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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955959 it is the complementary color #6AA6A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955959. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #955959: #9A5954, #AB6B67, #BC7D7A, #CD8F8D and #DEA1A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955959. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #955959: #955959, #844746, #733533, #622320 and #51110D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 40 / 42

HEX #955959

RGB 149 89 89

HSL 0, 0.25%, 0.47%

LAB 44.6, 24.71, 10.58

 

Complementary color

CMYK 36 / 0 / 0 / 35

HEX #6AA6A6

RGB 106 166 166

HSL 180, 0.25%, 0.53%

LAB 64.23, -19.34, -6.17

 

CMYK 0 / 42 / 45 / 40

HEX #9A5954

RGB 154 89 84

HSL 4.29, 0.29%, 0.47%

LAB 45.16, 26.15, 14.49

 

CMYK 0 / 37 / 40 / 33

HEX #AB6B67

RGB 171 107 103

HSL 3.53, 0.29%, 0.54%

LAB 52.01, 25.07, 12.98

 

CMYK 0 / 34 / 35 / 26

HEX #BC7D7A

RGB 188 125 122

HSL 2.73, 0.33%, 0.61%

LAB 58.76, 24.11, 11.68

 

CMYK 0 / 30 / 31 / 20

HEX #CD8F8D

RGB 205 143 141

HSL 1.87, 0.39%, 0.68%

LAB 65.39, 23.25, 10.53

 

CMYK 0 / 27 / 28 / 13

HEX #DEA1A0

RGB 222 161 160

HSL 0.97, 0.48%, 0.75%

LAB 71.93, 22.49, 9.48

 

CMYK 0 / 40 / 40 / 42

HEX #955959

RGB 149 89 89

HSL 0, 0.25%, 0.47%

LAB 44.6, 24.71, 10.58

 

CMYK 0 / 46 / 47 / 48

HEX #844746

RGB 132 71 70

HSL 0.97, 0.31%, 0.4%

LAB 37.58, 25.84, 12.19

 

CMYK 0 / 54 / 56 / 55

HEX #733533

RGB 115 53 51

HSL 1.88, 0.39%, 0.33%

LAB 30.47, 27.08, 14.19

 

CMYK 0 / 64 / 67 / 62

HEX #622320

RGB 98 35 32

HSL 2.73, 0.51%, 0.25%

LAB 23.35, 28.36, 16.81

 

CMYK 0 / 79 / 84 / 68

HEX #51110D

RGB 81 17 13

HSL 3.53, 0.72%, 0.18%

LAB 16.4, 29.28, 19.58

 

CMYK 0 / 40 / 40 / 42

HEX #955959

RGB 149 89 89

HSL 0, 0.25%, 0.47%

LAB 44.6, 24.71, 10.58

 

CMYK 0 / 34 / 40 / 42

HEX #956359

RGB 149 99 89

HSL 10, 0.25%, 0.47%

LAB 47.02, 18.96, 13.94

 

CMYK 0 / 27 / 40 / 42

HEX #956D59

RGB 149 109 89

HSL 20, 0.25%, 0.47%

LAB 49.55, 13.17, 17.41

 

CMYK 0 / 20 / 40 / 42

HEX #957759

RGB 149 119 89

HSL 30, 0.25%, 0.47%

LAB 52.18, 7.4, 20.94

 

CMYK 0 / 13 / 40 / 42

HEX #958159

RGB 149 129 89

HSL 40, 0.25%, 0.47%

LAB 54.88, 1.71, 24.5

 

CMYK 0 / 40 / 40 / 42

HEX #955959

RGB 149 89 89

HSL 0, 0.25%, 0.47%

LAB 44.6, 24.71, 10.58

 

CMYK 0 / 41 / 41 / 22

HEX #C87777

RGB 200 119 119

HSL 0, 0.42%, 0.63%

LAB 58.79, 31.67, 13.68

 

CMYK 0 / 40 / 40 / 2

HEX #FB9696

RGB 251 150 150

HSL 0, 0.93%, 0.79%

LAB 72.58, 37.85, 16.39

 

CMYK 0 / 40 / 40 / 82

HEX #2F1C1C

RGB 47 28 28

HSL 0, 0.25%, 0.15%

LAB 12.73, 9.38, 3.85

 

CMYK 0 / 40 / 40 / 62

HEX #623B3B

RGB 98 59 59

HSL 0, 0.25%, 0.31%

LAB 29.51, 17.23, 7.27

 

CMYK 0 / 40 / 40 / 42

HEX #955959

RGB 149 89 89

HSL 0, 0.25%, 0.47%

LAB 44.6, 24.71, 10.58

 

CMYK 8 / 0 / 40 / 42

HEX #899559

RGB 137 149 89

HSL 72, 0.25%, 0.47%

LAB 59.47, -14.31, 30.24

 

CMYK 40 / 24 / 0 / 42

HEX #597195

RGB 89 113 149

HSL 216, 0.25%, 0.47%

LAB 47.11, 0.85, -22.37

 

CMYK 0 / 40 / 40 / 42

HEX #955959

RGB 149 89 89

HSL 0, 0.25%, 0.47%

LAB 44.6, 24.71, 10.58

 

CMYK 40 / 0 / 40 / 42

HEX #599559

RGB 89 149 89

HSL 120, 0.25%, 0.47%

LAB 56.43, -32.3, 25.71

 

CMYK 40 / 40 / 0 / 42

HEX #595995

RGB 89 89 149

HSL 240, 0.25%, 0.47%

LAB 40.31, 15.67, -32.98

 

CMYK 0 / 40 / 40 / 42

HEX #955959

RGB 149 89 89

HSL 0, 0.25%, 0.47%

LAB 44.6, 24.71, 10.58

 

CMYK 8 / 0 / 40 / 42

HEX #899559

RGB 137 149 89

HSL 72, 0.25%, 0.47%

LAB 59.47, -14.31, 30.24

 

CMYK 40 / 0 / 0 / 42

HEX #599595

RGB 89 149 149

HSL 180, 0.25%, 0.47%

LAB 57.84, -19.42, -6.14

 

CMYK 32 / 40 / 0 / 42

HEX #655995

RGB 101 89 149

HSL 252, 0.25%, 0.47%

LAB 41.35, 19.15, -31.28

 

CMYK 0 / 40 / 40 / 42

HEX #955959

RGB 149 89 89

HSL 0, 0.25%, 0.47%

LAB 44.6, 24.71, 10.58

 

CMYK 20 / 0 / 40 / 42

HEX #779559

RGB 119 149 89

HSL 90, 0.25%, 0.47%

LAB 58.17, -21.51, 28.31

 

CMYK 40 / 0 / 0 / 42

HEX #599595

RGB 89 149 149

HSL 180, 0.25%, 0.47%

LAB 57.84, -19.42, -6.14

 

CMYK 20 / 40 / 0 / 42

HEX #775995

RGB 119 89 149

HSL 270, 0.25%, 0.47%

LAB 43.12, 24.7, -28.38

 

Description

Color code: HEX #955959 | qconv.com Color code: HEX #955959 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 89 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 89 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 40 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 40% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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