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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 205 39 it is the complementary color RGB 105 50 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 205 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 150 205 39: RGB 155 205 34, RGB 172 223 53, RGB 189 241 72, RGB 206 255 91 and RGB 223 255 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 205 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 150 205 39: RGB 150 205 39, RGB 133 187 20, RGB 116 169 1, RGB 99 151 0 and RGB 82 133 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 81 / 20

HEX #96CD27

RGB 150 205 39

HSL 79.88, 0.68%, 0.48%

LAB 76.25, -40.01, 69.44

 

Complementary color

CMYK 51 / 77 / 0 / 15

HEX #6932D8

RGB 105 50 216

HSL 259.88, 0.68%, 0.52%

LAB 38.27, 60.25, -75.62

 

CMYK 24 / 0 / 83 / 20

HEX #9BCD22

RGB 155 205 34

HSL 77.54, 0.72%, 0.47%

LAB 76.53, -38.27, 71.04

 

CMYK 23 / 0 / 76 / 13

HEX #ACDF35

RGB 172 223 53

HSL 78, 0.73%, 0.54%

LAB 82.81, -38.98, 71.94

 

CMYK 22 / 0 / 70 / 5

HEX #BDF148

RGB 189 241 72

HSL 78.46, 0.86%, 0.61%

LAB 89.02, -39.53, 72.06

 

CMYK 19 / 0 / 64 / 0

HEX #CEFF5B

RGB 206 255 91

HSL 77.93, 1%, 0.68%

LAB 94.05, -38.18, 70.54

 

CMYK 13 / 0 / 57 / 0

HEX #DFFF6E

RGB 223 255 110

HSL 73.24, 1%, 0.72%

LAB 95.3, -30.36, 64.47

 

CMYK 27 / 0 / 81 / 20

HEX #96CD27

RGB 150 205 39

HSL 79.88, 0.68%, 0.48%

LAB 76.25, -40.01, 69.44

 

CMYK 29 / 0 / 89 / 27

HEX #85BB14

RGB 133 187 20

HSL 79.4, 0.81%, 0.41%

LAB 69.88, -39.19, 67.79

 

CMYK 31 / 0 / 99 / 34

HEX #74A901

RGB 116 169 1

HSL 78.93, 0.99%, 0.33%

LAB 63.42, -38.16, 64.86

 

CMYK 34 / 0 / 100 / 41

HEX #639700

RGB 99 151 0

HSL 80.66, 1%, 0.3%

LAB 56.87, -36.79, 59.54

 

CMYK 38 / 0 / 100 / 48

HEX #528500

RGB 82 133 0

HSL 83.01, 1%, 0.26%

LAB 50.18, -35.35, 53.97

 

CMYK 27 / 0 / 81 / 20

HEX #96CD27

RGB 150 205 39

HSL 79.88, 0.68%, 0.48%

LAB 76.25, -40.01, 69.44

 

CMYK 39 / 0 / 81 / 20

HEX #7DCD27

RGB 125 205 39

HSL 88.92, 0.68%, 0.48%

LAB 74.93, -49.05, 67.76

 

CMYK 53 / 0 / 81 / 20

HEX #61CD27

RGB 97 205 39

HSL 99.04, 0.68%, 0.48%

LAB 73.77, -57.75, 66.27

 

CMYK 66 / 0 / 81 / 20

HEX #45CD27

RGB 69 205 39

HSL 109.16, 0.68%, 0.48%

LAB 72.94, -64.5, 65.2

 

CMYK 80 / 0 / 81 / 20

HEX #29CD27

RGB 41 205 39

HSL 119.28, 0.68%, 0.48%

LAB 72.42, -69.02, 64.53

 

CMYK 27 / 0 / 81 / 20

HEX #96CD27

RGB 150 205 39

HSL 79.88, 0.68%, 0.48%

LAB 76.25, -40.01, 69.44

 

CMYK 0 / 0 / 100 / 100

HEX #010100

RGB 1 1 0

HSL 60, 1%, 0%

LAB 0.25, -0.14, 0.38

 

CMYK 27 / 0 / 81 / 80

HEX #26340A

RGB 38 52 10

HSL 80, 0.68%, 0.12%

LAB 19.6, -13.54, 23.27

 

CMYK 27 / 0 / 81 / 60

HEX #4B6714

RGB 75 103 20

HSL 80.24, 0.67%, 0.24%

LAB 39.99, -23.35, 40.33

 

CMYK 27 / 0 / 81 / 40

HEX #719A1D

RGB 113 154 29

HSL 79.68, 0.68%, 0.36%

LAB 58.71, -31.78, 55.6

 

CMYK 27 / 0 / 81 / 20

HEX #96CD27

RGB 150 205 39

HSL 79.88, 0.68%, 0.48%

LAB 76.25, -40.01, 69.44

 

CMYK 81 / 0 / 39 / 20

HEX #27CD7D

RGB 39 205 125

HSL 151.08, 0.68%, 0.48%

LAB 73.27, -58.67, 28.56

 

CMYK 7 / 81 / 0 / 20

HEX #BF27CD

RGB 191 39 205

HSL 294.94, 0.68%, 0.48%

LAB 48.18, 75.61, -52.65

 

CMYK 27 / 0 / 81 / 20

HEX #96CD27

RGB 150 205 39

HSL 79.88, 0.68%, 0.48%

LAB 76.25, -40.01, 69.44

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 0 / 81 / 26 / 20

HEX #CD2798

RGB 205 39 152

HSL 319.16, 0.68%, 0.48%

LAB 47.88, 70.94, -21.81

 

CMYK 27 / 0 / 81 / 20

HEX #96CD27

RGB 150 205 39

HSL 79.88, 0.68%, 0.48%

LAB 76.25, -40.01, 69.44

 

CMYK 81 / 0 / 39 / 20

HEX #27CD7D

RGB 39 205 125

HSL 151.08, 0.68%, 0.48%

LAB 73.27, -58.67, 28.56

 

CMYK 56 / 81 / 0 / 20

HEX #5B27CD

RGB 91 39 205

HSL 258.8, 0.68%, 0.48%

LAB 34.16, 60.23, -76.09

 

CMYK 0 / 81 / 42 / 20

HEX #CD2777

RGB 205 39 119

HSL 331.08, 0.68%, 0.48%

LAB 46.66, 67.41, -3.64

 

CMYK 27 / 0 / 81 / 20

HEX #96CD27

RGB 150 205 39

HSL 79.88, 0.68%, 0.48%

LAB 76.25, -40.01, 69.44

 

CMYK 81 / 0 / 15 / 20

HEX #27CDAF

RGB 39 205 175

HSL 169.16, 0.68%, 0.48%

LAB 74.31, -47.31, 3.43

 

CMYK 56 / 81 / 0 / 20

HEX #5B27CD

RGB 91 39 205

HSL 258.8, 0.68%, 0.48%

LAB 34.16, 60.23, -76.09

 

CMYK 0 / 81 / 66 / 20

HEX #CD2745

RGB 205 39 69

HSL 349.16, 0.68%, 0.48%

LAB 45.44, 63.75, 25.52

 

Description

Color code: RGB 150 205 39 | qconv.com Color code: RGB 150 205 39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 205 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 205 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 81 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 81% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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