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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 136 130 it is the complementary color RGB 105 119 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 136 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 150 136 130: RGB 155 136 125, RGB 172 154 144, RGB 189 172 163, RGB 206 190 182 and RGB 223 208 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 136 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 150 136 130: RGB 150 136 130, RGB 133 118 111, RGB 116 100 92, RGB 99 82 73 and RGB 82 64 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 13 / 41

HEX #968882

RGB 150 136 130

HSL 18, 0.09%, 0.55%

LAB 57.76, 4.2, 5.12

 

Complementary color

CMYK 16 / 5 / 0 / 51

HEX #69777D

RGB 105 119 125

HSL 198, 0.09%, 0.45%

LAB 49.1, -3.83, -5.05

 

CMYK 0 / 12 / 19 / 39

HEX #9B887D

RGB 155 136 125

HSL 22, 0.13%, 0.55%

LAB 58.09, 5.31, 8.53

 

CMYK 0 / 10 / 16 / 33

HEX #AC9A90

RGB 172 154 144

HSL 21.43, 0.14%, 0.62%

LAB 64.88, 4.93, 7.65

 

CMYK 0 / 9 / 14 / 26

HEX #BDACA3

RGB 189 172 163

HSL 20.77, 0.16%, 0.69%

LAB 71.53, 4.59, 6.84

 

CMYK 0 / 8 / 12 / 19

HEX #CEBEB6

RGB 206 190 182

HSL 20, 0.2%, 0.76%

LAB 78.07, 4.29, 6.06

 

CMYK 0 / 7 / 10 / 13

HEX #DFD0C9

RGB 223 208 201

HSL 19.09, 0.26%, 0.83%

LAB 84.49, 4.01, 5.33

 

CMYK 0 / 9 / 13 / 41

HEX #968882

RGB 150 136 130

HSL 18, 0.09%, 0.55%

LAB 57.76, 4.2, 5.12

 

CMYK 0 / 11 / 17 / 48

HEX #85766F

RGB 133 118 111

HSL 19.09, 0.09%, 0.48%

LAB 50.79, 4.56, 5.96

 

CMYK 0 / 14 / 21 / 55

HEX #74645C

RGB 116 100 92

HSL 20, 0.12%, 0.41%

LAB 43.65, 4.98, 6.89

 

CMYK 0 / 17 / 26 / 61

HEX #635249

RGB 99 82 73

HSL 20.77, 0.15%, 0.34%

LAB 36.31, 5.48, 7.91

 

CMYK 0 / 22 / 34 / 68

HEX #524036

RGB 82 64 54

HSL 21.43, 0.21%, 0.27%

LAB 28.71, 6.12, 9.09

 

CMYK 0 / 9 / 13 / 41

HEX #968882

RGB 150 136 130

HSL 18, 0.09%, 0.55%

LAB 57.76, 4.2, 5.12

 

CMYK 0 / 7 / 14 / 41

HEX #968B81

RGB 150 139 129

HSL 28.57, 0.09%, 0.55%

LAB 58.54, 2.33, 6.82

 

CMYK 0 / 5 / 14 / 41

HEX #968F81

RGB 150 143 129

HSL 40, 0.09%, 0.55%

LAB 59.63, 0.09, 8.37

 

CMYK 0 / 3 / 14 / 41

HEX #969281

RGB 150 146 129

HSL 48.57, 0.09%, 0.55%

LAB 60.45, -1.58, 9.54

SW® 9523

CMYK 0 / 1 / 14 / 41

HEX #969581

RGB 150 149 129

HSL 57.14, 0.09%, 0.55%

LAB 61.28, -3.24, 10.71

 

CMYK 0 / 9 / 13 / 41

HEX #968882

RGB 150 136 130

HSL 18, 0.09%, 0.55%

LAB 57.76, 4.2, 5.12

 

CMYK 0 / 9 / 13 / 21

HEX #C9B6AE

RGB 201 182 174

HSL 17.78, 0.2%, 0.74%

LAB 75.41, 5.43, 6.52

 

CMYK 0 / 10 / 13 / 1

HEX #FCE4DA

RGB 252 228 218

HSL 17.65, 0.85%, 0.92%

LAB 92.24, 6.6, 7.85

 

CMYK 0 / 8 / 13 / 81

HEX #302C2A

RGB 48 44 42

HSL 20, 0.07%, 0.18%

LAB 18.35, 1.37, 1.95

 

CMYK 0 / 9 / 13 / 61

HEX #635A56

RGB 99 90 86

HSL 18.46, 0.07%, 0.36%

LAB 38.96, 2.87, 3.62

 

CMYK 0 / 9 / 13 / 41

HEX #968882

RGB 150 136 130

HSL 18, 0.09%, 0.55%

LAB 57.76, 4.2, 5.12

 

CMYK 7 / 0 / 14 / 41

HEX #8C9681

RGB 140 150 129

HSL 88.57, 0.09%, 0.55%

LAB 60.76, -7.6, 9.86

 

CMYK 14 / 13 / 0 / 41

HEX #818396

RGB 129 131 150

HSL 234.29, 0.09%, 0.55%

LAB 55.18, 3.3, -10.42

 

CMYK 0 / 9 / 13 / 41

HEX #968882

RGB 150 136 130

HSL 18, 0.09%, 0.55%

LAB 57.76, 4.2, 5.12

 

CMYK 14 / 0 / 9 / 41

HEX #819688

RGB 129 150 136

HSL 140, 0.09%, 0.55%

LAB 60.12, -10.31, 4.88

 

CMYK 9 / 14 / 0 / 41

HEX #888196

RGB 136 129 150

HSL 260, 0.09%, 0.55%

LAB 55.21, 6.91, -10.3

 

CMYK 0 / 9 / 13 / 41

HEX #968882

RGB 150 136 130

HSL 18, 0.09%, 0.55%

LAB 57.76, 4.2, 5.12

 

CMYK 7 / 0 / 14 / 41

HEX #8C9681

RGB 140 150 129

HSL 88.57, 0.09%, 0.55%

LAB 60.76, -7.6, 9.86

 

CMYK 14 / 4 / 0 / 41

HEX #819096

RGB 129 144 150

HSL 197.14, 0.09%, 0.55%

LAB 58.8, -4.08, -5.01

 

CMYK 7 / 14 / 0 / 41

HEX #8C8196

RGB 140 129 150

HSL 271.43, 0.09%, 0.55%

LAB 55.56, 8.32, -9.75

 

CMYK 0 / 9 / 13 / 41

HEX #968882

RGB 150 136 130

HSL 18, 0.09%, 0.55%

LAB 57.76, 4.2, 5.12

 

CMYK 11 / 0 / 14 / 41

HEX #869681

RGB 134 150 129

HSL 105.71, 0.09%, 0.55%

LAB 60.31, -9.84, 9.16

 

CMYK 14 / 4 / 0 / 41

HEX #819096

RGB 129 144 150

HSL 197.14, 0.09%, 0.55%

LAB 58.8, -4.08, -5.01

 

CMYK 3 / 14 / 0 / 41

HEX #928196

RGB 146 129 150

HSL 288.57, 0.09%, 0.55%

LAB 56.1, 10.47, -8.88

 

Description

Color code: RGB 150 136 130 | qconv.com Color code: RGB 150 136 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 136 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 136 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 13 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 13% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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