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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 105 4 it is the complementary color RGB 241 150 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 105 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 14 105 4: RGB 19 105 0, RGB 36 123 18, RGB 53 141 37, RGB 70 159 56 and RGB 87 177 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 105 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 14 105 4: RGB 14 105 4, RGB 0 87 0, RGB 0 69 0, RGB 0 51 0 and RGB 0 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 96 / 59

HEX #0E6904

RGB 14 105 4

HSL 114.06, 0.93%, 0.21%

LAB 38.21, -43.18, 42.44

 

Complementary color

CMYK 4 / 40 / 0 / 2

HEX #F196FB

RGB 241 150 251

HSL 294.06, 0.93%, 0.79%

LAB 74.49, 49.53, -36.43

 

CMYK 82 / 0 / 100 / 59

HEX #136900

RGB 19 105 0

HSL 109.14, 1%, 0.21%

LAB 38.27, -42.67, 43.62

 

CMYK 71 / 0 / 85 / 52

HEX #247B12

RGB 36 123 18

HSL 109.71, 0.74%, 0.28%

LAB 45.06, -44.8, 45.07

 

CMYK 62 / 0 / 74 / 45

HEX #358D25

RGB 53 141 37

HSL 110.77, 0.58%, 0.35%

LAB 51.77, -46.06, 45.21

 

CMYK 56 / 0 / 65 / 38

HEX #469F38

RGB 70 159 56

HSL 111.84, 0.48%, 0.42%

LAB 58.4, -46.71, 44.47

 

CMYK 51 / 0 / 58 / 31

HEX #57B14B

RGB 87 177 75

HSL 112.94, 0.4%, 0.49%

LAB 64.95, -47, 43.37

 

CMYK 87 / 0 / 96 / 59

HEX #0E6904

RGB 14 105 4

HSL 114.06, 0.93%, 0.21%

LAB 38.21, -43.18, 42.44

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 87 / 0 / 96 / 59

HEX #0E6904

RGB 14 105 4

HSL 114.06, 0.93%, 0.21%

LAB 38.21, -43.18, 42.44

 

CMYK 97 / 0 / 90 / 60

HEX #03670A

RGB 3 103 10

HSL 124.2, 0.94%, 0.21%

LAB 37.37, -43.44, 40.09

 

CMYK 97 / 0 / 75 / 60

HEX #03671A

RGB 3 103 26

HSL 133.8, 0.94%, 0.21%

LAB 37.47, -42.21, 34.6

 

CMYK 97 / 0 / 58 / 60

HEX #03672B

RGB 3 103 43

HSL 144, 0.94%, 0.21%

LAB 37.65, -39.95, 26.49

 

CMYK 97 / 0 / 42 / 60

HEX #03673C

RGB 3 103 60

HSL 154.2, 0.94%, 0.21%

LAB 37.93, -36.69, 17.23

 

CMYK 87 / 0 / 96 / 59

HEX #0E6904

RGB 14 105 4

HSL 114.06, 0.93%, 0.21%

LAB 38.21, -43.18, 42.44

 

CMYK 87 / 0 / 96 / 39

HEX #159C06

RGB 21 156 6

HSL 114, 0.93%, 0.32%

LAB 56.04, -58.08, 56.89

 

CMYK 86 / 0 / 96 / 19

HEX #1CCF08

RGB 28 207 8

HSL 113.97, 0.93%, 0.42%

LAB 72.82, -72.01, 70.46

 

CMYK 100 / 0 / 100 / 99

HEX #000300

RGB 0 3 0

HSL 120, 1%, 0.01%

LAB 0.59, -1.2, 0.86

 

CMYK 87 / 0 / 96 / 79

HEX #073602

RGB 7 54 2

HSL 114.23, 0.93%, 0.11%

LAB 18.75, -26.69, 25.15

 

CMYK 87 / 0 / 96 / 59

HEX #0E6904

RGB 14 105 4

HSL 114.06, 0.93%, 0.21%

LAB 38.21, -43.18, 42.44

 

CMYK 97 / 10 / 0 / 60

HEX #035D67

RGB 3 93 103

HSL 186, 0.94%, 0.21%

LAB 35.65, -19.21, -12.37

 

CMYK 0 / 97 / 49 / 60

HEX #670335

RGB 103 3 53

HSL 330, 0.94%, 0.21%

LAB 20.85, 43.18, -0.99

 

CMYK 87 / 0 / 96 / 59

HEX #0E6904

RGB 14 105 4

HSL 114.06, 0.93%, 0.21%

LAB 38.21, -43.18, 42.44

 

CMYK 97 / 87 / 0 / 60

HEX #030D67

RGB 3 13 103

HSL 234, 0.94%, 0.21%

LAB 11.18, 34.07, -51.47

 

CMYK 0 / 97 / 87 / 60

HEX #67030D

RGB 103 3 13

HSL 354, 0.94%, 0.21%

LAB 19.95, 40.72, 25.03

 

CMYK 87 / 0 / 96 / 59

HEX #0E6904

RGB 14 105 4

HSL 114.06, 0.93%, 0.21%

LAB 38.21, -43.18, 42.44

 

CMYK 97 / 10 / 0 / 60

HEX #035D67

RGB 3 93 103

HSL 186, 0.94%, 0.21%

LAB 35.65, -19.21, -12.37

 

CMYK 10 / 97 / 0 / 60

HEX #5D0367

RGB 93 3 103

HSL 294, 0.94%, 0.21%

LAB 21.47, 48.01, -34.16

 

CMYK 0 / 87 / 97 / 60

HEX #670D03

RGB 103 13 3

HSL 6, 0.94%, 0.21%

LAB 20.74, 37.95, 30.1

 

CMYK 87 / 0 / 96 / 59

HEX #0E6904

RGB 14 105 4

HSL 114.06, 0.93%, 0.21%

LAB 38.21, -43.18, 42.44

 

CMYK 97 / 39 / 0 / 60

HEX #033F67

RGB 3 63 103

HSL 204, 0.94%, 0.21%

LAB 25.42, -0.9, -28.28

 

CMYK 10 / 97 / 0 / 60

HEX #5D0367

RGB 93 3 103

HSL 294, 0.94%, 0.21%

LAB 21.47, 48.01, -34.16

 

CMYK 0 / 58 / 97 / 60

HEX #672B03

RGB 103 43 3

HSL 24, 0.94%, 0.21%

LAB 25.62, 24.81, 35.07

 

Description

Color code: RGB 14 105 4 | qconv.com Color code: RGB 14 105 4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 105 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 105 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 96 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 96% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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