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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 161 171 it is the complementary color RGB 105 94 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 161 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 150 161 171: RGB 155 161 166, RGB 172 179 185, RGB 189 197 204, RGB 206 215 223 and RGB 223 233 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 161 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 150 161 171: RGB 150 161 171, RGB 133 143 152, RGB 116 125 133, RGB 99 107 114 and RGB 82 89 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 6 / 0 / 33

HEX #96A1AB

RGB 150 161 171

HSL 208.57, 0.11%, 0.63%

LAB 65.68, -1.82, -6.52

 

Complementary color

CMYK 0 / 10 / 20 / 59

HEX #695E54

RGB 105 94 84

HSL 28.57, 0.11%, 0.37%

LAB 40.65, 2.6, 7.34

 

CMYK 7 / 3 / 0 / 35

HEX #9BA1A6

RGB 155 161 166

HSL 207.27, 0.06%, 0.63%

LAB 65.91, -1.14, -3.34

 

CMYK 7 / 3 / 0 / 27

HEX #ACB3B9

RGB 172 179 185

HSL 207.69, 0.08%, 0.7%

LAB 72.57, -1.26, -3.91

 

CMYK 7 / 3 / 0 / 20

HEX #BDC5CC

RGB 189 197 204

HSL 208, 0.13%, 0.77%

LAB 79.11, -1.39, -4.45

 

CMYK 8 / 4 / 0 / 13

HEX #CED7DF

RGB 206 215 223

HSL 208.24, 0.21%, 0.84%

LAB 85.53, -1.51, -4.99

 

CMYK 8 / 4 / 0 / 5

HEX #DFE9F2

RGB 223 233 242

HSL 208.42, 0.42%, 0.91%

LAB 91.85, -1.62, -5.51

 

CMYK 12 / 6 / 0 / 33

HEX #96A1AB

RGB 150 161 171

HSL 208.57, 0.11%, 0.63%

LAB 65.68, -1.82, -6.52

 

CMYK 13 / 6 / 0 / 40

HEX #858F98

RGB 133 143 152

HSL 208.42, 0.08%, 0.56%

LAB 58.88, -1.71, -6.01

 

CMYK 13 / 6 / 0 / 48

HEX #747D85

RGB 116 125 133

HSL 208.24, 0.07%, 0.49%

LAB 51.92, -1.59, -5.49

 

CMYK 13 / 6 / 0 / 55

HEX #636B72

RGB 99 107 114

HSL 208, 0.07%, 0.42%

LAB 44.78, -1.48, -4.95

 

CMYK 14 / 6 / 0 / 63

HEX #52595F

RGB 82 89 95

HSL 207.69, 0.07%, 0.35%

LAB 37.42, -1.36, -4.4

 

CMYK 12 / 6 / 0 / 33

HEX #96A1AB

RGB 150 161 171

HSL 208.57, 0.11%, 0.63%

LAB 65.68, -1.82, -6.52

 

CMYK 12 / 8 / 0 / 33

HEX #969DAB

RGB 150 157 171

HSL 220, 0.11%, 0.63%

LAB 64.59, 0.39, -8.14

 

CMYK 12 / 10 / 0 / 33

HEX #969AAB

RGB 150 154 171

HSL 228.57, 0.11%, 0.63%

LAB 63.78, 2.06, -9.35

 

CMYK 12 / 12 / 0 / 33

HEX #9696AB

RGB 150 150 171

HSL 240, 0.11%, 0.63%

LAB 62.71, 4.31, -10.96

 

CMYK 11 / 12 / 0 / 33

HEX #9996AB

RGB 153 150 171

HSL 248.57, 0.11%, 0.63%

LAB 62.95, 5.33, -10.57

 

CMYK 12 / 6 / 0 / 33

HEX #96A1AB

RGB 150 161 171

HSL 208.57, 0.11%, 0.63%

LAB 65.68, -1.82, -6.52

 

CMYK 12 / 6 / 0 / 13

HEX #C3D1DE

RGB 195 209 222

HSL 208.89, 0.29%, 0.82%

LAB 83.17, -2.15, -8.04

 

CMYK 11 / 6 / 0 / 93

HEX #101112

RGB 16 17 18

HSL 210, 0.06%, 0.07%

LAB 5.01, -0.16, -0.68

 

CMYK 12 / 6 / 0 / 73

HEX #3D4145

RGB 61 65 69

HSL 210, 0.06%, 0.25%

LAB 27.3, -0.7, -3.01

 

CMYK 13 / 6 / 0 / 53

HEX #697178

RGB 105 113 120

HSL 208, 0.07%, 0.44%

LAB 47.2, -1.47, -4.91

 

CMYK 12 / 6 / 0 / 33

HEX #96A1AB

RGB 150 161 171

HSL 208.57, 0.11%, 0.63%

LAB 65.68, -1.82, -6.52

 

CMYK 4 / 12 / 0 / 33

HEX #A496AB

RGB 164 150 171

HSL 280, 0.11%, 0.63%

LAB 63.87, 9.14, -9.09

 

CMYK 1 / 0 / 12 / 33

HEX #A9AB96

RGB 169 171 150

HSL 65.71, 0.11%, 0.63%

LAB 69.3, -4.48, 10.58

 

CMYK 12 / 6 / 0 / 33

HEX #96A1AB

RGB 150 161 171

HSL 208.57, 0.11%, 0.63%

LAB 65.68, -1.82, -6.52

 

CMYK 0 / 12 / 6 / 33

HEX #AB96A1

RGB 171 150 161

HSL 328.57, 0.11%, 0.63%

LAB 64.2, 9.73, -2.91

 

CMYK 6 / 0 / 12 / 33

HEX #A1AB96

RGB 161 171 150

HSL 88.57, 0.11%, 0.63%

LAB 68.68, -7.43, 9.61

 

CMYK 12 / 6 / 0 / 33

HEX #96A1AB

RGB 150 161 171

HSL 208.57, 0.11%, 0.63%

LAB 65.68, -1.82, -6.52

 

CMYK 4 / 12 / 0 / 33

HEX #A496AB

RGB 164 150 171

HSL 280, 0.11%, 0.63%

LAB 63.87, 9.14, -9.09

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F96

RGB 171 159 150

HSL 25.71, 0.11%, 0.63%

LAB 66.26, 2.79, 6.26

 

CMYK 8 / 0 / 12 / 33

HEX #9DAB96

RGB 157 171 150

HSL 100, 0.11%, 0.63%

LAB 68.38, -8.89, 9.15

 

CMYK 12 / 6 / 0 / 33

HEX #96A1AB

RGB 150 161 171

HSL 208.57, 0.11%, 0.63%

LAB 65.68, -1.82, -6.52

 

CMYK 1 / 12 / 0 / 33

HEX #AA96AB

RGB 170 150 171

HSL 297.14, 0.11%, 0.63%

LAB 64.4, 11.26, -8.25

 

CMYK 0 / 7 / 12 / 33

HEX #AB9F96

RGB 171 159 150

HSL 25.71, 0.11%, 0.63%

LAB 66.26, 2.79, 6.26

 

CMYK 12 / 0 / 12 / 33

HEX #96AB96

RGB 150 171 150

HSL 120, 0.11%, 0.63%

LAB 67.88, -11.4, 8.37

 

Description

Color code: RGB 150 161 171 | qconv.com Color code: RGB 150 161 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 161 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 161 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 6 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 6% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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