%

LAB 51.17, 37.61, -39.58

 

CMYK 0 / 47 / 36 / 25

HEX #BE6479

RGB 190 100 121

HSL 346, 0.41%, 0.57%

LAB 53.43, 38.28, 4.73

 

CMYK 47 / 0 / 39 / 25

HEX #64BE73

RGB 100 190 115

HSL 130, 0.41%, 0.57%

LAB 70.02, -43.04, 29.75

 

CMYK 21 / 47 / 0 / 25

HEX #9764BE

RGB 151 100 190

HSL 274, 0.41%, 0.57%

LAB 51.17, 37.61, -39.58

 

CMYK 0 / 21 / 47 / 25

HEX #BE9764

RGB 190 151 100

HSL 34, 0.41%, 0.57%

LAB 64.96, 8.04, 32.33

 

CMYK 47 / 0 / 21 / 25

HEX #64BE97

RGB 100 190 151

HSL 154, 0.41%, 0.57%

LAB 70.71, -36.17, 11.47

 

CMYK 21 / 47 / 0 / 25

HEX #9764BE

RGB 151 100 190

HSL 274, 0.41%, 0.57%

LAB 51.17, 37.61, -39.58

 

CMYK 0 / 47 / 36 / 25

HEX #BE6479

RGB 190 100 121

HSL 346, 0.41%, 0.57%

LAB 53.43, 38.28, 4.73

 

CMYK 27 / 0 / 47 / 25

HEX #8BBE64

RGB 139 190 100

HSL 94, 0.41%, 0.57%

LAB 71.71, -32.58, 39.96

 

CMYK 47 / 0 / 11 / 25

HEX #64BEA9

RGB 100 190 169

HSL 166, 0.41%, 0.57%

LAB 71.15, -32.09, 2.28

 

CMYK 21 / 47 / 0 / 25

HEX #9764BE

RGB 151 100 190

HSL 274, 0.41%, 0.57%

LAB 51.17, 37.61, -39.58

 

CMYK 0 / 44 / 47 / 25

HEX #BE6A64

RGB 190 106 100

HSL 4, 0.41%, 0.57%

LAB 54.21, 32.76, 18.17

 

CMYK 27 / 0 / 47 / 25

HEX #8BBE64

RGB 139 190 100

HSL 94, 0.41%, 0.57%

LAB 71.71, -32.58, 39.96

 

CMYK 47 / 3 / 0 / 25

HEX #64B8BE

RGB 100 184 190

HSL 184, 0.41%, 0.57%

LAB 69.97, -23.85, -10.96

 

Description

Color code: RGB 151 100 190 | qconv.com Color code: RGB 151 100 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 100 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 100 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 47 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 47% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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