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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 51 31 it is the complementary color RGB 106 204 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 51 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 149 51 31: RGB 154 51 26, RGB 171 69 45, RGB 188 87 64, RGB 205 105 83 and RGB 222 123 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 51 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 149 51 31: RGB 149 51 31, RGB 132 33 12, RGB 115 15 0, RGB 98 0 0 and RGB 81 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 79 / 42

HEX #95331F

RGB 149 51 31

HSL 10.17, 0.66%, 0.35%

LAB 35.71, 40.09, 34.05

 

Complementary color

CMYK 53 / 9 / 0 / 12

HEX #6ACCE0

RGB 106 204 224

HSL 190.17, 0.66%, 0.65%

LAB 77.06, -23.36, -18.75

 

CMYK 0 / 67 / 83 / 40

HEX #9A331A

RGB 154 51 26

HSL 11.72, 0.71%, 0.35%

LAB 36.58, 41.74, 37.88

 

CMYK 0 / 60 / 74 / 33

HEX #AB452D

RGB 171 69 45

HSL 11.43, 0.58%, 0.42%

LAB 42.92, 40.41, 35.16

 

CMYK 0 / 54 / 66 / 26

HEX #BC5740

RGB 188 87 64

HSL 11.13, 0.49%, 0.49%

LAB 49.35, 39, 32.63

 

CMYK 0 / 49 / 60 / 20

HEX #CD6953

RGB 205 105 83

HSL 10.82, 0.55%, 0.56%

LAB 55.79, 37.62, 30.4

 

CMYK 0 / 45 / 54 / 13

HEX #DE7B66

RGB 222 123 102

HSL 10.5, 0.65%, 0.64%

LAB 62.22, 36.32, 28.44

 

CMYK 0 / 66 / 79 / 42

HEX #95331F

RGB 149 51 31

HSL 10.17, 0.66%, 0.35%

LAB 35.71, 40.09, 34.05

 

CMYK 0 / 75 / 91 / 48

HEX #84210C

RGB 132 33 12

HSL 10.5, 0.83%, 0.28%

LAB 29.46, 41.07, 36.84

 

CMYK 0 / 87 / 100 / 55

HEX #730F00

RGB 115 15 0

HSL 7.83, 1%, 0.23%

LAB 23.63, 41.16, 35.19

 

CMYK 0 / 100 / 100 / 62

HEX #620000

RGB 98 0 0

HSL 0, 1%, 0.19%

LAB 18.35, 39.75, 28.27

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 66 / 79 / 42

HEX #95331F

RGB 149 51 31

HSL 10.17, 0.66%, 0.35%

LAB 35.71, 40.09, 34.05

 

CMYK 0 / 53 / 80 / 42

HEX #94451E

RGB 148 69 30

HSL 19.83, 0.66%, 0.35%

LAB 38.98, 30.65, 37.83

 

CMYK 0 / 40 / 80 / 42

HEX #94591E

RGB 148 89 30

HSL 30, 0.66%, 0.35%

LAB 43.56, 19.48, 42.3

 

CMYK 0 / 27 / 80 / 42

HEX #946C1E

RGB 148 108 30

HSL 39.66, 0.66%, 0.35%

LAB 48.4, 8.51, 46.89

 

CMYK 0 / 14 / 80 / 42

HEX #94801E

RGB 148 128 30

HSL 49.83, 0.66%, 0.35%

LAB 53.84, -2.83, 51.9

 

CMYK 0 / 66 / 79 / 42

HEX #95331F

RGB 149 51 31

HSL 10.17, 0.66%, 0.35%

LAB 35.71, 40.09, 34.05

 

CMYK 0 / 66 / 79 / 22

HEX #C8442A

RGB 200 68 42

HSL 9.87, 0.65%, 0.47%

LAB 47.73, 51.15, 43.36

 

CMYK 0 / 66 / 79 / 2

HEX #FB5634

RGB 251 86 52

HSL 10.25, 0.96%, 0.59%

LAB 59.35, 61.2, 52.83

 

CMYK 0 / 66 / 79 / 82

HEX #2F100A

RGB 47 16 10

HSL 9.73, 0.65%, 0.11%

LAB 8.97, 15.32, 9.66

 

CMYK 0 / 65 / 80 / 62

HEX #622214

RGB 98 34 20

HSL 10.77, 0.66%, 0.23%

LAB 22.97, 28.14, 24.07

 

CMYK 0 / 66 / 79 / 42

HEX #95331F

RGB 149 51 31

HSL 10.17, 0.66%, 0.35%

LAB 35.71, 40.09, 34.05

 

CMYK 30 / 0 / 80 / 42

HEX #68941E

RGB 104 148 30

HSL 82.37, 0.66%, 0.35%

LAB 56.3, -32.54, 52.89

 

CMYK 80 / 61 / 0 / 42

HEX #1E3994

RGB 30 57 148

HSL 226.27, 0.66%, 0.35%

LAB 27.68, 24.67, -52.86

 

CMYK 0 / 66 / 79 / 42

HEX #95331F

RGB 149 51 31

HSL 10.17, 0.66%, 0.35%

LAB 35.71, 40.09, 34.05

 

CMYK 80 / 0 / 67 / 42

HEX #1E9431

RGB 30 148 49

HSL 129.66, 0.66%, 0.35%

LAB 53.68, -51.78, 42.08

 

CMYK 67 / 80 / 0 / 42

HEX #311E94

RGB 49 30 148

HSL 249.66, 0.66%, 0.35%

LAB 22.72, 43.44, -60.97

 

CMYK 0 / 66 / 79 / 42

HEX #95331F

RGB 149 51 31

HSL 10.17, 0.66%, 0.35%

LAB 35.71, 40.09, 34.05

 

CMYK 30 / 0 / 80 / 42

HEX #68941E

RGB 104 148 30

HSL 82.37, 0.66%, 0.35%

LAB 56.3, -32.54, 52.89

 

CMYK 80 / 14 / 0 / 42

HEX #1E8094

RGB 30 128 148

HSL 190.17, 0.66%, 0.35%

LAB 49.32, -20.02, -18.6

 

CMYK 51 / 80 / 0 / 42

HEX #491E94

RGB 73 30 148

HSL 261.86, 0.66%, 0.35%

LAB 25.21, 46.47, -56.78

 

CMYK 0 / 66 / 79 / 42

HEX #95331F

RGB 149 51 31

HSL 10.17, 0.66%, 0.35%

LAB 35.71, 40.09, 34.05

 

CMYK 53 / 0 / 80 / 42

HEX #45941E

RGB 69 148 30

HSL 100.17, 0.66%, 0.35%

LAB 54.59, -44.84, 50.68

 

CMYK 80 / 14 / 0 / 42

HEX #1E8094

RGB 30 128 148

HSL 190.17, 0.66%, 0.35%

LAB 49.32, -20.02, -18.6

 

CMYK 27 / 80 / 0 / 42

HEX #6C1E94

RGB 108 30 148

HSL 279.66, 0.66%, 0.35%

LAB 30.05, 52.31, -48.68

 

Description

Color code: RGB 149 51 31 | qconv.com Color code: RGB 149 51 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 51 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 51 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 79 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 79% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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