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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 90 103 it is the complementary color RGB 106 165 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 90 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 90 103 shade: RGB 154 90 98, RGB 171 108 117, RGB 188 126 136, RGB 205 144 155 and RGB 222 162 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 90 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 90 103 shade: RGB 149 90 103, RGB 132 72 84, RGB 115 54 65, RGB 98 36 46 and RGB 81 18 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 90 103 shade: RGB 149 89 103 and RGB 149 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 90 103 shade: RGB 149 89 103, RGB 149 89 119, RGB 149 89 135, RGB 148 89 149 and RGB 131 89 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 90 103 shade matches the following richer shades: RGB 149 89 103, RGB 169 70 92, RGB 188 51 81, RGB 207 31 70 and RGB 227 12 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 90 103 shade: RGB 149 89 103, RGB 130 109 113, RGB 111 128 124, RGB 91 148 135 and RGB 72 167 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 90 103 shade: RGB 149 89 135, RGB 149 89 119, RGB 149 89 103, RGB 149 91 89 and RGB 149 107 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 90 103 shade: RGB 98 58 67, RGB 124 74 85, RGB 149 89 103, RGB 169 111 124 and RGB 184 137 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 90 103 shade: RGB 149 90 103, RGB 149 147 89 and RGB 89 127 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 90 103 shade: RGB 149 90 103, RGB 103 149 89 and RGB 89 103 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 90 103 shade: RGB 149 90 103, RGB 149 147 89, RGB 89 149 135 and RGB 89 91 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 90 103 shade: RGB 149 90 103, RGB 133 149 89, RGB 89 149 135 and RGB 105 89 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 31 / 42

HEX #955A67

RGB 149 90 103

HSL 346.78, 0.25%, 0.47%

LAB 45.19, 25.99, 2.93

 

Complementary color

CMYK 36 / 0 / 8 / 35

HEX #6AA598

RGB 106 165 152

HSL 166.78, 0.25%, 0.53%

LAB 63.54, -22.21, 0.65

 

CMYK 0 / 42 / 36 / 40

HEX #9A5A62

RGB 154 90 98

HSL 352.5, 0.26%, 0.48%

LAB 45.72, 27.27, 6.81

 

CMYK 0 / 37 / 32 / 33

HEX #AB6C75

RGB 171 108 117

HSL 351.43, 0.27%, 0.55%

LAB 52.58, 26.3, 5.55

 

CMYK 0 / 33 / 28 / 26

HEX #BC7E88

RGB 188 126 136

HSL 350.32, 0.32%, 0.62%

LAB 59.33, 25.44, 4.46

 

CMYK 0 / 30 / 24 / 20

HEX #CD909B

RGB 205 144 155

HSL 349.18, 0.38%, 0.68%

LAB 65.98, 24.65, 3.48

 

CMYK 0 / 27 / 22 / 13

HEX #DEA2AE

RGB 222 162 174

HSL 348, 0.48%, 0.75%

LAB 72.51, 23.94, 2.59

 

CMYK 0 / 40 / 31 / 42

HEX #955A67

RGB 149 90 103

HSL 346.78, 0.25%, 0.47%

LAB 45.19, 25.99, 2.93

 

CMYK 0 / 45 / 36 / 48

HEX #844854

RGB 132 72 84

HSL 348, 0.29%, 0.4%

LAB 38.16, 26.98, 4.23

 

CMYK 0 / 53 / 43 / 55

HEX #733641

RGB 115 54 65

HSL 349.18, 0.36%, 0.33%

LAB 31.03, 28.04, 5.86

 

CMYK 0 / 63 / 53 / 62

HEX #62242E

RGB 98 36 46

HSL 350.32, 0.46%, 0.26%

LAB 23.85, 29.06, 8.02

 

CMYK 0 / 78 / 67 / 68

HEX #51121B

RGB 81 18 27

HSL 351.43, 0.64%, 0.19%

LAB 16.8, 29.69, 11.17

 

CMYK 0 / 40 / 31 / 42

HEX #955967

RGB 149 89 103

HSL 346, 0.25%, 0.47%

LAB 44.96, 26.56, 2.59

 

CMYK 0 / 40 / 40 / 42

HEX #955959

RGB 149 89 89

HSL 0, 0.25%, 0.47%

LAB 44.6, 24.71, 10.58

 

CMYK 0 / 40 / 31 / 42

HEX #955967

RGB 149 89 103

HSL 346, 0.25%, 0.47%

LAB 44.96, 26.56, 2.59

 

CMYK 0 / 40 / 20 / 42

HEX #955977

RGB 149 89 119

HSL 330, 0.25%, 0.47%

LAB 45.45, 28.99, -6.41

 

CMYK 0 / 40 / 9 / 42

HEX #955987

RGB 149 89 135

HSL 314, 0.25%, 0.47%

LAB 46.02, 31.74, -15.21

 

CMYK 1 / 40 / 0 / 42

HEX #945995

RGB 148 89 149

HSL 299, 0.25%, 0.47%

LAB 46.46, 34.05, -22.93

 

CMYK 12 / 40 / 0 / 42

HEX #835995

RGB 131 89 149

HSL 282, 0.25%, 0.47%

LAB 44.43, 28.53, -26.23

 

CMYK 0 / 40 / 31 / 42

HEX #955967

RGB 149 89 103

HSL 346, 0.25%, 0.47%

LAB 44.96, 26.56, 2.59

 

CMYK 0 / 59 / 46 / 34

HEX #A9465C

RGB 169 70 92

HSL 346.67, 0.41%, 0.47%

LAB 43.64, 42.72, 7.82

 

CMYK 0 / 73 / 57 / 26

HEX #BC3351

RGB 188 51 81

HSL 346.86, 0.57%, 0.47%

LAB 43.73, 55.95, 15.27

 

CMYK 0 / 85 / 66 / 19

HEX #CF1F46

RGB 207 31 70

HSL 346.7, 0.74%, 0.47%

LAB 45.2, 66.2, 24.69

 

CMYK 0 / 95 / 74 / 11

HEX #E30C3B

RGB 227 12 59

HSL 346.88, 0.9%, 0.47%

LAB 48.15, 73.5, 35.85

 

CMYK 0 / 40 / 31 / 42

HEX #955967

RGB 149 89 103

HSL 346, 0.25%, 0.47%

LAB 44.96, 26.56, 2.59

 

CMYK 0 / 16 / 13 / 49

HEX #826D71

RGB 130 109 113

HSL 348.57, 0.09%, 0.47%

LAB 48.1, 8.98, 0.86

 

CMYK 13 / 0 / 3 / 50

HEX #6F807C

RGB 111 128 124

HSL 165.88, 0.07%, 0.47%

LAB 52.14, -7.06, 0.06

 

CMYK 39 / 0 / 9 / 42

HEX #5B9487

RGB 91 148 135

HSL 166.32, 0.24%, 0.47%

LAB 57.22, -21.85, 0.97

 

CMYK 57 / 0 / 13 / 35

HEX #48A792

RGB 72 167 146

HSL 166.74, 0.4%, 0.47%

LAB 62.58, -33.23, 2.44

 

CMYK 0 / 40 / 9 / 42

HEX #955987

RGB 149 89 135

HSL 314, 0.25%, 0.47%

LAB 46.02, 31.74, -15.21

 

CMYK 0 / 40 / 20 / 42

HEX #955977

RGB 149 89 119

HSL 330, 0.25%, 0.47%

LAB 45.45, 28.99, -6.41

 

CMYK 0 / 40 / 31 / 42

HEX #955967

RGB 149 89 103

HSL 346, 0.25%, 0.47%

LAB 44.96, 26.56, 2.59

 

CMYK 0 / 39 / 40 / 42

HEX #955B59

RGB 149 91 89

HSL 2, 0.25%, 0.47%

LAB 45.07, 23.57, 11.25

 

CMYK 0 / 28 / 40 / 42

HEX #956B59

RGB 149 107 89

HSL 18, 0.25%, 0.47%

LAB 49.04, 14.33, 16.71

 

CMYK 0 / 41 / 32 / 62

HEX #623A43

RGB 98 58 67

HSL 346.5, 0.26%, 0.31%

LAB 29.48, 19.01, 2

 

CMYK 0 / 40 / 31 / 51

HEX #7C4A55

RGB 124 74 85

HSL 346.8, 0.25%, 0.39%

LAB 37.55, 22.77, 2.58

 

CMYK 0 / 40 / 31 / 42

HEX #955967

RGB 149 89 103

HSL 346, 0.25%, 0.47%

LAB 44.96, 26.56, 2.59

 

CMYK 0 / 34 / 27 / 34

HEX #A96F7C

RGB 169 111 124

HSL 346.55, 0.25%, 0.55%

LAB 53.23, 24.84, 2.33

 

CMYK 0 / 26 / 20 / 28

HEX #B88993

RGB 184 137 147

HSL 347.23, 0.25%, 0.63%

LAB 61.82, 19.45, 1.69

 

CMYK 0 / 40 / 31 / 42

HEX #955A67

RGB 149 90 103

HSL 346.78, 0.25%, 0.47%

LAB 45.19, 25.99, 2.93

 

CMYK 0 / 1 / 40 / 42

HEX #959359

RGB 149 147 89

HSL 58, 0.25%, 0.47%

LAB 59.87, -8.25, 30.95

 

CMYK 40 / 15 / 0 / 42

HEX #597F95

RGB 89 127 149

HSL 202, 0.25%, 0.47%

LAB 51.24, -7.36, -16.06

 

CMYK 0 / 40 / 31 / 42

HEX #955A67

RGB 149 90 103

HSL 346.78, 0.25%, 0.47%

LAB 45.19, 25.99, 2.93

 

CMYK 31 / 0 / 40 / 42

HEX #679559

RGB 103 149 89

HSL 106, 0.25%, 0.47%

LAB 57.17, -27.5, 26.83

 

CMYK 40 / 31 / 0 / 42

HEX #596795

RGB 89 103 149

HSL 226, 0.25%, 0.47%

LAB 44.22, 6.93, -26.85

 

CMYK 0 / 40 / 31 / 42

HEX #955A67

RGB 149 90 103

HSL 346.78, 0.25%, 0.47%

LAB 45.19, 25.99, 2.93

 

CMYK 0 / 1 / 40 / 42

HEX #959359

RGB 149 147 89

HSL 58, 0.25%, 0.47%

LAB 59.87, -8.25, 30.95

 

CMYK 40 / 0 / 9 / 42

HEX #599587

RGB 89 149 135

HSL 166, 0.25%, 0.47%

LAB 57.43, -22.94, 1.26

 

CMYK 40 / 39 / 0 / 42

HEX #595B95

RGB 89 91 149

HSL 238, 0.25%, 0.47%

LAB 40.86, 14.41, -32.12

 

CMYK 0 / 40 / 31 / 42

HEX #955A67

RGB 149 90 103

HSL 346.78, 0.25%, 0.47%

LAB 45.19, 25.99, 2.93

 

CMYK 11 / 0 / 40 / 42

HEX #859559

RGB 133 149 89

HSL 76, 0.25%, 0.47%

LAB 59.16, -15.94, 29.78

 

CMYK 40 / 0 / 9 / 42

HEX #599587

RGB 89 149 135

HSL 166, 0.25%, 0.47%

LAB 57.43, -22.94, 1.26

 

CMYK 30 / 40 / 0 / 42

HEX #695995

RGB 105 89 149

HSL 256, 0.25%, 0.47%

LAB 41.72, 20.35, -30.67

 

Description

Color code: RGB 149 90 103 | qconv.com Color code: RGB 149 90 103 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 90 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 90 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 31 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 31% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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