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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 192 249 it is the complementary color RGB 105 63 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 192 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 150 192 249: RGB 155 192 244, RGB 172 210 255, RGB 189 228 255, RGB 206 246 255 and RGB 223 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 192 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 150 192 249: RGB 150 192 249, RGB 133 174 230, RGB 116 156 211, RGB 99 138 192 and RGB 82 120 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 23 / 0 / 2

HEX #96C0F9

RGB 150 192 249

HSL 214.55, 0.89%, 0.78%

LAB 76.69, 0.08, -32.57

 

Complementary color

CMYK 0 / 40 / 94 / 59

HEX #693F06

RGB 105 63 6

HSL 34.55, 0.89%, 0.22%

LAB 30.81, 13.98, 38.3

 

CMYK 36 / 21 / 0 / 4

HEX #9BC0F4

RGB 155 192 244

HSL 215.06, 0.8%, 0.78%

LAB 76.8, 0.09, -29.69

 

CMYK 33 / 18 / 0 / 0

HEX #ACD2FF

RGB 172 210 255

HSL 212.53, 1%, 0.84%

LAB 82.96, -2.18, -26.05

 

CMYK 26 / 11 / 0 / 0

HEX #BDE4FF

RGB 189 228 255

HSL 204.55, 1%, 0.87%

LAB 88.7, -6.78, -17.26

 

CMYK 19 / 4 / 0 / 0

HEX #CEF6FF

RGB 206 246 255

HSL 191.02, 1%, 0.9%

LAB 94.42, -10.94, -8.6

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 40 / 23 / 0 / 2

HEX #96C0F9

RGB 150 192 249

HSL 214.55, 0.89%, 0.78%

LAB 76.69, 0.08, -32.57

 

CMYK 42 / 24 / 0 / 10

HEX #85AEE6

RGB 133 174 230

HSL 214.64, 0.66%, 0.71%

LAB 70.16, 0.47, -32.46

 

CMYK 45 / 26 / 0 / 17

HEX #749CD3

RGB 116 156 211

HSL 214.74, 0.52%, 0.64%

LAB 63.5, 0.93, -32.37

 

CMYK 48 / 28 / 0 / 25

HEX #638AC0

RGB 99 138 192

HSL 214.84, 0.42%, 0.57%

LAB 56.72, 1.48, -32.32

 

CMYK 53 / 31 / 0 / 32

HEX #5278AD

RGB 82 120 173

HSL 214.95, 0.36%, 0.5%

LAB 49.79, 2.16, -32.3

 

CMYK 40 / 23 / 0 / 2

HEX #96C0F9

RGB 150 192 249

HSL 214.55, 0.89%, 0.78%

LAB 76.69, 0.08, -32.57

 

CMYK 40 / 29 / 0 / 3

HEX #94AFF8

RGB 148 175 248

HSL 223.8, 0.88%, 0.78%

LAB 72.05, 8.68, -39.24

 

CMYK 40 / 36 / 0 / 3

HEX #949EF8

RGB 148 158 248

HSL 234, 0.88%, 0.78%

LAB 67.67, 18.31, -46.09

 

CMYK 38 / 40 / 0 / 3

HEX #9B94F8

RGB 155 148 248

HSL 244.2, 0.88%, 0.78%

LAB 65.69, 25.83, -49.17

 

CMYK 31 / 40 / 0 / 3

HEX #AC94F8

RGB 172 148 248

HSL 254.4, 0.88%, 0.78%

LAB 67.07, 30.31, -46.9

 

CMYK 40 / 23 / 0 / 2

HEX #96C0F9

RGB 150 192 249

HSL 214.55, 0.89%, 0.78%

LAB 76.69, 0.08, -32.57

 

CMYK 40 / 22 / 0 / 82

HEX #1B232D

RGB 27 35 45

HSL 213.33, 0.25%, 0.14%

LAB 13.38, -0.48, -7.78

 

CMYK 40 / 23 / 0 / 62

HEX #3A4A60

RGB 58 74 96

HSL 214.74, 0.25%, 0.3%

LAB 30.98, -0.08, -14.94

 

CMYK 39 / 23 / 0 / 42

HEX #597193

RGB 89 113 147

HSL 215.17, 0.25%, 0.46%

LAB 47.03, 0.27, -21.32

 

CMYK 40 / 23 / 0 / 22

HEX #7799C6

RGB 119 153 198

HSL 214.18, 0.41%, 0.62%

LAB 62.32, -0.25, -26.93

 

CMYK 40 / 23 / 0 / 2

HEX #96C0F9

RGB 150 192 249

HSL 214.55, 0.89%, 0.78%

LAB 76.69, 0.08, -32.57

 

CMYK 9 / 40 / 0 / 3

HEX #E194F8

RGB 225 148 248

HSL 286.2, 0.88%, 0.78%

LAB 72.2, 45.32, -38.5

 

CMYK 6 / 0 / 40 / 3

HEX #E8F894

RGB 232 248 148

HSL 69.6, 0.88%, 0.78%

LAB 94.5, -20.08, 46.21

 

CMYK 40 / 23 / 0 / 2

HEX #96C0F9

RGB 150 192 249

HSL 214.55, 0.89%, 0.78%

LAB 76.69, 0.08, -32.57

 

CMYK 0 / 40 / 23 / 3

HEX #F894C0

RGB 248 148 192

HSL 333.6, 0.88%, 0.78%

LAB 72.85, 43.09, -6.51

 

CMYK 23 / 0 / 40 / 3

HEX #C0F894

RGB 192 248 148

HSL 93.6, 0.88%, 0.78%

LAB 91.9, -34.62, 42.37

 

CMYK 40 / 23 / 0 / 2

HEX #96C0F9

RGB 150 192 249

HSL 214.55, 0.89%, 0.78%

LAB 76.69, 0.08, -32.57

 

CMYK 9 / 40 / 0 / 3

HEX #E194F8

RGB 225 148 248

HSL 286.2, 0.88%, 0.78%

LAB 72.2, 45.32, -38.5

 

CMYK 0 / 17 / 40 / 3

HEX #F8CD94

RGB 248 205 148

HSL 34.2, 0.88%, 0.78%

LAB 84.87, 7.72, 34.06

 

CMYK 31 / 0 / 40 / 3

HEX #ACF894

RGB 172 248 148

HSL 105.6, 0.88%, 0.78%

LAB 90.8, -41.36, 40.74

 

CMYK 40 / 23 / 0 / 2

HEX #96C0F9

RGB 150 192 249

HSL 214.55, 0.89%, 0.78%

LAB 76.69, 0.08, -32.57

 

CMYK 0 / 40 / 2 / 3

HEX #F894F2

RGB 248 148 242

HSL 303.6, 0.88%, 0.78%

LAB 74.54, 51, -31.41

 

CMYK 0 / 17 / 40 / 3

HEX #F8CD94

RGB 248 205 148

HSL 34.2, 0.88%, 0.78%

LAB 84.87, 7.72, 34.06

 

CMYK 40 / 0 / 38 / 3

HEX #94F89B

RGB 148 248 155

HSL 124.2, 0.88%, 0.78%

LAB 89.77, -47.74, 35.71

 

Description

Color code: RGB 150 192 249 | qconv.com Color code: RGB 150 192 249 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 192 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 192 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 23 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 23% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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