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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 230 61 it is the complementary color RGB 241 25 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 230 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 14 230 61: RGB 19 230 56, RGB 36 248 75, RGB 53 255 94, RGB 70 255 113 and RGB 87 255 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 230 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 14 230 61: RGB 14 230 61, RGB 0 212 42, RGB 0 194 23, RGB 0 176 4 and RGB 0 158 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 73 / 10

HEX #0EE63D

RGB 14 230 61

HSL 133.06, 0.89%, 0.48%

LAB 80.19, -76.78, 65.2

 

Complementary color

CMYK 0 / 90 / 20 / 5

HEX #F119C2

RGB 241 25 194

HSL 313.06, 0.89%, 0.52%

LAB 55.37, 85.95, -34.36

 

CMYK 92 / 0 / 76 / 10

HEX #13E638

RGB 19 230 56

HSL 130.52, 0.85%, 0.49%

LAB 80.19, -76.93, 66.85

 

CMYK 85 / 0 / 70 / 3

HEX #24F84B

RGB 36 248 75

HSL 131.04, 0.94%, 0.56%

LAB 86.02, -79.42, 66.3

 

CMYK 79 / 0 / 63 / 0

HEX #35FF5E

RGB 53 255 94

HSL 132.18, 1%, 0.6%

LAB 88.49, -78.05, 61.69

 

CMYK 73 / 0 / 56 / 0

HEX #46FF71

RGB 70 255 113

HSL 133.95, 1%, 0.64%

LAB 88.93, -73.67, 54.13

 

CMYK 66 / 0 / 48 / 0

HEX #57FF84

RGB 87 255 132

HSL 136.07, 1%, 0.67%

LAB 89.49, -68.34, 46.15

 

CMYK 94 / 0 / 73 / 10

HEX #0EE63D

RGB 14 230 61

HSL 133.06, 0.89%, 0.48%

LAB 80.19, -76.78, 65.2

 

CMYK 100 / 0 / 80 / 17

HEX #00D42A

RGB 0 212 42

HSL 131.89, 1%, 0.42%

LAB 74.35, -73.59, 65.4

 

CMYK 100 / 0 / 88 / 24

HEX #00C217

RGB 0 194 23

HSL 127.11, 1%, 0.38%

LAB 68.49, -69.57, 64.63

 

CMYK 100 / 0 / 98 / 31

HEX #00B004

RGB 0 176 4

HSL 121.36, 1%, 0.35%

LAB 62.56, -65.16, 62.46

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 94 / 0 / 73 / 10

HEX #0EE63D

RGB 14 230 61

HSL 133.06, 0.89%, 0.48%

LAB 80.19, -76.78, 65.2

 

CMYK 94 / 0 / 58 / 9

HEX #0DE760

RGB 13 231 96

HSL 142.84, 0.89%, 0.48%

LAB 80.78, -73.54, 51.96

 

CMYK 94 / 0 / 42 / 9

HEX #0DE785

RGB 13 231 133

HSL 153.03, 0.89%, 0.48%

LAB 81.25, -67.86, 34.95

 

CMYK 94 / 0 / 27 / 9

HEX #0DE7A9

RGB 13 231 169

HSL 162.94, 0.89%, 0.48%

LAB 81.89, -60.52, 17.37

 

CMYK 94 / 0 / 11 / 9

HEX #0DE7CD

RGB 13 231 205

HSL 172.84, 0.89%, 0.48%

LAB 82.72, -51.59, -0.37

 

CMYK 94 / 0 / 73 / 10

HEX #0EE63D

RGB 14 230 61

HSL 133.06, 0.89%, 0.48%

LAB 80.19, -76.78, 65.2

 

CMYK 92 / 0 / 73 / 90

HEX #021A07

RGB 2 26 7

HSL 132.5, 0.86%, 0.05%

LAB 6.93, -12.14, 7.28

 

CMYK 94 / 0 / 74 / 70

HEX #054D14

RGB 5 77 20

HSL 132.5, 0.88%, 0.16%

LAB 27.82, -33.67, 27.05

 

CMYK 94 / 0 / 73 / 50

HEX #088022

RGB 8 128 34

HSL 133, 0.88%, 0.27%

LAB 46.45, -49.09, 40.65

 

CMYK 94 / 0 / 74 / 30

HEX #0BB32F

RGB 11 179 47

HSL 132.86, 0.88%, 0.37%

LAB 63.77, -63.38, 53.48

 

CMYK 94 / 0 / 73 / 10

HEX #0EE63D

RGB 14 230 61

HSL 133.06, 0.89%, 0.48%

LAB 80.19, -76.78, 65.2

 

CMYK 94 / 39 / 0 / 9

HEX #0D8CE7

RGB 13 140 231

HSL 205.05, 0.89%, 0.48%

LAB 56.69, 2.55, -54.45

 

CMYK 0 / 94 / 77 / 9

HEX #E70D35

RGB 231 13 53

HSL 348.99, 0.89%, 0.48%

LAB 48.93, 74.18, 40.44

 

CMYK 94 / 0 / 73 / 10

HEX #0EE63D

RGB 14 230 61

HSL 133.06, 0.89%, 0.48%

LAB 80.19, -76.78, 65.2

 

CMYK 74 / 94 / 0 / 9

HEX #3C0DE7

RGB 60 13 231

HSL 252.94, 0.89%, 0.48%

LAB 31.85, 72.29, -94.98

 

CMYK 0 / 74 / 94 / 9

HEX #E73C0D

RGB 231 60 13

HSL 12.94, 0.89%, 0.48%

LAB 52.12, 63.55, 60.88

 

CMYK 94 / 0 / 73 / 10

HEX #0EE63D

RGB 14 230 61

HSL 133.06, 0.89%, 0.48%

LAB 80.19, -76.78, 65.2

 

CMYK 94 / 39 / 0 / 9

HEX #0D8CE7

RGB 13 140 231

HSL 205.05, 0.89%, 0.48%

LAB 56.69, 2.55, -54.45

 

CMYK 0 / 94 / 20 / 9

HEX #E70DB8

RGB 231 13 184

HSL 312.94, 0.89%, 0.48%

LAB 52.66, 84.13, -32.93

 

CMYK 0 / 55 / 94 / 9

HEX #E7680D

RGB 231 104 13

HSL 25.05, 0.89%, 0.48%

LAB 58.9, 45.43, 65.09

 

CMYK 94 / 0 / 73 / 10

HEX #0EE63D

RGB 14 230 61

HSL 133.06, 0.89%, 0.48%

LAB 80.19, -76.78, 65.2

 

CMYK 94 / 68 / 0 / 9

HEX #0D4BE7

RGB 13 75 231

HSL 222.94, 0.89%, 0.48%

LAB 39.39, 43.55, -82.53

 

CMYK 0 / 94 / 20 / 9

HEX #E70DB8

RGB 231 13 184

HSL 312.94, 0.89%, 0.48%

LAB 52.66, 84.13, -32.93

 

CMYK 0 / 27 / 94 / 9

HEX #E7A90D

RGB 231 169 13

HSL 42.94, 0.89%, 0.48%

LAB 73.15, 11.72, 74.93

 

Description

Color code: RGB 14 230 61 | qconv.com Color code: RGB 14 230 61 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 230 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 230 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 73 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 73% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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